Keya Das S Second Act

"From a New York Times reporter and memoirist Sopan Deb comes a heartwarming and charmingly funny debut novel about a box in the attic that leads one Bengali-American family down a path toward rediscovering family love, even when splintered. Shantanu Das is living in the shadows of his past. In his 60s, he finds himself iced out of his traditional Bengali community after an uncouth divorce from his wife, Chaitali; he hasn't spoken to his eldest daughter Mitali in months; and most painfully, he lives each day with the regret that the Dases couldn't accept their youngest daughter Keya after coming out as gay. As the anniversary of Keya's death approaches, Shantanu wakes up one morning utterly alone in his suburban New Jersey home and realizes it's finally time to sell the place. That's when he discovers a tucked away box in his attic that could change everything. When Mitali Das gets a call from her estranged father asking her to come back to New Jersey and help him pack up the house, she does so out of pity. But then father and daughter find the manuscript of an unfinished play Keya and her girlfriend had been writing. It's a wild idea, but Shantanu has nothing left to lose: what if they were to stage the play? It could be an homage to Keya's memory, and a way to make amends. But first he'll need to convince Keya's girlfriend, Pamela, to give her blessing. Soon Shantanu has assembled a host of unlikely helpers-Kalpana, his traditional Bengali mother; Catherine, his dry witted girlfriend; his ex-wife Chaitali and her new husband, Jahar; and Neesh, Mitali's boyfriend who, with surprising revelations from his past, binds them all together. Set in the vibrant world of the Bengali New Jersey suburbs, Keya Das's Second Act is a warmly drawn homage to family, creativity, and second chances. In his debut novel, Sopan Deb has written a poignant and at turns surprisingly hilarious testament to the unexpected ways we build family and find love, old and new"--

"From a New York Times reporter and memoirist Sopan Deb comes a heartwarming and charmingly funny debut novel about a box in the attic that leads one Bengali-American family down a path toward rediscovering family love, even when splintered. Shantanu Das is living in the shadows of his past. In his 60s, he finds himself iced out of his traditional Bengali community after an uncouth divorce from his wife, Chaitali; he hasn't spoken to his eldest daughter Mitali in months; and most painfully, he lives each day with the regret that the Dases couldn't accept their youngest daughter Keya after coming out as gay. As the anniversary of Keya's death approaches, Shantanu wakes up one morning utterly alone in his suburban New Jersey home and realizes it's finally time to sell the place. That's when he discovers a tucked away box in his attic that could change everything. When Mitali Das gets a call from her estranged father asking her to come back to New Jersey and help him pack up the house, she does so out of pity. But then father and daughter find the manuscript of an unfinished play Keya and her girlfriend had been writing. It's a wild idea, but Shantanu has nothing left to lose: what if they were to stage the play? It could be an homage to Keya's memory, and a way to make amends. But first he'll need to convince Keya's girlfriend, Pamela, to give her blessing. Soon Shantanu has assembled a host of unlikely helpers-Kalpana, his traditional Bengali mother; Catherine, his dry witted girlfriend; his ex-wife Chaitali and her new husband, Jahar; and Neesh, Mitali's boyfriend who, with surprising revelations from his past, binds them all together. Set in the vibrant world of the Bengali New Jersey suburbs, Keya Das's Second Act is a warmly drawn homage to family, creativity, and second chances. In his debut novel, Sopan Deb has written a poignant and at turns surprisingly hilarious testament to the unexpected ways we build family and find love, old and new"--

A young, orphaned shapeshifter in a world that fears magic must risk everything if she hopes to save her only friend in Elayne Audrey Becker's Forestborn, first in a new fantasy series with a timeless feel. TO BE BORN OF THE FOREST IS A GIFT AND A CURSE. Rora is a shifter, as magical as all those born in the wilderness—and as feared. She uses her abilities to spy for the king, traveling under different guises and listening for signs of trouble. When a magical illness surfaces across the kingdom, Rora uncovers a devastating truth: Finley, the young prince and her best friend, has caught it, too. His only hope is stardust, the rarest of magical elements, found deep in the wilderness where Rora grew up—and to which she swore never to return. But for her only friend, Rora will face her past and brave the dark, magical wood, journeying with her brother and the obstinate, older prince who insists on coming. Together, they must survive sentient forests and creatures unknown, battling an ever-changing landscape while escaping human pursuers who want them dead. With illness gripping the kingdom and war on the horizon, Finley’s is not the only life that hangs in the balance. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

