Kabba

An amazing survival story which can easily pass for a thriller in the field of fiction. But it is true. Journalist Hilton Fyle packs his bags and heads back home to Sierra Leone after 20 years as a star broadcaster with the BBC in London England, during which he became a household name in Africa and most of the English-speaking world. His new challenge is to participate in the new democracy that the United States and its allies are planting in the country, after 25 years of dictatorship and oppression. Unfortunately, he gets a bad deal from the new, "democratic" government of president Tejan Kabba. His newspaper is forced to close after publishing a "Corruption" story involving two cabinet ministers. Kabba is overthrown in May 1997 and is planning to return with military force. But journalist Hilton Fyle uses his FM radio station to campaign for a peaceful return. Kabba does return with a bang. His opponents are shot and burned alive on the streets of the capital. Fyle escapes instant death, but he is beaten, imprisoned, tried and sent to Death Row awaiting execution. The climax of it all is that he walks out of Death Row without the consent of the government or the prison authorities. All this would not have happened he says, if United Nations peacemakers in Sierra Leone had not played a "dirty game."

In this comprehensive work, James P. Hubbard provides an in depth examination of education in Nigeria under British colonial rule, placing it in its broader social and political context. He focuses on one of the most advanced schools in the Northern Provinces, Katsina College. Using information from government archives, he explores the major factors and government policies that shaped the College and colonial education in general. He reveals how colonial educators implemented these policies as well as African reactions to the educational system. Details concerning the kinds of subjects that were taught and characteristics of the student body are also included. Relevant for scholars of African history, this book provides new insights on the sociopolitical dynamics surrounding colonialism and the educational system that ultimately supported it.

Marginality and Crisis: Globalization and Identity in Contemporary Africa extends the scope and understanding of the effects of globalization and its forces on Africa. With each chapter written by specialists who recognize that the future of Africa is entwined with that of the rest of the world, this volume explains with fresh vigor the new thinking on the historical specificity, value, opportunity, and shortcomings of globalization for a continent many regard as marginalized and in crisis. In the face of much pessimism, several questions have engaged the attention of this young generation of African scholars: Where is Africa in relation to globalization? Where are the things that make Africa Africa (such as economy, politics, culture, identity, and human relations) headed? Are Africa's communities helpless against global forces or empowered by new avenues of access? How do scholars and policymakers engage the problems of globalization vis-^-vis Africa's ethnic, linguistic, and other identities? What are the economic and political trajectories in various countries and localities? An invaluable source for scholars, students, and the general reader, the essays in this book have confidently and clearly explored and explained the crises that have engulfed the continent in the age of globalization. Unlike other works that have dwelt only on the continent's victimhood, this volume identifies key areas in which Africa can become more proactive and outward-looking in response to the forces and values that take the globe as their reference points.

"Cloth only wears, it does not die," the paradoxical phrase from a Bunu Yoruba prayer, emphasizes the power of cloth as a symbol of continuing social relations and identities in the face of uncertainty and death. The Bunu Yoruba people of central Nigeria mark every critical juncture in an individual’s life, from birthing ceremonies to funeral celebrations, with handwoven cloth. Anthropologist Elisha Renne explains how and why this is so and discusses why handwoven cloth is still valued although it is rarely woven in Bunu villages today. Special marriage cloths mark changes in the status of Bunu brides, as well as in the social connections of kin during traditional marriage rituals. In funerals, handwoven cloth is used to rank chiefs; in masquerade performances, it indicates the presence of ancestral spirits. As tailored and untailored dress, it expresses gender and educational differences. Further, it is worn to distinguish ritual events that have a unique Bunu identity from everyday affairs where commercial, industrially woven cloth prevails. Renne examines the use and production of cloth in Bunu society from approximately 1900 to the present. Some traditions associated with cloth have given way to changes brought about by long contact with Christian missionaries and by British colonial policies that altered methods of cotton and cloth production. Today weaving is no longer done as a matter of course by all village women, but rather has become the specialty of only a few. Why does handwoven cloth still play such a vital role in Bunu social life when, in fact, Bunu women have largely given up weaving? To explain cloth’s continued cultural importance, Renne takes the story beyond the descriptive and historic to examine the meaning of different kinds of cloth for various members of Bunu village communities -- from wives and diviners to chiefs and hunters. The details of Bunu village life in Cloth That Does Not Die complement the many uses of cloth that Renne interprets. Anthropologists, social historians, and historians of African art will find the book of great value as an example of how material culture can integrate the study of various aspects of social life. The book will interest textile artists with its close attention to the visual properties of cloth itself.

The twenty-one papers that make up this volume reflect the broad perspective of African linguistic topology studies today. Where previous volumes would present language material from a very restricted area and perspective, the present contributions reflect the global interest and orientation of current African linguistic studies. The studies are nearly all implicational in nature. Based upon a detailed survey of a particular linguistic phenomenon in a given language or language area conclusions are drawn about the general nature about this phenomenon in the languages of Africa and beyond. They represent as such a first step that may ultimately lead to a more thorough understanding of African linguistic structures. This approach is well justified. Taking the other road, attempting to pick out linguistic details from often fairly superficially documented languages runs the risk that the data and its implications for the structure investigated might be misunderstood. Consequentially only very few studies of this nature giving the very broad perspective, the overview of a particular structure type covering the whole African continent are represented here.

Chapters: A calamity in Okene - The setting: political and ecclesiastical -- The early years (1899-1917) -- Harmony and discord in Igbirraland -- The Oka Palaver -- Ibrahima, Atta of the Igbirra, in the dock -- Berengario Cermenati in the dock -- The Bangedi uprising and its aftermath.