Jonah Through The Centuries

Jonah Through the Centuries Jonah through the Centuries is a systematic examination of the reception history of the book of Jonah, long-recognized for its numerous theological implications and diverse interpretations. The first book of its kind written in English, this singular volume provides a lucid and coherent commentary on the most influential re-readings of Jonah in Jewish, Christian, Muslim, and secular traditions. Author Lena-Sofia Tiemeyer progresses slowly through the book of Jonah verse-by-verse—even word-by-word through key verses such as Jonah 1:1 and 2:1—to offer readers deep insight into the many and multifaceted interpretations of Jonah from early Jewish readings to modern literary retellings. Structured thematically rather than strictly chronologically, the text begins with the earliest interpretation and follows its trendline all the way through to modern times before turning to the next-oldest interpretation. The commentary covers a broad range of retellings in many languages and in various media including commentaries, sermons, prose, poetry, theatrical drama, art, and music, and analyses interpretations of both often-cited and lesser-known verses from the book of Jonah, interacting with an international range of literary retellings of the book of Jonah, offered in English translation. Throughout the text, the author demonstrates how all these retellings ultimately originate within the biblical text itself and highlights how many of the interpretations are fuelled and influenced by the interpreter’s religious background, cultural assumptions, and their preconceived notions of what the text should say. Jonah through the Centuries is an invaluable resource for educated clergy, undergraduate and graduate students in both seminaries and universities, scholars and academics, and general readers with interest in the reception of biblical texts in literature, art, and music.

This book is concerned with how interpretation re-shapes Bible texts, specifically examining the book of Jonah.

Jonah is the only ancient prophet with whom Jesus identifies in the Gospels. But when we turn to read the book of Jonah itself, we discover that this so-called "book" is only two pages long-and that Jonah's prophesying is limited to one short sentence. And yet, around this small book, as if it were around Jonah's own troubled ship, high waves of controversy and mystery have swirled for centuries. In A Journey with Jonah: The Spirituality of Bewilderment, Fr. Paul Murray strives to uncover the great lesson of this story. Following Fr. Murray's exploration is a 2003 lectio divina on Jonah by then-Cardinal Joseph Ratzinger-published here in English for the first time. Book jacket.

The reception of the Gospel of Matthew over two millennia: commentary and interpretation Matthew Through the Centuries offers an overview of the reception history of one of the most prominent gospels in Christian worship. Examining the reception of Matthew from the perspectives of a wide range of interpreters—from Origen and Hilary of Poitiers to Mary Cornwallis and Bob Marley—this insightful commentary explains the major trends in the reception of Matthew in various ecclesial, historical, and cultural contexts. Focusing on characteristically Matthean features, detailed chapter-by-chapter commentary highlights diverse receptions and interpretations of the gospel. Broad exploration of areas such as liturgy, literature, drama, film, hymnody, political discourse, and visual art illustrates the enormous impact Matthew continues to have on Judeo-Christian civilization. Known as ‘the Church’s Gospel,’ Matthew’s text has been the subject of apologetic and theological controversy for hundreds of years. It has been seen as justification for political and ecclesial status quo and as a path to radical discipleship. Matthew has influenced divergent political, spiritual, and cultural figures such as Francis of Assisi, John Ruskin, Leo Tolstoy, Dietrich Bonhoeffer, and Mahatma Gandhi. Matthew’s interest in ecclesiology provides early structures of ecclesial life, such as resolution of community disputes, communal prayer, and liturgical prescriptions for the Eucharist and baptism. A significant addition to the acclaimed Blackwell Bible Commentaries series, Matthew Through the Centuries is an indispensable resource for both students and experts in areas including religious and biblical studies, literature, history, politics, and those interested in the influence of the Bible on Western culture.

A Raging storm, a rebellious prophet, and somewhere out there, a great fish? This book is a fascinating commentary on the life of the great prophet: Could a man spend three days inside a huge fish?His prayer of deliveranceWhy did he run from God?The influence of the ancient city, NinevehJonah and the twenty-first century The late scholar and author Dr. Henry Morris believed the biblical account of Jonah was true, and this book will thrill others who believe it, too. Drawing on a lengthy research career, Morris takes the reader on the same wonderful ride on which Jonah embarked. Sure to be a hit for Bible study groups and individuals who find inspiration from a beloved classic.

Originally published: Garden City, N.Y.: Doubleday, 1985.