A bittersweet and humorous memoir of family—of the silence and ignorance that separate us, and the blood and stories that connect us—from an award-winning New York Times writer and comedian. Approaching his 30th birthday, Sopan Deb had found comfort in his day job as a writer for the New York Times and a practicing comedian. But his stage material highlighting his South Asian culture only served to mask the insecurities borne from his family history. Sure, Deb knew the facts: his parents, both Indian, separately immigrated to North America in the 1960s and 1970s. They were brought together in a volatile and ultimately doomed arranged marriage and raised a family in suburban New Jersey before his father returned to India alone. But Deb had never learned who his parents were as individuals—their ages, how many siblings they had, what they were like as children, what their favorite movies were. Theirs was an ostensibly nuclear family without any of the familial bonds. Coming of age in a mostly white suburban town, Deb’s alienation led him to seek separation from his family and his culture, longing for the tight-knit home environment of his white friends. His desire wasn’t rooted in racism or oppression; it was born of envy and desire—for white moms who made after-school snacks and asked his friends about the girls they liked and the teachers they didn’t. Deb yearned for the same. Deb’s experiences as one of the few minorities covering the Trump campaign, and subsequently as a stand up comedian, propelled him on a dramatic journey to India to see his father—the first step in a life altering journey to bridge the emotional distance separating him from those whose DNA he shared. Deb had to learn to connect with this man he recognized yet did not know—and eventually breach the silence separating him from his mother. As it beautifully and poignantly chronicles Deb’s odyssey, Missed Translations raises questions essential to us all: Is it ever too late to pick up the pieces and offer forgiveness? How do we build bridges where there was nothing before—and what happens to us, to our past and our future, if we don’t?

***AN INSTANT BESTSELLER!*** Best Books of 2021 · NPR ALA/The Reading List Best Horror 2021 Pick Longlisted for the Bram Stoker Awards for Superior Achievement in a Novel, 2021 From the Bram Stoker-nominated author of The Luminous Dead comes a gothic fantasy horror—The Death of Jane Lawrence. "A jewel box of a Gothic novel." —New York Times Book Review “Delicious.... By the time the book reached that point of no return, I was so invested that I would have followed Jane into the very depths of hell.” —NPR.org “Intense and amazing! It’s like Jonathan Strange and Mr. Norrell meets Mexican Gothic meets Crimson Peak.” —BookRiot Practical, unassuming Jane Shoringfield has done the calculations, and decided that the most secure path forward is this: a husband, in a marriage of convenience, who will allow her to remain independent and occupied with meaningful work. Her first choice, the dashing but reclusive doctor Augustine Lawrence, agrees to her proposal with only one condition: that she must never visit Lindridge Hall, his crumbling family manor outside of town. Yet on their wedding night, an accident strands her at his door in a pitch-black rainstorm, and she finds him changed. Gone is the bold, courageous surgeon, and in his place is a terrified, paranoid man—one who cannot tell reality from nightmare, and fears Jane is an apparition, come to haunt him. By morning, Augustine is himself again, but Jane knows something is deeply wrong at Lindridge Hall, and with the man she has so hastily bound her safety to. Set in a dark-mirror version of post-war England, Caitlin Starling crafts a new kind of gothic horror from the bones of the beloved canon. This Crimson Peak-inspired story assembles, then upends, every expectation set in place by Shirley Jackson and Rebecca, and will leave readers shaken, desperate to begin again as soon as they are finished.

From the original Atheneum edition jacket, 1964. "J.M.G. Le Clézio, revelation of the literary year" ran the headline of the Paris Express after last year's prizes had been awarded. The Goncourt jury was locked five to five until its president used his double vote to give the prize to the older candidate. Ten minutes later the Renaudot jury elected the candidate they thought they might lose to the other prize. Most of the literary sections ran their prize news putting the Renaudot first, in order to feature the twenty-three-year-old discovery that was rocking Paris literary circles. What is The Interrogation? Most likely a myth without distinct delineations. A very solitary young man, Adam Pollo, perhaps the first man, perhaps the last, has a very remarkable interior adventure. He concentrates and he discovers ways of being, ways of seeing. He enters into animals, into a tree.... He has no business, no distractions; he is at the complete disposal of life. All of life, that is, except the society of his own species -- and so the story ends. "This is the next phase after the 'the new novel,'" wrote the critics. Kafka they said; a direct descendant of Joyce, they said. Beckett they said. Like nothing else, they said. One hundred thousand Frenchmen bought it. They said it was strange and beautiful. Finally the real voice of the young, said the critics. "I like J. D. Salinger," said Mr. Le Clézio, and that was all he said. His remarkable first book will soon be published all over the world and much more will be said.

In nine stories imbued with the sensual details of Indian culture, Lahiri charts the emotional journeys of characters seeking love beyond the barriers of nations and generations.