Jasmine Zumideh Needs A Win

Most Anticipated YA by Buzzfeed, BookRiot, Epic Reads, Publishers Weekly, and more! A fresh spin on the cult-classic Election meets Darius the Great Is Not Okay in Jasmine Zumideh Needs a Win when an international incident crashes into a high school election, and Jasmine is caught between doing the right thing and chasing her dream. It’s 1979, and Jasmine Zumideh is ready to get the heck out of her stale, Southern California suburb and into her dream school, NYU, where she’ll major in journalism and cover New York City’s exploding music scene. There’s just one teeny problem: Due to a deadline snafu, she maaaaaaybe said she was Senior Class President-Elect on her application—before the election takes place. But honestly, she’s running against Gerald Thomas, a rigid rule-follower whose platform includes reinstating a dress code—there’s no way she can lose. And she better not, or she’ll never get into NYU. But then, a real-life international incident turns the election upside down. Iran suddenly dominates the nightly news, and her opponent seizes the opportunity to stir up anti-Iranian hysteria at school and turn the electorate against her. Her brother, Ali, is no help. He’s become an outspoken advocate for Iran just as she’s trying to downplay her heritage. Now, as the white lie she told snowballs into an avalanche, Jasmine is stuck between claiming her heritage or hiding it, standing by her outspoken brother or turning her back on him, winning the election or abandoning her dreams for good. Told with biting insight and fierce humor, Susan Azim Boyer's Jasmine Zumideh Needs a Win is a fresh, unforgettable story of one Iranian-American young woman’s experience navigating her identity, friendship, family, her future, and a budding romance, all set against life-changing historical events with present-day relevance.

“A sharp-witted and illuminating, impressive sophomore novel.” - Isaac Blum, author of the award-nominated The Life and Crimes of Hoodie Rosen Two half-siblings who have never met embark on a search together for the Iranian immigrant and U.S. Army veteran father they never knew. Samira Murphy will do anything to keep her fractured family from falling apart, including caring for her widowed grandmother and getting her older brother into recovery for alcohol addiction. With attendance at her dream college on the line, she takes a long shot DNA test to find the support she so desperately needs from a father she hasn’t seen since she was a baby. Henry Owen is torn between his well-meaning but unreliable bio-mom and his overly strict aunt and uncle, who stepped in to raise him but don’t seem to see him for who he is. Looking to forge a stronger connection to his own identity, he takes a DNA test to find the one person who might love him for exactly who he is—the biological father he never knew. Instead of a DNA match with their father, Samira and Henry are matched with each other. They begin to search for their father together and slowly unravel the difficult truth of their shared past, forming a connection that only siblings can have and recovering precious parts of their past that have been lost. Brimming with emotional resonance, Susan Azim Boyer's The Search for Us beautifully renders what it means to find your place in the world through the deep and abiding power of family.

“The bitingly hilarious, heartfelt This May End Badly takes your favorite fake dating trope and adds plenty of downright delightful shenanigans that’ll have readers tearing through the pages.”—Emma Lord, New York Times bestselling author of You Have a Match Pranking mastermind Doe and her motley band of Weston girls are determined to win the century-long war against Winfield Academy before the clock ticks down on their senior year. But when their headmistress announces that The Weston School will merge with its rival the following year, their longtime feud spirals into chaos. To protect the school that has been her safe haven since her parents’ divorce, Doe puts together a plan to prove once and for all that Winfield boys and Weston girls just don’t mix, starting with a direct hit at Three, Winfield’s boy king and her nemesis. In a desperate move to win, Doe strikes a bargain with Three’s cousin, Wells: If he fake dates her to get under Three’s skin, she’ll help him get back his rightful family heirloom from Three. As the pranks escalate, so do her feelings for her fake boyfriend, and Doe spins lie after lie to keep up her end of the deal. But when a teacher long suspected of inappropriate behavior messes with a younger Weston girl, Doe has to decide what’s more important: winning a rivalry, or joining forces to protect something far more critical than a prank war legacy. This May End Badly is a story about friendship, falling in love, and crossing pretty much every line presented to you—and how to atone when you do.

While much has been written about the impact of the 1979 Islamic revolution on life in Iran, discussions about the everyday life of Iranian women have been glaringly missing. Women in Place offers a gripping inquiry into gender segregation policies and women’s rights in contemporary Iran. Author Nazanin Shahrokni takes us onto gender-segregated buses, inside a women-only park, and outside the closed doors of stadiums where women are banned from attending men’s soccer matches. The Islamic character of the state, she demonstrates, has had to coexist, fuse, and compete with technocratic imperatives, pragmatic considerations regarding the viability of the state, international influences, and global trends. Through a retelling of the past four decades of state policy regulating gender boundaries, Women in Place challenges notions of the Iranian state as overly unitary, ideological, and isolated from social forces and pushes us to contemplate the changing place of women in a social order shaped by capitalism, state-sanctioned Islamism, and debates about women’s rights. Shahrokni throws into sharp relief the ways in which the state strives to constantly regulate and contain women’s bodies and movements within the boundaries of the “proper” but simultaneously invests in and claims credit for their expanded access to public spaces.