Jane S Legacy

It's with a heavy heart that Jane Austen takes up a new residence at Chawton Cottage in Hampshire. Secretly mourning the lost love of her life, she's stunned to learn that the late Lord Harold Trowbridge has made her heir to an extraordinary bequest: a Bengal chest filled with his diaries, letters, and most intimate correspondence. From these, Jane is expected to write a memoir of the Gentleman Rogue for posterity. But before she can put pen to paper on this labor of love, she discovers a corpse in the cellar of her new home. The dead man was a common laborer, and a subsequent coroner's examination shows he was murdered elsewhere and transported to Chawton Cottage. Suddenly Jane and her family are thrust into the center of a brewing scandal in this provincial village that doesn't take kindly to outsiders in general—and to Austens in particular. And just as Jane glimpses a connection between the murder and the shattering truth concealed somewhere in Lord Harold's papers, violent death strikes yet another unsuspecting vicitim. Suddenly there are suspects and motives everywhere Jane looks—local burglaries, thwarted passions, would-be knights, and members of the royal family itself who want Lord Harold hushed . . . even in death. As the tale of one man's illustrious life unfolds—a life that runs a parallel course to the history of two continents—Jane races against time to catch a cunning killer before more innocent lives are taken. But her determination to protect Lord Harold's legacy could exact the costliest price of all: her own life. Jane and His Lordship's Legacy is historical suspense writing at its very finest, graced with insight, perception, and uncommon intelligence of its singular heroine in a mystery that will test the mettle of her mind and heart.

Jane raced into history on Destiny, now she continues her journey and wins The Three Jewels a second time on Ruff `n Redy. Her legacy is sealed when the `Yank¿ goes to London & wins the Queen¿s Darby!

Exploring the literary microcosm inspired by Brontë's debut novel, Jane Eyre's Fairytale Legacy at Home and Abroad focuses on the nationalistic stakes of the mythic and fairytale paradigms that were incorporated into the heroic female bildungsroman tradition. Jane Eyre, Abigail Heiniger argues, is a heroic changeling indebted to the regional, pre-Victorian fairy lore Charlotte Brontë heard and read in Haworth, an influence that Brontë repudiates in her last novel, Villette. While this heroic figure inspired a range of female writers on both sides of the Atlantic, Heiniger suggests that the regional aspects of the changeling were especially attractive to North American writers such as Susan Warner and L.M. Montgomery who responded to Jane Eyre as part of the Cinderella tradition. Heiniger contrasts the reactions of these white women writers with that of Hannah Crafts, whose Jane Eyre-influenced The Bondwoman's Narrative rejects the Cinderella model. Instead, Heiniger shows, Crafts creates a heroic female bildungsroman that critiques fairytale narratives from the viewpoint of the obscure, oppressed workers who remain forever outside the tales of wonder produced for middle-class consumption. Heiniger concludes by demonstrating how Brontë's middle-class American readers projected the self-rise ethic onto Jane Eyre, miring the novel in nineteenth-century narratives of American identity formation.

August 8, 1944, the war in Europe is bleeding to a close. The scion of a prominent New York family, US Army Lt. Col. Jacob Jay Rosenthal discovers six paintings, the works of great masters, in the bunker of a battle-battered mansion of a Nazi colonel in Frth, Germany. Deftly, he smuggles two of them to a Swiss bank vault, the others to New York City as hes deployed home. Three generations of Rosenthals commit themselves to finding the rightful owners, victims or heirs. Prophetically, Jay shunned restitution by governments, knowing that legitimate claimants would face the deceptions and ineptness of sputtering bureaucracies. The Rosenthals encounter illicit trading networks of ex-Nazis, tax-evading free-trade zone systems, and legal barriers and technicalities lobbied into place by a few great American and European museums. The Rosenthal weltanschaung never curdles, even as Jays daughter-in-law is murdered by hired German gangsters. Another family member dies mysteriously as her small plane hits a mountain near Nice, France, each having come close to finding the rightful owners. As Jacobs legacy seems a lost cause, his grandsons swampy deal to sell the billion-dollar collection suddenly disintegrates and for the right reasons. Set in New York City, the Hamptons, Monte Carlo, and Paris, the realities of illicit trade in Nazi-confiscated art coagulate into a corroborated denial of justice.

"Published to coincide with the exhibition A Legacy for Learning: The Jane and Raphael Bernstein Collection, organized by John R. Stomberg. Exhibition installations were on view at the Hood Museum of Art between August 22, 2020 and April 11, 2021"--

This carefully crafted ebook: "Pride and Prejudice & Sense and Sensibility" is formatted for your eReader with a functional and detailed table of contents. "Pride and Prejudice" – Mr. Bennet of the Longbourn estate has five daughters, but his property is entailed, meaning that none of the girls can inherit it. His wife has no fortune, so it is imperative that at least one of the girls marry well in order to support the others on his death. The story charts the emotional development of Elizabeth Bennet who learns the error of making hasty judgments and comes to appreciate the difference between the superficial and the essential. "Sense and Sensibility" – When Mr. Henry Dashwood dies, his house, Norland Park, must pass directly to his grandson, the son of John Dashwood, the child of the elder Dashwood's first wife. His second wife, Mrs. Dashwood, and their daughters, Elinor, Marianne and Margaret, inherit only a small income, but John makes a promise to his father that he will take care of his half-sisters. However, John's greedy wife, Fanny, persuades him to renege on the promise and the Dashwood women soon become the unwelcome guests in Norland Park. Mrs. Dashwood decides to move her family to Barton Cottage in Devonshire, near the home of her cousin, Sir John Middleton.

Exploring the literary microcosm inspired by Brontë's debut novel, Jane Eyre's Fairytale Legacy at Home and Abroad focuses on the nationalistic stakes of the mythic and fairytale paradigms that were incorporated into the heroic female bildungsroman tradition. Jane Eyre, Abigail Heiniger argues, is a heroic changeling indebted to the regional, pre-Victorian fairy lore Charlotte Brontë heard and read in Haworth, an influence that Brontë repudiates in her last novel, Villette. While this heroic figure inspired a range of female writers on both sides of the Atlantic, Heiniger suggests that the regional aspects of the changeling were especially attractive to North American writers such as Susan Warner and L.M. Montgomery who responded to Jane Eyre as part of the Cinderella tradition. Heiniger contrasts the reactions of these white women writers with that of Hannah Crafts, whose Jane Eyre-influenced The Bondwoman's Narrative rejects the Cinderella model. Instead, Heiniger shows, Crafts creates a heroic female bildungsroman that critiques fairytale narratives from the viewpoint of the obscure, oppressed workers who remain forever outside the tales of wonder produced for middle-class consumption. Heiniger concludes by demonstrating how Brontë's middle-class American readers projected the self-rise ethic onto Jane Eyre, miring the novel in nineteenth-century narratives of American identity formation.