Judith Wright And Emily Carr

Knitting together two fascinating but entirely distinct lives, this ingeniously structured braided biography tells the story of the lives and work of two women, each a cultural icon in her own country yet lesser known in the other's. Australian poet Judith Wright and Canadian painter Emily Carr broke new ground for female artists in the British colonies and influenced the political and social debates about environment and indigenous rights that have shaped Australia and Canada in the 21st century. In telling their story/ies, this book charts the battle for recognition of their modernist art and vision, pointing out significant moments of similarity in their lives and work. Although separated by thousands of miles, their experience of colonial modernity was startlingly analogous, as white settler women bent on forging artistic careers in a male-dominated world and sphere rigged against them. Through all this, though, their cultural importance endures; two remarkable women whose poetry and painting still speak to us today of their passionate belief in the transformative power of art.

Knitting together two fascinating but entirely distinct lives, this ingeniously structured braided biography tells the story of the lives and work of two women, each a cultural icon in her own country yet lesser known in the other's. Australian poet Judith Wright and Canadian painter Emily Carr broke new ground for female artists in the British colonies and influenced the political and social debates about environment and indigenous rights that have shaped Australia and Canada in the 21st century. In telling their story/ies, this book charts the battle for recognition of their modernist art and vision, pointing out significant moments of similarity in their lives and work. Although separated by thousands of miles, their experience of colonial modernity was startlingly analogous, as white settler women bent on forging artistic careers in a male-dominated world and sphere rigged against them. Through all this, though, their cultural importance endures; two remarkable women whose poetry and painting still speak to us today of their passionate belief in the transformative power of art.

Once available and appreciated only by researchers, these stories remained buried in the British Columbia Archives until 2007. Finally, readers are given a new glimpse into Emily Carr's life with this collection.. Carr began to write these stories in the last two years of her life. She wrote of the project: ... they are too small each to be taken singly, but each, complete in itself, serves to ornament life which would be a drab affair without the little things we do not even notice or think of at the time but which old age memory magnifies. This collection illuminates her life and is available to all in This and That: The Lost Stories of Emily Carr. Enter Emily's world with stories like Father's Temper, The First Snow and Smoking with the Cow, stories in which she reveals details of her family life, school days, her fascination with nature, animals she loved and how she learned to smoke.

An intimate and heartwarming collection of memories that puts one of Canada's most beloved and iconic artists into a whole new light. In 1916, Emily Carr wasn't famous. She was poor, and she taught art classes to children. One of her students was seven-year-old Carol Pearson. Pearson spent hours every day with Carr: they painted together at the water's edge, and she helped care for the dogs, birds, monkey and other animals that Carr kept as pets. They grew very close, and at the age of 14, Carol moved in with Carr. Emily nicknamed Carol "Baboo," and Carol called her "Mom." The two were "mother-and-daughter" for twenty-five years, up until Carr passed away. This touching tribute to Carr illustrates a gentleness and sensitivity not seen in other biographies. Originally published in 1954, this very unique biography reveals Carr's personality more fully than any other.

Emily Carr’s journals from 1927 to 1941 portray the happy, productive period when she was able to resume painting after dismal years of raising dogs and renting out rooms to pay the bills. These revealing entries convey her passionate connection with nature, her struggle to find her voice as a writer, and her vision and philosophy as a painter.

The Ends of the Earth moves through technological disasters, environmental nightmares and broken relationships to find love cast away at the end of days. Its urban settings are counterbalanced with the idea of escape, deserted islands and ocean solitudes. In this collection of playful, challenging and beautiful poems, Jacqueline Turner uses the interrobang - a question mark combined with an exclamation point, the excited question - as a symbol of our times to move the work through a host of genres.

Previously unpublished writings from Emily Carr's journals, notebooks and correspondence that provide fresh insights into the life and character of a Canadian legend. EMILY CARR (1871-1945) was an extraordinary writer and artist. Although primarily a painter, she first gained recognition as an author for her seven popular, critically acclaimed books about her journeys to Native communities and her stories about life as an artist, as a small child in Victoria at the turn of the last century and as a landlady. Susan Crean's introductions to the book and to each of the three sections provide an illuminating context, both historical and cultural, for this previously unpublished material and assess its contribution to the story of Emily Carr.