Jerusalem I

Charts the development of Jerusalem and the archaeological discoveries made in and about the city, one of the oldest inhabited in the world. The book relates the major discoveries to our interpretation of the Bible, and looks at the city as a centre for many cultures and religions.

US Rep. Tom Lantos said, "Christians Are the Antidote to Anti-Semitism." In 1973 General Uzi Narkiss invited Hellen Battle, an American Christian, to immigrate to Israel as a social worker to assist in the absorption of Russian immigrants. ********************************************************************* * Her journey takes you through the spectrum of Israeli life as a new immigrant. * You will embark on her road of faith, hope and love in building a bridge of reconciliation between Christians and Jews. * Her classes with Holocaust survivors at the Hebrew University will grieve your heart. * She will take you to the front lines of the Yom Kippur War where she volunteered. * You will join her in the office of theChief Rabbi after being slandered by extremists. * You will experience the joy and pain of her true Romeo and Juliet love story. * You will ultimately cry out with her "For Zion's Sake I cannot be silent! Hellen Battle Kosak, MSW, is a graduate from Abilene Christian University in Texas and New York University Grad School of Social Work. She was a clinical social worker in New York prisons. She taught English in Mexico, Spain, Germany, and Israel. She studied theology in New York and West Berlin. In 1965 she was arrested by the East Germans and spent 14 months in a communist prison, charged with escape help. She wrote her story in EVERY WALL SHALL FALL. She was Area Director of Christian Broadcasting Network in Miami. She has been a speaker in churches, synagogues and civic groups in Germany, Ghana, Ukraine, Russia and Romania. She was born in Memphis, Tennessee and is married to Gary Kosak. They both are licensed ministers and co-founded "For Zion's Sake Ministries", a ministry of reconciliation and restoration for Christians and Jews and the nation of Israel, where she previously lived.

After the British occupation of Jerusalem in December 1917, the newly appointed governor Ronald Storrs met with the Spanish consul Conde de Ballobar. Over a glass of wine, the two men discussed politics and the future of Palestine. Storrs later reported in his extremely popular memoir, that Ballobar wrote a diary which according to him was not going to be published in his lifetime. It took several decades before the diary was in fact published in 1996 in Spanish. In this book, Roberto Mazza introduces the reader to the diary of Ballobar, available in English here for the first time, and provides a comprehensive historical background for readers in search of a fresh perspective on late Ottoman Jerusalem. In the autumn of 1914, Antonio de la Cierva y Lewita, better known as Conde de Ballobar, was sent to Jerusalem to take charge of the Spanish consulate in the city. He found himself at the centre of the socio-political life in Jerusalem and began to record events, experiences and opinions in a diary that has become an invaluable resource. The diary provides unique insight into late Ottoman Jerusalem - and the upheavals of wartime life in the city - and includes a detailed account of the battle amongst the local churches over control of the city's holy places. Also touching upon the development of Zionism and the establishment of British rule, Ballobar writes as a privileged observer of an exceptionally complex historical period. Jerusalem in World War I offers a precious record of events and insights on episodes and people often neglected due to a lack of original source material. Ballobar presents a vivid picture of a lively and dynamic city, making it unavoidable to draw parallels with the contemporary conflict and divisions. This book will be essential reading for students and scholars of the late-Ottoman Empire and World War I in the Middle East.

On the famous mappa mundi, housed in Hereford Cathedral, Jerusalem is at the center of the world. For Jews, Christians, and Muslims, this holy city represents not merely a physical focus for their faith, but a theological and spiritual emblem: simultaneously a very earthly city and a uniquely celestial kingdom. How has this insignificant city become such a critical location in geopolitics and psychogeography? I’m Talking about Jerusalem explores the many and varied meanings and resonances of “Jerusalem”—in history, prophecy, theology, literature, imagery, and myth. “Jerusalem” appears 806 times in the Bible. For the Jews, Jerusalem is not simply a significant physical place, past and present, but a religious concept transcending time. For Christians, it is the site of Jesus’s last days—and of countless Christian structures, relics, and remains. Islamic tradition has celebrated the city with seventeen names; it was a key stage in Muhammad’s night journey and became Islam’s third holiest place of pilgrimage. For all three Abrahamic religions, Jerusalem is a major pilgrimage destination. Aldous Huxley wrote, “We have each of us our Jerusalem”—a vision of what life might be. I’m Talking about Jerusalem considers Jerusalem as a political goal and eternal home; its place in Jewish, Christian, and Islamic eschatology; and as a metaphor for all we yearn for in this world and the next. A place of perfection and conclusion, a golden city, a paradise to be attained after death.

