Korean Buddhism History Condition And Art

Reproduction of the original: Korean Buddhism by Frederick Starr

Since 1911 it has been my privilege to make four journeys into Korea, so long known as “The Hermit Kingdom.” To-day Korea has ceased to be an independent nation; she has been completely absorbed by Japan and forms part of the Japanese Empire. I found much of interest in the country. I studied the people and their daily life; I visited many of the famous points of interest and beauty; I have studied somewhat into Korean history. Nothing, however, has more interested me than the study of Korean religions, particularly Buddhism. When asked to give some public lectures this summer, I consented gladly to speak for three evenings on the subject of Korean Buddhism. My three lectures will deal with History—Condition—Art. The history of Korea falls into three sharply marked periods. The first is known as the era of the Three Kingdoms—it ended with the year 918, a year easy to remember because exactly one thousand years ago. The second is the period of the Koryu Dynasty; it began with the year 918 and ended in 1392, a date easy for us to remember because precisely a century before the discovery of America by Columbus. The third period, known as the period of the Yi Dynasty, began with 1392 and continued until 1910, when the independent history of Korea ended with its absorption by Japan. The history of Buddhism in Korea is divided into the same three periods, as the things which caused breaks in the national history were related to the religion. We shall then speak of the Buddhism of the Three Kingdoms, of the Koryu Dynasty and of the Yi Dynasty.

Korean Buddhism by Frederick Starr is about Tongbulgyo ("interpenetrated Buddhism"), a form that sought to harmonize previously arising disputes among scholars (a principle called hwajaeng 和諍). Excerpt: "I found much interest in the country. I studied the people and their daily life; I visited many of the famous points of interest and beauty; I have studied somewhat into Korean history. Nothing, however, has more interested me than the study of Korean religions, particularly Buddhism. When asked to give some public lectures this summer, I consented gladly to speak for three evenings on the subject of Korean Buddhism. My three lectures will deal with History—Condition—Art."

In "Korean Buddhism: History—Condition—Art" by Frederick Starr, readers embark on a journey through the rich cultural and spiritual heritage of Korea. Starr's expertise shines as he explores the history, conditions, and art associated with Korean Buddhism. The book provides valuable insights into the profound impact of Buddhism on Korean society and its artistic expressions. It's an enlightening read for those interested in Asian culture, spirituality, and art.

Excerpt from Korean Buddhism: History, Condition, Art Source of information, as vast in bulk as either of the other two; it is the inscriptions on monuments, which are scattered in thou sands over the peninsula. The gleaning of information from these three sources - for the work must absolutely be of the nature of gleaning - will require many years, but the work is worth the doing. It is urgent also. Every one of these three sources is subject to destruction and even now is threatened. Old books in Korea are being constantly lost and destroyed; new editions of them are often carelessly and inaccur ately reproduced; in some cases, the new editions are intentionally mutilated, im portant passages being suppressed. The monastery records are less secure than ever before; with the new life and energy in these old establishments, renovation and clearing out of nooks and corners and over hauling of accumulations of papers, places documents, the value of which is unknown or unappreciated, in serious jeopardy. As for the monuments many are disappearing and others are becoming undecipherable through weathering. There is pressing. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Excerpt from Korean Buddhism: History, Condition, Art The author does not over-estimate the importance of this little book: it is nothing more than its title claims. It consists of three lectures given to popular audiences, which the accompaniment of many illustrations. It represents, however, a considerable amount of work in an almost virgin field. It has involved hard journeys to remote mountain monasteries, and days and nights of conversation and inquiry with many monks and priests. It is not, however, a profound study nor an exhaustive presentation. It barely touches many a subject, which would alone furnish more material than could be treated in three such lectures. It but scratches the surface. The material which it presents is however new. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.