Keeping Literary Company

Starting in the 1960s, a group of radically new fiction writers began having success at reinventing the novel and short story for postmodern times. Chief among them were Kurt Vonnegut, Jerzy Kosinski, Donald Barthelme, Ronald Sukenick, Raymond Federman, Clarence Major, and Gilbert Sorrentino. Although their work proved puzzling to reviewers and did not fit the conventions familiar to academic critics, these writers found an ally in a young reader named Jerome Klinkowitz. Hired to teach Hawthorne and other nineteenth-century figures, Klinkowitz found his deepest sympathies (and most lifelike affinities) to be with Vonnegut and company instead. Beginning in 1969 he published the first scholarly essays on Vonnegut, Kosinski, Barthelme, and the others in turn. By 1975 he was ready to write Literary Disruptions, a literary history of what he called this "post-contemporary" period. Since then he has written more than thirty books on contemporary fiction and its allied developments in cultural history, art, music, politics, and philosophy. Keeping Literary Company details Klinkowitz's work with these writers—not just researching their fiction and other publications, but introducing them to one another and taking part in the business-world activities that spread news of their innovations. He shows how what they wrote was so much a part of those turbulent times that a new literary generation found itself defined in such works as Slaughterhouse-Five, Being There, and Snow White. Here is a fascinating, first-person account of what these important figures wrote, how they wrote it, and what it means in the development of American fiction.

A witty, intelligent, first-person account of what Kurt Vonnegut, Jerzy Kosinski, Donald Barthelme, and other important writers of the last three decades wrote, how they wrote it, and what it means for the development of American fiction.

Now available in paperback for the first time, Jewish Writers of the Twentieth Century is both a comprehensive reference resource and a springboard for further study. This volume: examines canonical Jewish writers, less well-known authors of Yiddish and Hebrew, and emerging Israeli writers includes entries on figures as diverse as Marcel Proust, Franz Kafka, Tristan Tzara, Eugene Ionesco, Harold Pinter, Tom Stoppard, Arthur Miller, Saul Bellow, Nadine Gordimer, and Woody Allen contains introductory essays on Jewish-American writing, Holocaust literature and memoirs, Yiddish writing, and Anglo-Jewish literature provides a chronology of twentieth-century Jewish writers. Compiled by expert contributors, this book contains over 330 entries on individual authors, each consisting of a biography, a list of selected publications, a scholarly essay on their work and suggestions for further reading.

In their youth, Manni and Franzi, together with their brothers, Ziggy and Sebastian, captured Germany's collective imagination as the Flying Magical Loerber Brothers -- one of the most popular vaudeville acts of the old Weimar days. The ensuing years have, however, found the Jewish brothers estranged and ensconced in various occupations as the war is drawing near its end and a German surrender is imminent. Manni is traveling through the Ruhr Valley with Albert Speer, who is intent on subverting Hitler's apocalyptic plan to destroy the German industrial heartland before the Allies arrive; Franzi has become inextricably attached to Heinrich Himmler's entourage as astrologer and masseur; and Ziggy and Sebastian have each been employed in pursuits that threaten to compromise irrevocably their own safety and ideologies. Now, with the Russian noose tightening around Berlin and the remnants of the Nazi government fleeing north to Flensburg, the Loerber brothers are unexpectedly reunited. As Himmler and Speer vie to become the next Führer, deluded into believing they can strike a bargain with Eisenhower and escape their criminal fates, the Loerbers must employ all their talents -- and whatever magic they possess -- to rescue themselves and one another. Deftly written and darkly funny, Germania is an astounding adventure tale -- with subplots involving a hidden cache of Nazi gold, Hitler's miracle U-boats, and Speer's secret plan to live out his days hunting walrus in Greenland -- and a remarkably imaginative novel from a gifted new writing talent.

Hollywood glitz collides with workingclass aspirations in this satirical tale of an impulsive starlet and a sharp-witted small-town teen. Cherry Kerrigan loves her simple life, her family’s tiny trailer, even working at Burrito Barn. Forget college — she’s marrying her sweetheart from next door. But here comes Ardelia Deen, a glamorous starlet who sweeps Cherry into a world of fast cars and penthouse parties. Now Cherry’s small-town life just seems so . . . small. When Ardelia drops a bomb of an offer — one involving a baby — Cherry knows her life will change forever, no matter what she decides. John M. Cusick focuses his signature wit on Hollywood royalty and the wide-eyed dreams of Small Town, U.S.A. in a novel about discovering who you are . . . and changing your mind.

Written by a top literary agent who gives writers an insider's view of how to find and work with an agent throughout the process of getting published. Includes: -- How to know that you're ready for an agent -- 7 ways to find an agent -- Writing a cover letter that grabs attention -- What to do with an agent once you've got one -- What you can expect and what you'd better not hope for -- Making sure this is the right agent for you -- Congratulations, now you have an agent AND an editor -- How to avoid the 7 worst pitfalls for aspiring writers -- And much, much more. In today's highly competitive publishing industry, literary agents are more important than ever. Whether you write fiction or non-fiction, reference or children's books, here is everything you need to know about using an agent to launch and sustain your literary career.a