King Of Dublin

Twenty years after a deadly pandemic ravaged the world, Darragh Fearghal Anluan and the people of his village have carved out a hard but simple life in the Irish countryside. But with winter comes sickness, and Darragh must travel to Dublin in search of medicine. What he finds there is a ruined city ruled by a madman, where scavenging is punishable by death . . . or conscription. Ciaran Daly came to Ireland with aid and optimism, but instead was enslaved by the so-called King of Dublin. After months of abuse from the king and his men, he has no reason to believe this newcomer will be any different. Except Ciaran finds himself increasingly drawn to Darragh, whose brutish looks mask how sweet and gentle he really is. The tenderness Darragh feels for the king's treasured pet is treason, but it's hardly the only betrayal brewing in this rotten kingdom. Rebellions and rival gangs threaten the king's power, but not nearly as much as Darragh and Ciaran-whose only hope for freedom is the fall of the king.

Vikings plagued the coasts of Ireland and Britain in the 790s. Over time, their raids became more intense and by the mid-ninth century vikings had established a number of settlements in Ireland and Britain and had become heavily involved with local politics. A particularly successful viking leader named varr campaigned on both sides of the Irish Sea in the 860s. His descendants dominated the major seaports of Ireland and challenged the power of kings in Britain during the later ninth and tenth centuries. In 1014, the battle of Clontarf marked a famous stage in the decline of viking power in Ireland whilst the conquest of England in 1013 by the Danish king Sveinn Forkbeard marked a watershed in the history of vikings in Britain. The descendants of varr continued to play a significant role in the history of Dublin and the Hebrides until the twelfth century, but they did not threaten to overwhelm the major kingships of Britain or Ireland in this later period as they had done before. Thi.

A year after Richard III's death, a boy claiming to be a Yorkist prince appeared as if from nowhere, claiming to be Richard III's heir and the rightful King of England. In 1487, in a unique ceremony, this boy was crowned in Dublin Cathedral, despite the Tudor government insisting that his real name was Lambert Simnel and that he was a mere pretender to the throne. Now, in The Dublin King, author and historian John Ashdown-Hill questions that official view. Using new discoveries, little-known evidence and insight, he seeks the truth behind the 500-year-old story of the boy-king crowned in Dublin. He also presents a link between Lambert Simnel's story and that of George, Duke of Clarence, the brother of Richard III. On the way, the book sheds new light on the fate of the 'Princes in the Tower', before raising the possibility of using DNA to clarify the identity of key characters in the story and their relationships.

Vikings plagued the coasts of Ireland and Britain in the 790s AD. Over time, their raids became more intense and by the mid 9th century, Vikings had established a number of settlements in Ireland and Britain and had become heavily involved with local politics. A particularly successful Viking leader named Ívarr campaigned on both sides of the Irish Sea in the 860s. His descendants dominated the major seaports of Ireland and challenged the power of kings in Britain during the late 9th and 10th centuries. In 1014, the battle of Clontarf marked a famous stage in the decline of Viking power in Ireland while the conquest of England in 1013 by the Danish king Sveinn Forkbeard marked a watershed in the history of Vikings in Britain. The descendants of Ívarr continued to play a significant role in the history of Dublin and the Hebrides until the 12th century, but they did not threaten to overwhelm the major kingships of Britain or Ireland in this later period as they had done before. This book provides a political analysis of the deeds of Ívarr's family, from their first appearance in Insular records down to the year 1014. Such an account is necessary in light of the flurry of new work that has been done in other areas of Viking Studies. Recent theoretical approaches to the subject have raised many interesting questions regarding identity, material culture, and structures of authority. Archaeological finds and excavations have also offered potentially radical insights into Viking settlement and society. In line with these developments, Clare Downham provides a reconsideration of events based on contemporary written accounts.

From the internationally bestselling author of London and Sarum -- a magnificent epic about love and war, family life and political intrigue in Ireland over the course of seventeen centuries. Like the novels of James Michener, The Princes of Ireland brilliantly interweaves engrossing fiction and well-researched fact to capture the essence of a place. Edward Rutherfurd has introduced millions of readers to the human dramas that are the lifeblood of history. From his first bestseller, Sarum, to the #1 bestseller London, he has captivated audiences with gripping narratives that follow the fortunes of several fictional families down through the ages. The Princes of Ireland, a sweeping panorama steeped in the tragedy and glory that is Ireland, epitomizes the power and richness of Rutherfurd’s storytelling magic. The saga begins in pre-Christian Ireland with a clever refashioning of the legend of Cuchulainn, and culminates in the dramatic founding of the Free Irish State in 1922. Through the interlocking stories of a wonderfully imagined cast of characters -- monks and noblemen, soldiers and rebels, craftswomen and writers -- Rutherfurd vividly conveys the personal passions and shared dreams that shaped the character of the country. He takes readers inside all the major events in Irish history: the reign of the fierce and mighty kings of Tara; the mission of Saint Patrick; the Viking invasion and the founding of Dublin; the trickery of Henry II, which gave England its foothold on the island in 1167; the plantations of the Tudors and the savagery of Cromwell; the flight of the “Wild Geese”; the failed rebellion of 1798; the Great Famine and the Easter Rebellion. With Rutherfurd’s well-crafted storytelling, readers witness the rise of the Fenians in the late nineteenth century, the splendours of the Irish cultural renaissance, and the bloody battles for Irish independence, as though experiencing their momentous impact firsthand. Tens of millions of North Americans claim Irish descent. Generations of people have been enchanted by Irish literature, and visitors flock to Dublin and its environs year after year. The Princes of Ireland will appeal to all of them -- and to anyone who relishes epic entertainment spun by a master.