Ken Loach

"The Cinema of Ken Loach: Art in the Service of the People examines the linking of art and politics that distinguishes the work of this leading British film director. Loach's films manifest recurrent themes over a long period of working with various collaborators, yet his handling of those themes has changed throughout his career. This book examines those changes as a way of reaching an understanding of Loach's style and meaning. It evaluates how Loach incorporates his political beliefs and those of his writers into his work and augments this thematic interpretation with contextual information gleaned from original archive research and new interviews."--BOOK JACKET.

John Hill's definitive study looks at the career and work of British director Ken Loach. From his early television work (Cathy Come Home) through to landmark films (Kes) and examinations of British society (Looking For Eric) this landmark study reveals Loach as one of the great European directors.

The career of the film-maker Ken Loach embraces both the cinema and television, and has included Cathy Come Home, Kes, and the films Riff-Raff, Raining Stones and Land and Freedom, which won major continental awards. This book presents an exploration of his work.

Seminar paper from the year 2009 in the subject English - Literature, Works, grade: 1,7, Free University of Berlin, language: English, abstract: The life of the "Ae Fond Kiss" protagonists, Casim and Roisin, is made difficult when they start a romantic relationship that brings Casim’s Pakistani background into conflict with Roisin’s Irish Catholic background They are condemned to experience how long standing prejudice and narrow-mindedness get in the way of what looks like a promising, almost harmonious love story –just like it tragically happens to Romeo and Juliet.

Penguin Decades bring you the novels that helped shape modern Britain. When they were published, some were bestsellers, some were considered scandalous, and others were simply misunderstood. All represent their time and helped define their generation, while today each is considered a landmark work of storytelling. Barry Hines's A Kestrel for a Knave was published in 1968, and was made into one of the key British films of the sixties. Billy Casper is beaten by his drunken brother, ignored by his mother and failing at school. He seems destined for a hard, miserable life down the pits, but for a brief time, he finds one pleasure in life: a wild kestrel that he has raised and tamed himself.

This first English-language book on Loach brings together seven original essays on major aspects of his work, an interview with the director, as well as comprehensive and unique reference material. The contributions examine Loach's ongoing concerns with social and political issues in Britain, questions of censorship, the way in which he develops film narratives around public issues, his domestic morality tales, and the formal and aesthetic questions raised by his particular approach to filmmaking.

This biography is about radical filmmaker Ken Loach.

This critical study of Mike Leigh's cinema is a comprehensive assessment of his thirty plus years in film, including his television features, from the first feature-length Bleak Moments to All or Nothing. Through his own species of tragicomedy and favored thematic content concentrating on relationships, Leigh enlarges the emotional boundaries of cinema for performers and audience alike. His deep and fully realized characters often subvert both decorum and irony traditionally associated with British film and television. Leigh's sense of the reciprocity and interpenetration of the material mundane, the ridiculous, and the humanistic sublime brings respect for the complexity of the ordinary and merits celebration within the democratic and demotic art of film.