In The Way of Beauty, David Clayton describes how a true Catholic education is both a program of liturgical catechesis and an inculturation that aims for the supernatural transformation of the person so that he can in turn transfigure the whole culture through the divine beauty of his daily action. There is no human activity, no matter how mundane, that cannot be enhanced by this formation in beauty. Such enhanced activity then resonates in harmony with the common good and, through its beauty, draws all people to the Church--and ultimately to the worship of God in the Sacred Liturgy. The Way of Beauty will be of profound interest not only to artists, architects, and composers, but also to educators, who can apply its principles in home and classroom for the formation and education of children and students of all ages and at all levels--family, homeschooling, high school, college, and university. "Since the good, the true, and the beautiful are a manifestation of the Trinity, it is always a grievous fault to leave beauty out of any discussion of the relationship between faith and reason. This being so, I am thrilled at the way David Clayton illustrates how beauty stands in eternal communion with the good and the true."--JOSEPH PEARCE, Aquinas College "In spite of the great proclamation that the sacred liturgy is the font and apex of all we are about as Catholics, fifty years after the Council we still seem far from seeing and living this truth in all its fullness. Drawing upon years of experience as artist and teacher, David Clayton thoroughly unpacks this truth and shows, with an impressive range of examples, how it can and should play out every day in our schools, academic curricula, cultural endeavors, and practice of the fine arts. His treatment of the ways in which architecture, liturgy, and music reflect the mathematical ordering of the cosmos and the hierarchy of created being is illuminating and exciting. The Way of Beauty is a manifesto for the re-integration of the truth laid hold of in intellectual disciplines, the beauty aspired to in art and worship, and the good embodied in morals and manners. Ambitiously integrative yet highly practical, this book ought to be in the hands of every Catholic educator, pastor, and artist."--PETER KWASNIEWSKI, Wyoming Catholic College "In The Way of Beauty, David Clayton offers us a mini-liberal arts education. The book is a counter-offensive against a culture that so often seems to have capitulated to a 'will to ugliness.' He shows us the power in beauty not just where we might expect it--in the visual arts and music--but in domains as diverse as math, theology, morality, physics, astronomy, cosmology, and liturgy. But more than that, his study of beauty makes clear the connection between liturgy, culture, and evangelization, and offers a way to reinvigorate our commitment to the Good, the True, and the Beautiful in the twenty-first century. I am grateful for this book and hope many will take its lessons to heart."--JAY W. RICHARDS, Catholic University of America "Every pope who has promoted the new evangelization has spoken about how essential 'the way of beauty' is in engaging the modern world with the Gospel. What is it about the experience of beauty that can arrest the heart, crack it open, and stir its deepest longings, leading us on a pilgrimage to God? David Clayton's book provides compelling answers."--CHRISTOPHER WEST, Founder and President of The Cor Project DAVID CLAYTON is an internationally acclaimed Catholic artist, teacher, and published writer on sacred art, liturgy, and culture. He was Fellow and Artist in Residence at Thomas More College of Liberal Arts in New Hampshire from 2009 until May 2015 and is the founder of the Way of Beauty program, which has been taught for college credit, featured on television, and is now presented in this book.

In this fascinating look at the creative power of institutions, Jonah Siegel explores the rise of the modern idea of the artist in the nineteenth century, a period that also witnessed the emergence of the museum and the professional critic. Treating these developments as interrelated, he analyzes both visual material and literary texts to portray a culture in which art came to be thought of in powerful new ways. Ultimately, Siegel shows that artistic controversies commonly associated with the self-consciously radical movements of modernism and postmodernism have their roots in a dynamic era unfairly characterized as staid, self-satisfied, and stable. The nineteenth century has been called the Age of the Museum, and yet critics, art theorists, and poets during this period grappled with the question of whether the proliferation of museums might lead to the death of Art itself. Did the assembly and display of works of art help the viewer to understand them or did it numb the senses? How was the contemporary artist to respond to the vast storehouses of art from disparate nations and periods that came to proliferate in this era? Siegel presents a lively discussion of the shock experienced by neoclassical artists troubled by remains of antiquity that were trivial or even obscene, as well as the anxious aesthetic reveries of nineteenth-century art lovers overwhelmed by the quantity of objects quickly crowding museums and exhibition halls. In so doing, he illuminates the fruitful crises provoked when the longing for admired art is suddenly satisfied. Drawing upon neoclassical art and theory, biographies of early nineteenth-century writers including Keats and Scott, and the writings of art critics such as Hazlitt, Ruskin, and Wilde, this book reproduces a cultural matrix that brings to life the artistic passions and anxieties of an entire era.