Jane And The Prisoner Of Wool House

In her sixth engrossing outing, Jane Austen employs her delicious wit and family ties to the Royal Navy in a case of murder on the high seas. Somewhere in the picturesque British port of Southampton, among a crew of colorful, eccentric, and fiercely individual souls, a killer has come ashore. And only Jane can fathom the depths of his ruthless mind.... Jane and the Prisoner of Wool House “I will assert that sailors are endowed with greater worth than any set of men in England.” So muses Jane Austen as she stands in the buffeting wind of Southampton’s quay beside her brother Frank on a raw February morning. Frank, a post captain in the Royal Navy, is without a ship to command, and his best prospect is the Stella Maris, a fast frigate captained by his old friend Tom Seagrave. “Lucky” Tom — so dubbed for his habit of besting enemy ships — is presently in disgrace, charged with violating the Articles of War. Tom’s first lieutenant, Eustace Chessyre, has accused Seagrave of murder in the death of a French captain after the surrender of his ship. Though Lucky Tom denies the charge, his dagger was found in the dead man’s chest. Now Seagrave faces court-martial and execution for a crime he swears he did not commit. Frank, deeply grieved, is certain his friend will hang. But Jane reasons that either Seagrave or Chessyre is lying — and that she and Frank have a duty to discover the truth. The search for the captain’s honor carries them into the troubled heart of Seagrave’s family, through some of the seaport’s worst sinkholes, and at long last to Wool House, the barred brick structure that serves as gaol for French prisoners of war. Risking contagion or worse, Jane agrees to nurse the murdered French captain’s imprisoned crew — and elicits a debonair surgeon’s account of the Stella Maris’s battle that appears to clear Tom Seagrave of all guilt. When Eustace Chessyre is found murdered, the entire affair takes on the appearance of an insidious plot against Seagrave, who is charged with the crime. Could any of his naval colleagues wish him dead? In an era of turbulent intrigue and contested amour, could it be a case of cherchez la femme ... or a veiled political foe at work? And what of the sealed orders under which Seagrave embarked that fateful night in the Stella Maris? Death knocks again at Jane’s own door before the final knots in the killer’s net are completely untangled. Always surprising, Jane and the Prisoner of Wool House is an intelligent and intriguing mystery that introduces Jane and her readers to “the naval set” — and charts a true course through the amateur sleuth’s most troubled waters yet.

Like other fictional characters, female sleuths may live in the past or the future. They may represent current times with some level of reality or shape their settings to suit an agenda. There are audiences for both realism and escapism in the mystery novel. It is interesting, however, to compare the fictional world of the mystery sleuth with the world in which readers live. Of course, mystery readers do not share one simplistic world. They live in urban, suburban, and rural areas, as do the female heroines in the books they read. They may choose a book because it has a familiar background or because it takes them to places they long to visit. Readers may be rich or poor; young or old; conservative or liberal. So are the heroines. What incredible choices there are today in mystery series! This three-volume encyclopedia of women characters in the mystery novel is like a gigantic menu. Like a menu, the descriptions of the items that are provided are subjective. Volume 3 of Mystery Women as currently updated adds an additional 42 sleuths to the 500 plus who were covered in the initial Volume 3. These are more recently discovered sleuths who were introduced during the period from January 1, 1990 to December 31, 1999. This more than doubles the number of sleuths introduced in the 1980s (298 of whom were covered in Volume 2) and easily exceeded the 347 series (and some outstanding individuals) described in Volume 1, which covered a 130-year period from 1860-1979. It also includes updates on those individuals covered in the first edition; changes in status, short reviews of books published since the first edition through December 31, 2008.

Written for readers at all levels, this book situates Jane Austen in her time, and for all times. It provides a biography; locates her work in the context of literary history and criticism; explores her fiction; and features an encyclopedic, readable resource on the people, places and things of relevance to Austen the person and writer. Details on family members, beaux, friends, national affairs, church and state politics, themes, tropes, and literary devices ground the reader in Austen's world. Appendices offer resources for further reading and consider the massive modern industry that has grown up around Austen and her works.

This volume explores the multiple connections between the two most canonical authors in English, Jane Austen and William Shakespeare. The collection reflects on the historical, literary, critical and filmic links between the authors and their fates. Considering the implications of the popular cult of Austen and Shakespeare, the essays are interdisciplinary and comparative: ranging from Austen’s and Shakespeare’s biographies to their presence in the modern vampire saga Twilight, passing by Shakespearean echoes in Austen’s novels and the authors’ afterlives on the improv stage, in wartime cinema, modern biopics and crime fiction. The volume concludes with an account of the Exhibition “Will & Jane” at the Folger Shakespeare Library, which literally brought the two authors together in the autumn of 2016. Collectively, the essays mark and celebrate what we have called the long-standing “love affair” between William Shakespeare and Jane Austen—over 200 years and counting.

