Joseph As An Ethical Model In The Testaments Of The Twelve Patriarchs

The Testaments of the Twelve Patriarchs (T12P), one of the longest texts of the so-called "Old Testament Pseudepigrapha," presents the fictitious farewell speeches that the twelve sons of Jacob held on their respective deathbeds. Tom de Bruin examines these twelve monologues as literary products in order to understand the function of the text for the setting in which it was composed. He approaches T12P from three directions: an analysis of the paraenetic parts, a discussion of the anthropology, and a comparative examination of other contemporaneous works documenting a world-view similar to T12P.These three approaches merge into a detailed discussion about the reasoning behind the admonition in T12P, and identifies the fundamental message of the text, namely that each person stands between the forces of good and evil and that this person is called to constantly decide which way to follow. Though T12P is still familiar with the apocalyptic origin and plays with the cosmological implications of this 'great controversy', the text clearly puts the emphasis on the battle inside each individual. It is thereby an important witness for reinterpreting and reapplying apocalyptic traditions through ethicizing them and focusing on the individual. Such an individualistic application of the 'great controversy' theme can be found in a number of other (mostly Christian) works, revealing a similar understanding of mankind's existence and development as in T12P. The analysis of the ethical reappropriation of apocalyptic traditions in T12P provides important insights into the foundations of early Christian ethics, ancient anthropology, and the Jewish and Christian understanding of the struggle between good and evil.

Plato and Aristotle both believed that the arts were mimetic creations of the human mind that had the power to influence society. In this they were representative of a widespread consensus in ancient culture. Cultural and political impulses informed the fine arts, and these in turn shaped—and were often intended to shape—the living world. The contributors to this volume, all of whom have been encouraged and inspired by the work of Peter Green, document the interaction between life and the arts that has made art more lively and life more artful in sixteen essays with subjects ranging from antiquity to modern times. With topics ranging from Antigone to D. H. Lawrence and Norman Douglas, and from Bactrian coins to Livy's characterization of women, the scope, the zest, and the scholarship of these essays will illuminate new avenues in our understanding of the relationship between classics and culture, and in our appreciation of both the artistic products that have come down to us and the varieties of life from which they spring.

This volume, which appears on the occasion of Marinus de Jonge's retirement as Professor of New Testament at Leiden University, brings together twenty essays which he wrote recently for various periodicals and collective works. A number of articles deal with the expectation of the future in Jewish sources, like Ps. Sol., the Qumran Scrolls and Josephus. Closely connected with these are some essays on the question of how such titles as 'Christ', and 'Son of David' came to be applied to Jesus. Eleven essays delve into various important aspects of the Testaments of the Twelve Patriarchs: eschatology, ethics, paraenesis, but also their use of Jewish source material and their view of the history of God's dealing with man, a view related to that held by Justin and Hippolytus. This book throws light on the Jewish origins of early Christian theology and on its relationship with the Hellenistic culture in which it developed. The book also includes Marinus de Jonge's bibliography.

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R. H. Charles (1855-1931) was Professor of Biblical Greek at Trinity College Dublin (1898-1906), He was elected a fellow of the British Academy in 1906, and a fellow of Merton College, Oxford in 1910. In 1925 he was the first recipient of the British Academy Medal for Biblical Studies. Charles also received honorary degrees from the Universities of Belfast in 1923 and Oxford in 1928. His publications include: 'The Apocalypse of Baruch, ' 'The Testaments of the Twelve Patriarchs, ' and 'The Apocrypha and Pseudepigrapha of the Old Testament in English' (2 vols.)

In current debates about coming to terms with individual and collective wrongdoing, the concept of forgiveness has played an important but controversial role. For a long time, the idea was widespread that a forgiving attitude — overcoming feelings of resentment and the desire for revenge — was always virtuous. Recently, however, this idea has been questioned. The contributors to this volume do not take sides for or against forgiveness but rather examine its meaning and function against the backdrop of a more complex understanding of moral repair in a variety of social, circumstantial, and cultural contexts. The book aims to gain a differentiated understanding of the European traditions regarding forgiveness, revenge, and moral repair that have shaped our moral intuitions today whilst also examining examples from other cultural contexts (Asia and Africa, in particular) to explore how different cultural traditions deal with the need for moral repair after wrongdoing.