Just Another London Girl

A gripping and heart-warming saga set in Lancashire from the Sunday Times bestseller Ruth Hamilton, perfect for fans of Catherine Cookson. Guaranteed to keep you turning the page... "Very much the successor to Catherine Cookson. Her books are plot driven, they just rip along; laughs, weeps, love, they've got the lot, and they're quality writing as well" - Sarah Broadhurst on Radio Four. "Brilliant! I have read this book so many times I've had to buy 2 paperback copies before finally getting it on KINDLE. This has it all, pathos, humour, tragedy and emotion. I recommend this book and hope you enjoy it as much as I have." - ***** Reader review "One of Ruth Hamilton's finest." - ***** Reader review "Really good read and twist at the end..." - *****Reader review ******************************************************** AS THE WAR SIRENS SOUND, SO THEY BEGIN THEIR OWN BATTLE FOR NEW FULFILLING LIVES... Billy London is a mean, dark, secretive man who is interested only in lining his pockets at the expense of those around him - most especially his wife and daughters. When Ellen, his wife, who has put up with him for years, finds her children threatened, she prepares to fight like a tigress to protect the four girls, to give them the hope of a new and better life and a chance to escape from the evil and oppressive legacy of their father. There is Abigail, clever, ambitious, and with an outer shell of steel that is necessary if she is to survive; Tishy, overwhelmingly lovely, who lives in a world all her own; Marie, brisk, capable, and nearly strong enough to defy her father; Theresa, more wounded, more vulnerable, more damaged by Billy than any of them. As the sirens of 1939 herald the advent of war, so Billy London's girls begin their own battle for new, triumphant, and fulfilling lives.

Modernist texts and writings of protest have until now received most of the critical attention of literary scholars of the First World War. Popular literature with its penchant for predictable storylines, melodramatic prose, and patriotic rhetoric has been much-maligned or at the very least ignored. Boys in Khaki, Girls in Print: Women's Literary Responses to the Great War redresses the balance. It turns the spotlight on the novels and memoirs of women writers - many of whom are now virtually forgotten - that appealed to a British reading public hungry for amusement, news, and above all, encouragement in the face of uncertainty and grief. The writers of 1914-18 had powerful models for interpreting their war, as a consideration of texts from the Anglo-Boer War of 1899-1902 shows. They were also bolstered by wartime publishing practices that reinforced the sense that their books, whether fiction or non-fiction, were not simply 'light' entertainment but a powerful agents of propaganda. Generously illustrated, Boys in Khaki, Girls in Print is a scholarly yet accessible illumination of a hitherto untapped resource of women's writing and is an important new contribution to the study of the literature of the Great War.

I see LONDON, I see FRANCE, I see Sydney’s underpants. Nineteen-year-old Sydney has the perfect summer mapped out. She’s spending the next four and a half weeks traveling through Europe with her childhood best friend, Leela. Their plans include Eiffel-Tower selfies, eating cocco gelato, and making out with très hot strangers. Her plans do not include Leela’s cheating ex-boyfriend showing up on the flight to London, falling for the cheating ex-boyfriend’s très hot friend, monitoring her mother’s spiraling mental health via texts, or feeling like the rope in a friendship tug-of-war. In this hilarious and unforgettable adventure, New York Times bestselling author Sarah Mlynowski tells the story of a girl learning to navigate secret romances, thorny relationships, and the London Tube. As Sydney zigzags through Amsterdam, Switzerland, Italy, and France, she must learn when to hold on, when to keep moving, and when to jump into the Riviera . . . wearing only her polka-dot underpants.

With the chick flick arguably in decline, film scholars may well ask: what has become of the woman’s film? Little attention has been paid to the proliferation of films, often from the independent sector, that do not sit comfortably in either the category of popular culture or that of high art––films that are perhaps the corollary of the middle-brow novel, or "smart-chick flicks". This book seeks to fill this void by focusing on the steady stream of films about and for women that emerge out of independent American and European cinema, and that are designed to address an international female audience. The new woman's film as a genre includes narratives with strong ties to the woman’s film of classical Hollywood while constituting a new distinctive cycle of female-centered films that in many ways continue the project of second-wave feminism, albeit in a modified form. Topics addressed include: The Bridges of Madison County (Clint Eastwood, 1995); the feature-length films of Nicole Holofcener, 1996-2013; the film roles of Tilda Swinton; Rachel Getting Married (Jonathan Demme, 2008); Blue Jasmine (Woody Allen, 2013); Frances Ha (Noah Baumbach, 2012), Belle (Amma Asante, 2013), Fifty Shades of Grey (Sam Taylor-Johnson, 2015) and Jane Campion’s Top of the Lake (Sundance Channel, 2013-).

Youth's narrator, a student in 1950s South Africa, has long been plotting an escape from his native country. Studying mathematics, reading poetry, saving money, he tries to ensure that when he arrives in the real world he will be prepared to experience life to its full intensity, and transform it into art. Arriving at last in London, however, he finds neither poetry nor romance. Instead he succumbs to the monotony of life as a computer programmer, from which random, loveless affairs offer no relief. Devoid of inspiration, he stops writing and begins a dark pilgrimage in which he is continually tested and continually found wanting. Set against the background of the 1960s, Youth is a remarkable portrait of a consciousness turning in on itself. J. M. Coetzee explores a young man's struggle to find his way in the world with tenderness and a fierce clarity.

When Dalu the village recluse saves Simdi, a girl with a shadowed past; he never expected that his life was going to take an unexpected turn. As he gradually begins to break out of his carefully constructed shell due to her influence; he cannot help but question if she is a blessing or if he is cursed to be doomed forever in the prison of his memories.