A captivating journey through the hidden libraries of Jerusalem, where some of the world’s most enduring ideas were put into words In this enthralling book, Merav Mack and Benjamin Balint explore Jerusalem’s libraries to tell the story of this city as a place where some of the world’s most enduring ideas were put into words. The writers of Jerusalem, although renowned the world over, are not usually thought of as a distinct school; their stories as Jerusalemites have never before been woven into a single narrative. Nor have the stories of the custodians, past and present, who safeguard Jerusalem’s literary legacies. By showing how Jerusalem has been imagined by its writers and shelved by its librarians, Mack and Balint tell the untold history of how the peoples of the book have populated the city with texts. In their hands, Jerusalem itself—perched between East and West, antiquity and modernity, violence and piety—comes alive as a kind of labyrinthine library.

This carefully crafted ebook: "Jerusalem (Illuminated Manuscript with the Original Illustrations of William Blake)" is formatted for your eReader with a functional and detailed table of contents. The poem was inspired by the apocryphal story that a young Jesus, accompanied by his uncle Joseph of Arimathea, a tin merchant, travelled to what is now England and visited Glastonbury during the unknown years of Jesus. The legend is linked to an idea in the Book of Revelation describing a Second Coming, wherein Jesus establishes a new Jerusalem. The Christian Church in general, and the English Church in particular, has long used Jerusalem as a metaphor for Heaven, a place of universal love and peace. In the most common interpretation of the poem, Blake implies that a visit by Jesus would briefly create heaven in England, in contrast to the "dark Satanic Mills" of the Industrial Revolution. Blake's poem asks questions rather than asserting the historical truth of Christ's visit. Thus the poem merely implies that there may, or may not, have been a divine visit, when there was briefly heaven in England. William Blake (1757 – 1827) was a British poet, painter, visionary mystic, and engraver, who illustrated and printed his own books. Blake proclaimed the supremacy of the imagination over the rationalism and materialism of the 18th-century. Largely unrecognised during his lifetime, Blake is now considered a seminal figure in the history of both the poetry and visual arts of the Romantic Age.

The New York Times bestseller from the author of Watchmen and V for Vendetta finally appears in a one-volume paperback. Begging comparisons to Tolstoy and Joyce, this “magnificent, sprawling cosmic epic” (Guardian) by Alan Moore—the genre-defying, “groundbreaking, hairy genius of our generation” (NPR)—takes its place among the most notable works of contemporary English literature. In decaying Northampton, eternity loiters between housing projects. Among saints, kings, prostitutes, and derelicts, a timeline unravels: second-century fiends wait in urine-scented stairwells, delinquent specters undermine a century with tunnels, and in upstairs parlors, laborers with golden blood reduce fate to a snooker tournament. Through the labyrinthine streets and pages of Jerusalem tread ghosts singing hymns of wealth and poverty. They celebrate the English language, challenge mortality post-Einstein, and insist upon their slum as Blake’s eternal holy city in “Moore’s apotheosis, a fourth-dimensional symphony” (Entertainment Weekly). This “brilliant . . . monumentally ambitious” tale from the gutter is “a massive literary achievement for our time—and maybe for all times simultaneously” (Washington Post).

The controversial journalistic analysis of the mentality that fostered the Holocaust, from the author of The Origins of Totalitarianism Sparking a flurry of heated debate, Hannah Arendt’s authoritative and stunning report on the trial of German Nazi leader Adolf Eichmann first appeared as a series of articles in The New Yorker in 1963. This revised edition includes material that came to light after the trial, as well as Arendt’s postscript directly addressing the controversy that arose over her account. A major journalistic triumph by an intellectual of singular influence, Eichmann in Jerusalem is as shocking as it is informative—an unflinching look at one of the most unsettling (and unsettled) issues of the twentieth century.