Kabbalah In Art And Architecture

The Kabbalistic idea of creation, as expressed through light, space and geometry, has left its unmistakable mark on our civilization. Drawing upon a wide array of historical materials and images of contemporary art, sculpture and architecture, architect Alexander Gorlin explores the influence, whether actually acknowledged or not, of the Kabbalah on modern design.

Beautifully illustrated and insightfully written, Alexander Gorlin bridges the Kabbalistic tradition with contemporary art and architecture in his authoritative tour de force, Kabbalah in Art and Architecture.

Hasidic Art and the Kabbalah presents eight case studies of manuscripts, ritual objects and folk art developed by Hasidic masters in the mid-eighteenth to late nineteenth centuries, whose form and decoration relate to sources in the Zohar, German Pietism, and Safed Kabbalah.

A text supplemented by more than a hundred illustrations of letters, art, and sculpture covers such topics as the four divine names and the five modalities of being, the life of infinity, and the significance of each of the twenty-two letters of the Hebrew alphabet.

This book discusses Ramon Llull (ca. 1232-1316), the Christian missionary, philosopher and mystic, his relations with Jewish contemporaries, and how he integrated Jewish mystical teachings (Kabbalah) into his thought system so as to persuade the Jews to convert. Issues dealt with include Llull's attitude towards the Jews, his knowledge of Kabbalah, his theories regarding the Trinity and Incarnation (the Art), and the impact of his ideas on the Jewish community. The book challenges conventional scholarly opinion regarding Christian knowledge of contemporary Jewish thought and questions the assumption that Christians did not know or use Kabbalah before the Renaissance. Further, it suggests that Lull was well aware of ongoing intellectual and religious controversies within the Jewish community, as well as being the first Christian to acknowledge and appreciate Kabbalah as a tool for conversion.

First compilation of both furniture designs and architectural projects by Samuel Marx.

A visual feast of eclectic artwork informed and inspired by spiritual beliefs, magical techniques, mythology and otherworldly experiences. Mystical beliefs and practices have existed for millennia, but why do we still chase the esoteric? From the beginning of human creativity itself, image-makers have been drawn to these unknown spheres and have created curious artworks that transcend time and place – but what is it that attracts artists to these magical realms? From theosophy and kabbalah, to the zodiac and alchemy; spiritualism and ceremonial magic, to the elements and sacred geometry – The Art of the Occult introduces major occult themes and showcases the artists who have been influenced and led by them. Discover the symbolic and mythical images of the Pre-Raphaelites; the automatic drawing of Hilma af Klint and Madge Gill; Leonora Carrington's surrealist interpretation of myth, alchemy and kabbalah; and much more. Featuring prominent, marginalised and little-known artists, The Art of the Occult crosses mystical spheres in a bid to inspire and delight. Divided into thematic chapters (The Cosmos, Higher Beings, Practitioners), the book acts as an entertaining introduction to the art of mysticism – with essays examining each practice and over 175 artworks to discover. The art of the occult has always existed in the margins but inspired the masses, and this book will spark curiosity in all fans of magic, mysticism and the mysterious.

"In this original study, Moshe Idel, an eminent scholar of Jewish mysticism and thought, and the cognitive neuroscientist and neurologist Shahar Arzy combine their considerable expertise to explore the mysteries of the Kabbalah from an entirely new perspective: that of the human brain. In lieu of the theological, sociological, and psychoanalytic approaches that have generally dominated the study of ecstatic mystical experiences, the authors endeavor to decode the brain mechanisms underlying these phenomena. Arzy and Idel analyze first-person descriptions to explore the Kabbalistic techniques employed by most prominent Jewish mystics to effect bodily reduplications, dissociations, and other phenomena, and compare them with recent neurological observationsand modern-day laboratory experiments. The resultant study offers readers a scientific, more brain-based understanding of how ecstatic Kabbalists achieved their most precious mystical experiences. The study further demonstrates how these Kabbalists have long functioned as pioneering investigators of the human self"--