Jihadi Culture On The World Wide Web

"This volume examines "jihadi" content on the Internet by drawing on both Arabic and English primary source materials. After examining this content as digital media, the work looks at how it is productively consumed by online communities, including how "jihadi" individuals construct themselves online and how jihadism is practiced and represented as an online activity. The work also discusses the consumption of such jihadi media by those who are hostile to radical Islam and the relation between fantasy, pleasure, ideology, and ordinary life.This unique survey features case studies, such as the cyberjihadi "Irhabi 007," pro-US and Israeli "patriots" who are often openly Islamophobic, and "Infovlad" --a forum that became the meeting place for radical Islamists and radical freelance "counter terrorists." This innovative approach to studying violent content on the Internet is a significant contribution to the literature that will appeal to anyone interested in political violence, terrorism, and political communication."--

Choice Outstanding Academic Title 2014 This volume examines "jihadi" content on the Internet by drawing on both Arabic and English primary source materials. After examining this content as digital media, the work looks at how it is productively consumed by online communities, including how "jihadi" individuals construct themselves online and how jihadism is practiced and represented as an online activity. The work also discusses the consumption of such jihadi media by those who are hostile to radical Islam and the relation between fantasy, pleasure, ideology, and ordinary life. This unique survey features case studies, such as the cyberjihadi "Irhabi 007," pro-US and Israeli "patriots" who are often openly Islamophobic, and "Infovlad" --a forum that became the meeting place for radical Islamists and radical freelance "counter terrorists." This innovative approach to studying violent content on the Internet is a significant contribution to the literature that will appeal to anyone interested in political violence, terrorism, and political communication.

Choice Outstanding Academic Title 2014 This volume examines "jihadi" content on the Internet by drawing on both Arabic and English primary source materials. After examining this content as digital media, the work looks at how it is productively consumed by online communities, including how "jihadi" individuals construct themselves online and how jihadism is practiced and represented as an online activity. The work also discusses the consumption of such jihadi media by those who are hostile to radical Islam and the relation between fantasy, pleasure, ideology, and ordinary life. This unique survey features case studies, such as the cyberjihadi "Irhabi 007," pro-US and Israeli "patriots" who are often openly Islamophobic, and "Infovlad" --a forum that became the meeting place for radical Islamists and radical freelance "counter terrorists." This innovative approach to studying violent content on the Internet is a significant contribution to the literature that will appeal to anyone interested in political violence, terrorism, and political communication.

This book studies the art forms and social practices that make up much of the daily life of jihadi culture.

Can laughter really be used to undermine the appeal of terrorist groups? And should it be? Is there any truth in the stereotypical notions of fanaticism as humorless, and of humor as the antithesis of fanaticism? What is the deeper significance of the jihadi's status as an object of mockery in Arabic popular culture? Joking About Jihad explores this thicket of problems sprouting from one of the most basic--and supposedly most innocent--of human behaviors, and looks at how it has been applied to one of the least obviously laughable phenomena in the world today. Ramsay and Alkheder draw on original interviews and hitherto unexamined texts, combining insights from fields as diverse as politics, psychology, cultural studies, Islamic studies and humor research. Examining apparently spontaneous joking, professional comedy and even the jokes told by jihadis themselves, they show how Salafi jihad has been made laughable in the modern Arab world, and why it matters.

American Self-Radicalizing Terrorists and the Allure of Jihadi Cool/Chic provides a critical legal analysis of how American self-radicalizing terrorists become what they are by analyzing, in detail, the stories of Colleen LaRose, America’s first Most Wanted Female Terrorist, and the Tsarnaev brothers, Tamerlan and Jahar (Dzhokhar), the Boston Marathon Bombers. Drawing from the analytic tools of cutting-edge studies on terrorism by global experts, as well as the latest news reports, policy papers, Congressional Hearings, and legal documents, the book illustrates how the internet provides the means through which a self-activating terrorist may first self-radicalize through some imaginary or sympathetic connection with an organized terrorist network. Additionally, it shows how the romance of “jihadi cool/chic,” packaged by its mastery of Hollywood-style shots and editing, resulting in slick, high resolution productions micro-tailored to appeal to different audiences, is a pivotal factor in the evolution of self-radicalizing terrorists. While showing how there is no single deterministic pathway to radicalization, the book also demonstrates how the internet and imagined relations cemented by the rhetorics of “jihadi cool” or “jihadi chic” function as crucial catalysts, galvanizing “monster talk” into monstrous action. It includes an analysis of “America’s Most Watched Trial,” United States v. Tsarnaev, as it moved through its “guilt” and “penalty” phases, and its culmination in Jahar’s being sentenced to death by lethal injection as America’s youngest self-radicalizing terrorist. The book closes with concise updates regarding America’s self-radicalizing terrorists, such as, among others, Syed Rizwan Farook and Tashfeen Malik, the couple who sprayed a crowd of their colleagues with bullets at a San Bernardino holiday party on December 2, 2015; Omar Mateen, the security guard whose rampage at an Orlando nightclub on June 12, 2016 resulted in America’s worst mass shooting thus far; and Ahmad Khan Rahami, the individual arrested in relation to the New York and New Jersey bombings and attempted bombings on September 17-18, 2016.

Explores the use of images, sounds and videos in Jihadi media and how people engage with them