Jazz Guitar Chord Thesaurus

(Guitar Educational). To become fluent in the language of jazz and music in general, musicians must develop equality of all twelve keys. The goal of this book is not only to provide a reference for learning chord fingerings, but to offer a daily practice routine to increase the guitarist's vocabulary of chords. This book will provide a clear cut path to learning all the inversions of seventh chords by using the two main building blocks of jazz harmony: major and minor ii-V-I chord progressions. The audio includes backup tracks to 10 jazz standards to allow guitarists to apply their new chord vocabulary.

Since its publication in 1947, great musicians and composers of all genres, from Arnold Schoenberg and Virgil Thomson to John Coltrane and Freddie Hubbard, have sworn by this legendary volume and its comprehensive vocabulary of melodic patterns for composition and improvisation. Think about this book as a melodic reference manual or plot wheel. Looking for new material to add to your playing instruction, improvisations, or composition? This book has more than you'll ever be able to use. Many serious musicians have a copy of this lying around somewhere.

(Berklee Guide). This chord dictionary from the assistant chair of Berklee's guitar department includes 100+ chord forms, from basic 7th chords to guide tone chords and triads over bass notes. It is organized to reveal chord relationships and help guitarists learn voicings quickly and thoroughly. Includes notes, fretboard diagrams and tab for each chord.

(Music Sales America). This book is a condensed, made-for-guitar version of Nicolas Slonimsky's publication Thesaurus of Scales and Melodic Patterns the book that musicians as diverse as John Coltrane and Frank Zappa used for ideas and inspiration. Musicians familiar with the original Thesaurus know that it contains a daunting amount of information crammed in its over 230 pages. But there is a definite symmetry and logic in these Slonimsky examples. What appear to be random patterns are actually mathematical combinations of some or all of the twelve notes in music. As the musician/student plays through the examples, the patterns will unfold and become more obvious.

A JAZZ GUITAR BOOK FOR GUITARISTS LOOKING TO UNDERSTAND THE POWER OF UPPER VOICINGS At over three hundred and sixty pages, Upper Structures, Synonyms & Slash Voicings For Jazz Guitar takes a wide ranging and in-depth look at the subject of upper voicings and their application with respect to the guitar. Slash voicings and synonyms are also cover in great detail with numerous examples showing how these musical concepts connect and work om individual examples both played and explained in text and narration, to lick ideas and then full blown solos, this book covers a huge amount of material that will help you understand how upper structures work. WHAT LEVEL OF GUITAR PLAYER SHOULD CONSIDER THIS BOOK? This book is aimed at experienced guitar players and will act as a practical reference and technical guide for players, teachers, educationalists and music conservatoires. With hundreds of musical examples, chord progressions, music and chord diagrams, lick ideas and solo examples as well as in depth theoretical explanation, this book is a must for every aspiring jazz and contemporary guitarist. SECTION ONE - FOUR CHAPTERS INCLUDE THE FOLLOWING TOPICS: Stacking Chords, Chord formulae, Chord extension & alteration, Triads as upper structures, Pseudo scales, Inferring altered dominants, Generating chords across the neck, Chord & line superimposition, Voice leading, Vagrant harmony, Inferring altered dominants, Single line solo ideas, Tri-tones & flat five concepts, Chromatic movement, Deconstructing altered dominants, Synonyms, Movable solo lines, Cascading chords, Motif development, Sidestep line movement. SECTION TWO: A three chapter lick library of 70 original lick ideas that demonstrate each upper structure voicing category. All licks are offered in mp3 format as well as including narration from the author on the points of interest and technical challenges of the line. Each lick is provided in musical and TAB notation. Every chord type includes arpeggio patterns across the fretboard with large format easy to view chords included with each lick example. SECTION THREE: Three chapters offering original jazz guitar solo examples over three well known jazz standard progressions. Full analysis from a comparative, melodic and harmonic viewpoint is included. Solos are fully notated in music and TAB with chords provided in large easy to view format. SUPPORTING DOWNLOAD Over one and a half hours of mp3 files included. Section 1 music examples, Section 2 demonstration licks with author's technical narration and Section 3 which includes complete solo demonstrations as well as a wide range of backing tracks for you to practice over the three included sequences. There are one hundred and sixty nine mp3 files in total.

Jazz Chords is not just a great reference source. It is a dynamic jazz guitar chord book that focuses on major, minor, and dominant chord voicings and how they function in jazz progressions such as ii-V7-I progressions, turnarounds, and blues progressions. Not only do you learn how to play the chords, you learn how to use them. This is the ideal jazz chord book, and thanks to its layout and depth, this may be the only jazz chord book you'll ever need.

A comprehensive 96-page, large print perfect-bound jazz chord dictionary containing essential barre chord and rhythm chord forms. Included are chord froms ranging from major, minor and dominant 7th shapes to extensions such as minor 7b5, augmented 11, 9#5, 13th and more!

The Jazz Guitar Chord Bible Complete solves one of the greatest problems in jazz...the knowledge and use of chords. It is a complete guide to three- and four-string guitar chords. Every application is covered including passing chords and altered chords, but only the most logical, practical and applicable chord voicings are presented.