Juergen Teller And Nicolas Ghesqui Re I Just Arrived In Paris

On 5 March 2014, Juergen Teller photographed the eagerly anticipated first collection by Nicolas Ghesquière as the new artistic director of Louis Vuitton. In his inimitable style, Teller visualizes the designer's ambitious manifesto for the luxury house: "Louis Vuitton is a land of contrasts. A time-honored and noble legacy is kept alive by a yearning for discovery and exploration. Coursing boldly and imaginatively through the decades, Louis Vuitton refreshes the world of fashion with an untiring ebb and flow of retrospective and fresh perspective ... This initial collection tells a tale of expertise made possible by innovative techniques. It focuses on the highlights and remains open to interpretation. Living proof that today's 'timeless' was at one time seen as innovative. In this collection, the timeless is now." This book is a collaboration between two of the most influential vanguards working in contemporary fashion. Teller's candid, unadorned aesthetic perfectly complements the restrained luxury of Ghesquière's fashion, marking the beginning of a new chapter in the rich history of Louis Vuitton.

Following the success of I Just Arrived in Paris, The Flow is the second book in the continuing collaboration between Juergen Teller and fashion designer Nicolas Ghesquière, the current artistic director of Louis Vuitton. On October 1, 2014, Teller photographed Ghesquière's Spring-Summer 2015 collection for the house, and the resulting book is a fluid mix of fashion photos and images of Paris shot while boating down the Seine. This combination of portraiture, still-life and landscape photography mirrors the eclectic influences and materials which Ghesquière synthesizes in his collections--a bold, unconventional flow whereby innovation unceasingly rejuvenates a tradition.

This, the third book in the celebrated series by Juergen Teller and Nicolas Ghesqui�re, artistic director of Louis Vuitton, proves that their audacious collaboration is as alive as ever. Perhaps more explicitly than its predecessors I Just Arrived in Paris (2014) and THE FLOW (2015), Season Three tells the story of a fashion collection as it evolves through photography (in this case Ghesqui�re's creations for Louis Vuitton Fall-Winter 2015/16). Divided into named chapters, the book shows the changing guise of the collection as Teller photographs it for different purposes and in individual moods: be it presskit photos, streetscapes and still-lifes, candid bathroom scenes, backstage and runway shots, a fashion editorial for AnOther Magazine, or the advertising campaign. As ever with Teller, his photos reveal an irreverent, sometimes brazen take on the world of luxury, and rethink the line between fashion and life.

One of the world's most sought-after photographers, Juergen Teller bridges the worlds of fashion, advertising, art, music and celebrity with an unmistakable mix of irony, honesty and anti-establishment flair. This magazine-style book captures Teller's visual universe to date. Employing portraiture, still-life and landscape photography, Teller's highly intuitive work exposes clich�s, champions the everyday, and recasts traditional notions of beauty. Stripped of the glamor of the fashion world, his sitters often find themselves in unexpected, sometimes disturbing contexts where their true selves are revealed. Fascinated by his youth and upbringing, as well as by the role of the photographer today, autobiography is also a strong force in Teller's candid, often humorous, and inevitably endearing photos. This beauty ideal is everywhere. You can't escape it--TV, wallpaper, posters, billboards, magazines. They put on these crazy perceptions about what people should look like. It's really shocking the way everybody is striving for this one thing, this ultimate beauty, but what is it? Juergen Teller

Taken over the period of a year in the doorway of the photographer's London studio, these portraits of models, most of whom are unknown, are at once profoundly moving and disquieting.

Annotated in his wry, inimitable voice, Juergen Teller presents over three decades of fashion and editorial work in a groundbreaking volume that combines photography, collage, and candid (and often humorous) autobiography. One of the most influential photographers working today, Juergen Teller creates images that are instantly recognizable. Raw, often overexposed and displaying a spontaneity and candor, Teller’s visual language reflects a measured yet uncompromising sense of rebellion. This book includes landmark editorials with nearly every important fashion label of the era and celebrities from Kate Moss to Charlotte Rampling and Kurt Cobain to Yves Saint Laurent. Outtakes of iconic shoots (including infamous ones with Courtney Love, Cindy Sherman, Marc Jacobs, Victoria Beckham, and Björk) that have never been published will be included in this volume. Teller first broke into fashion in 1996 with a magazine cover of a naked Kristen McMenamy with the word Versace scrawled across her chest. Since then, his fashion photography has been featured in all the international Vogues, AnOther Magazine, Index, Self-Service, W, Details, Purple, i-D, and 032c, among others. A highly sought-after cult hero and the author of many iconic campaigns, Teller has collaborated with the likes of Helmut Lang, Raf Simons, Hedi Slimane, Nicolas Ghesquière, Phoebe Philo, Vivienne Westwood, Miuccia Prada, and Isabel Marant, and shot every season of Marc Jacobs’s ready-to-wear collections from 1998 to 2014.

This book explores two main periods in depth when Cristobal Balenciaga made his name during Paris's golden age of fashion from 1937-1968, and then charting the dramatic revival of the House of Balenciaga under Nicolas Ghesquiere, one of the most widely admired and celebrated new designers in contemporary fashion.

The History of Fashion Journalism is a uniquely comprehensive study of the development of the industry from its origins to the present day, and including professionals' such as Dylan Jones's vision of the future. Covering everything from early tailor's catalogues through to contemporary publications such as LOVE, together with blogs such as StyleBubble, and countries from France through to the United States, The History of Fashion Journalism explores the origins and influence of such well-known magazines as Nova, Vogue and Glamour. Combining an overview of the key moments in fashion journalism history with close textual analysis, Kate Nelson Best brings to life the evolving face of the fashion media and its relationship with the fashion industry, national politics, consumer culture and gender. This accessible and highly engaging book will be an invaluable resource not only for fashion studies students but also for those in media studies and cultural studies.