Knights Of The Open Palm

The first hard-boiled detective Race Williams, runs up against the Klan in his premiere adventure, which leads him to fast and tragic action. Plus two other early Daly hard-boiled classics: "The False Burton Combs" and "Dolly." Story #1 in the Race Williams series. Carroll John Daly (1889–1958) was the creator of the first hard-boiled private eye story, predating Dashiell Hammett's first Continental Op story by several months. Daly's classic character, Race Williams, was one of the most popular fiction characters of the pulps, and the direct inspiration for Mickey Spillane's Mike Hammer.

An unstoppable anthology of crime stories culled from Black Mask magazine the legendary publication that turned a pulp phenomenon into literary mainstream. Black Mask was the apotheosis of noir. It was the magazine where the first hardboiled detective story, which was written by Carroll John Daly appeared. It was the slum in which such American literary titans like Dashiell Hammett and Raymond Chandler got their start, and it was the home of stories with titles like “Murder Is Bad Luck,” “Ten Carets of Lead,” and “Drop Dead Twice.” Collected here is best of the best, the hardest of the hardboiled, and the darkest of the dark of America’s finest crime fiction. This masterpiece collection represents a high watermark of America’s underbelly. Crime writing gets no better than this. Featuring • Deadly Diamonds • Dancing Rats • A Prize Fighter Fighting for His Life • A Parrot that Wouldn’t Talk Including • Dashiell Hammett’s The Maltese Falcon as it was originally published • Lester Dent's Luck in print for the first time

DIVSees hard-boiled crime fiction in relation to a changing literary marketplace and as an arena for conflicts about citizenship, class culture, and democracy during the New Deal./div

The hard-boiled style of detective fiction emerged in America in the years after the First World War. In the late 1940s, following the Depression, the New Deal, and the Second World War, a new generation of young writers revisited the conventions governing the fictional private eye, and began to move him (the tough detective was still always male) and his world in new directions. This book examines the work of the four most important writers of this second generation of hard-boiled fiction. It offers the first substantial literary analysis of the Max Thursday novels of Wade Miller and the Carney Wilde novels of Bart Spicer, and it develops new perspectives on the well-known Mike Hammer novels of Mickey Spillane and the Lew Archer novels of Ross Macdonald. A particular focus is upon the theme of the detective's status as a loner who succeeds in discovering truth and achieving justice because he works outside organized social structures.

In popular understanding, the Ku Klux Klan is a hateful white supremacist organization. In Ku Klux Kulture, Felix Harcourt argues that in the 1920s the self-proclaimed Invisible Empire had an even wider significance as a cultural movement. Ku Klux Kulture reveals the extent to which the KKK participated in and penetrated popular American culture, reaching far beyond its paying membership to become part of modern American society. The Klan owned radio stations, newspapers, and sports teams, and its members created popular films, pulp novels, music, and more. Harcourt shows how the Klan’s racist and nativist ideology became subsumed in sunnier popular portrayals of heroic vigilantism. In the process he challenges prevailing depictions of the 1920s, which may be best understood not as the Jazz Age or the Age of Prohibition, but as the Age of the Klan. Ku Klux Kulture gives us an unsettling glimpse into the past, arguing that the Klan did not die so much as melt into America’s prevailing culture.

From the hard-boiled detective stories of Dashiell Hammett to the novels of Claude McKay, The Word on the Streets examines a group of writers whose experimentation with the vernacular argues for a rethinking of American modernism—one that cuts across traditional boundaries of class, race, and ethnicity. The dawn of the modernist era witnessed a transformation of popular writing that demonstrated an experimental practice rooted in the language of the streets. Emerging alongside more recognized strands of literary modernism, the vernacular modernism these writers exhibited lays bare the aesthetic experiments inherent in American working-class and ethnic language, forging an alternative pathway for American modernist practice. Brooks Hefner shows how writers across a variety of popular genres—from Gertrude Stein and William Faulkner to humorist Anita Loos and ethnic memoirist Anzia Yezierska—employed street slang to mount their own critique of genteel realism and its classist emphasis on dialect hierarchies, the result of which was a form of American experimental writing that resonated powerfully across the American cultural landscape of the 1910s and 1920s.

The Modern Ku Klux Klan is an open-minded, informative, and unprejudiced textbook about the motivations and reasoning of the infamous clan members in the white cloaks. You will love learning more about this terrible and historical national group.

This isn't your grandma's King Arthur story. Nate Arturi isn't a knight in shining armor. He sure as hell isn't a king. The last time someone called him heroic, it was because he fetched his neighbor's corgi off the roof. But when an ancient alien beacon awakens on Earth, sounding the call to enemies near and far, the Merlin is left with little choice. Ambushed by a hulking alien brute and tricked into accepting a foul-mouthed sword from a homeless wizard, Nate suddenly finds his senior year at Penn State more than a little out of hand. But when an armada of butt-ugly troglodans and exotic gorgon killers starts raining from the sky, one thing becomes inescapably clear: Unless he mans up and gets that damned beacon off of his planet, everything he knows is about to be burned to a crisp. And that's only the beginning of the galaxy's problems… Welcome to the Excalibur Knights Saga—a sprawling Arthurian space opera that follows the rise of Ser Nathaniel Arturi from reluctant (and frankly terrible) hero to the stuff of legends. If you love action-packed science fiction, snarky AI companions, and radical character growth, then secure your crash couches and prepare for 1,800+ pages of epic sci-fi adventure! Included in the set: - The Eighth Excalibur (Book 1) - The Black Knight (Book 2) - Spoils of War (Book 3) Plus the following Excalibur Knights shorts, novelette, and serial: - Flight of the Huntress - The Last Good Boy - The Complete Meyerwitz Logs - The Leftovers (Parts 1-4)