In her seventh captivating adventure, Jane Austen finds her crime-solving mettle put to the test in a confounding case of intrigue, murder, and high treason. Among the haunted ruins of an ancient abbey, Jane is drawn into a shadow world of dangerous secrets and traitorous hearts where not only her life is at stake—but the fate of England. As Jane Austen stands before the abandoned ruins of Netley Abbey, she imagines that ghosts really do haunt the centuries-old monastery. But the green-cloaked figure who startles her is all too human and he bears an unexpected missive from Lord Harold Trowbridge, one of the British government’s most trusted advisers—and a man who holds a high place in Jane’s life.Trowbridge tells Jane about a suspected traitor in their midst—and the disastrous consequences if she succeeds. But is Sophia Challoner, a beautiful widow with rumored ties to Emperor Bonaparte, really an agent of the enemy? Dispatched to Netley Lodge, Jane sets about gaining the confidence of the mysterious and intriguing lady even as Trowbridge’s grim prediction bears fruit: a British frigate is set afire and its shipwright found with his throat cut.It’s clear that someone is waging a clandestine war of terror and murder. But before Jane can follow the trail of conspiracy to its source and unmask a calculating killer, the cold hand of murder will fall mercilessly yet again—and suddenly Jane may find herself dying for her country. Elegantly intriguing, Jane and the Ghosts of Netley is a beautifully crafted novel of wit, character, and suspense that transports Jane and her many fans into a mystery of truly historical proportions—and a case that will test the amateur sleuth’s true colors under fire.

Three years after news of her scandalous husband’s death, Adelaide Fiske is at the altar again, her groom a soldier on the Marquis of Wellington’s staff. The prospects seem bright for one of the most notorious women in Kent—until Jane Austen discovers a corpse on the ancient Pilgrim’s Way that runs through her brother Edward’s estate. As First Magistrate for Canterbury, Edward is forced to investigate, with Jane as his reluctant assistant. But she rises to the challenge and leaves no stone unturned, discovering mysteries deeper than she could have anticipated. It seems that Adelaide’s previous husband has returned for the new couple’s nuptials—only this time, genuinely, profoundly dead. But when a second corpse appears beside the ancient Pilgrim’s Way, Jane has no choice but to confront a murderer, lest the next corpse be her own.

The restorative power of the ocean brings Jane Austen and her beloved brother Henry, to Brighton after Henry’s wife is lost to a long illness. But the crowded, glittering resort is far from peaceful, especially when the lifeless body of a beautiful young society miss is discovered in the bedchamber of none other than George Gordon—otherwise known as Lord Byron. As a poet and a seducer of women, Byron has carved out a shocking reputation for himself—but no one would ever accuse him of being capable of murder. Now it falls to Jane to pursue this puzzling investigation and discover just how “mad, bad, and dangerous to know” Byron truly is. And she must do so without falling victim to the charming versifier’s legendary charisma, lest she, too, become a cautionary example for the ages.

In her latest spellbinding escapade, Jane Austen arrives in London to watch over the printing of her first novel, and finds herself embroiled in a crime that could end more than her career. For it is up to Jane to tease a murderer out of the ton, lest she—and her country—suffer a dastardly demise.… On the heels of completing Sense and Sensibility, Jane heads to Sloane Street for a monthlong visit with her brother Henry and his wife, Eliza. Hobnobbing with the Fashionable Great at the height of the Season, Jane is well aware of their secrets and peccadilloes. But even she is surprised when the intimate correspondence between a Russian princess and a prominent Tory minister is published in the papers for all to see. More shocking, the disgraced beauty is soon found with her throat slit on Lord Castlereagh’s very doorstep. Everyone who’s anyone in high society is certain the spurned princess committed the violence upon herself. But Jane is unconvinced. Nor does she believe the minister guilty of so grisly and public a crime. Jane, however, is willing to let someone else investigate—until a quirk of fate thrusts her and Eliza into the heart of the case…as prime suspects! Striking a bargain with the authorities, Jane secures seven days to save herself and Eliza from hanging. But as her quest to unmask a killer takes her from the halls of government to the drawing rooms of London’s most celebrated courtesan, only one thing is sure: her failure will not only cut short her life. It could lead to England’s downfall. A compulsively readable, uncommonly elegant novel of historical suspense, Jane and the Barque of Frailty once again proves Jane Austen a sleuth to be reckoned with.