Jean Luc Nancy And The Thinking Of Otherness

Jean-Luc Nancy and the Thinking of Otherness is the first book in English to provide a sustained account of the relationship between Nancy, Levinas and Heidegger. It investigates Jean-Luc Nancy's reading of Heidegger, focusing on the question of Being-with, and starting with the problem of otherness in Heidegger, the book goes on to establish a dialogue between Nancy and the philosophy of Emmanuel Levinas. With intellectual agility and command of cinema, literature and visual art, Daniele Rugo insists on the critical significance of Nancy's project for any future philosophy attempting to define itself beyond foundational acts, and according to the continuous crossings at the heart of existence. By discussing Nancy alongside Heidegger and Levinas, Rugo underlines the essential indecision between philosophy-as-literature and philosophy as the re-appropriation of the question of Being. Rugo offers unexpected associations which return thinking to the play of specificity, rather than restricting it to the passage of abstract formulations.

Jean-Luc Nancy and Christian Thought explores Nancy’s deconstruction of Christianity via the various bodies of Christ that accumulate in Christian doctrine, specifically the incarnated body, the resurrected body, and the body of Christ the church. The work ties Nancy’s deconstruction to the writings of the early church, demonstrating that the seeds of auto-deconstruction are indeed sown in the doctrines of Western Christianity. It then provides brief sketches of current theological works that touch upon similar deconstructive themes. Thus, the work aims to flesh out Nancy’s deconstruction for the non-theologian, tying his complex scans of Christian thought to early patristics, and also aims to help theologians unfamiliar with deconstruction or with Nancy’s work recognize the value of the deconstructive method for unpacking Christian doctrine and practice. This book will be of interest to philosophers of religion, hermeneutics, and post-Frankfort School critical theory, and theologians interested in current French philosophy of religion.

Jean-Luc Nancy is one of the leading voices in European philosophy of the last thirty years, and he has influenced a range of fields, including theology, aesthetics, and political theory. This volume offers the widest and most up-to-date responses to his work, oriented by the themes of world, finitude, and sense, with attention also given to his recent project on the "deconstruction of Christianity." Focusing on Nancy's writings on globalization, Christianity, the plurality of art forms, his materialist ontology, as well as a range of contemporary issues, an international group of scholars provides not just inventive interpretations of Nancy's work but also essays taking on the most pressing issues of today. The collection brings to the fore the originality of his thinking and points to the future of continental philosophy. A previously unpublished interview with Nancy concludes the volume.

Focussed around three core themes "e; capitalism, the metaphysics of democracy and aesthetics "e; these 11 essays emphasise the potential of Nancy's political thought, and collectively situate it within a broader intellectual context which includes engageme

This book remedies a gap in the on-going debate on community by a transparent and thorough analysis of the work of French philosopher Jean-Luc Nancy.

This book explores how contemporary art can alter the ways in which we visualise and conceptualise the world and the social relations that shape it. Drawing from the writings of philosopher Jean-Luc Nancy, it spotlights the concept of ‘world-forming’ and the political significance of art-making and viewing. The central theme of ‘world-forming’ focuses attention on the processes of globalisation. The book explores how artists can facilitate shared creative spaces within and beyond the apparatuses of global capitalism. The book traces a philosophical progression from ontology to the political through a series of participatory practices. It forwards Jean-Luc Nancy’s idea of ‘world-forming’ in order to show how contemporary art sustains critical and creative engagement with social practices. The overall objective of the book is to show, through participatory practices, how contemporary art can facilitate social change. The book will be of interest to scholars working in art history, contemporary art, philosophy and politics.

.