Kuessipan

Kuessipan is an extraordinary, meditative novel about life among the Native Innu people of northeast Quebec. With the grace and perfect pitch, author Naomi Fontaine (herself an Innu) conjures up a world that reads like no other, and a community—of nomadic hunters and fishers, of mothers and children—who endure a harsh and sometimes cruel reality with quiet dignity. This publication meets the EPUB Accessibility requirements and it also meets the Web Content Accessibility Guidelines (WCAG-AA). It is screen-reader friendly and is accessible to persons with disabilities. A Simple book with few images, which is defined with accessible structural markup. This book contains various accessibility features such as alternative text for images, table of contents, page-list, landmark, reading order and semantic structure.

A fictionalized, meditative chronicle of life among the Innu in rural northeastern Quebec. Kuessipan ("to you" in the Innu language) is an extraordinary, meditative novel about life among the Native Innu people in the wilds of northeastern Quebec. Naomi Fontaine, herself an Innu, wrote this novel (in French) at the age of twenty-three; with grace and perfect pitch, she depicts a community of nomadic hunters and fishers, and of hard-working mothers and their children, enduring a harsh, sometimes cruel reality with quiet dignity. Pervading the book is a palpable sense of place and time played out as a series of moments: elders who watch their kin grow up before their eyes; couples engaged in domestic crises, and young people undone by alcohol; caribou-skin drums that bring residents to their feet; and lives spent along a bay that reflects the beauty of the earth and the universal truth that life is a fleeting puzzle whose pieces must be put together before it can be fully lived. With poetic restraint and a documentary-like eye, Kuessipan is a remarkable and intimate portrait of a world that reads like no other. Kuessipan is currently being developed into a French-language motion picture by director Myriam Verreault for Max Films Inc. If you keep on going, there will be sand beneath your feet. You'll taste the salty air. The sun will start to go down. The sky will put on a show. Let the waves give rhythm to your senses. You will be comforted. Just walk through those spruce trees. Then you'll see the bay, the beach with its soft sand, the aluminum smelter, the islands, the river as wide as the sea. The ocean, where you came from.

In Naomi Fontaine’s Governor General’s Literary Award finalist, a young teacher’s return to her remote Innu community transforms the lives of her students, reminding us of the importance of hope in the face of despair. After fifteen years of exile, Yammie, a young Innu woman, has come back to her home in Uashat, on Quebec’s North Shore. She has returned to teach at the local school but finds a community stalked by despair. Yammie will do anything to help her students. When she accepts a position directing the end-of-year play, she sees an opportunity for the youth to take charge of themselves. In writing both spare and polyphonic, Naomi Fontaine honestly portrays a year of Yammie’s teaching and of the lives of her students, dislocated, embattled, and ultimately, possibly, triumphant.

Labrador Innu cultural and environmental activist Tshaukuesh Elizabeth Penashue is well-known both within and far beyond the Innu Nation. The recipient of a National Aboriginal Achievement Award and an honorary doctorate from Memorial University, she has been a subject of documentary films, books, and numerous articles. She led the Innu campaign against NATO’s low-level flying and bomb testing on Innu land during the 1980s and ’90s, and was a key respondent in a landmark legal case in which the judge held that the Innu had the “colour of right” to occupy the Canadian Forces base in Goose Bay, Labrador. Over the past twenty years she has led walks and canoe trips in nutshimit, “on the land,” to teach people about Innu culture and knowledge. Nitinikiau Innusi: I Keep the Land Alive began as a diary written in Innu-aimun, in which Tshaukuesh recorded day-to-day experiences, court appearances, and interviews with reporters. Tshaukuesh has always had a strong sense of the importance of documenting what was happening to the Innu and their land. She also found keeping a diary therapeutic, and her writing evolved from brief notes into a detailed account of her own life and reflections on Innu land, culture, politics, and history. Beautifully illustrated, this work contains numerous images by professional photographers and journalists as well as archival photographs and others from Tshaukuesh’s own collection.

In this time of ecological crisis, all that is holy calls us into a more intimate partnership with the diverse and beautiful beings of this earth. In Finding Our Way Home, Myke Johnson reflects on her personal journey into such a partnership and offers a guide for others to begin this path. Lyrically expressed, it weaves together lessons from a chamomile flower, a small bird, a copper beech tree, a garden slug, and a forest fern, along with insights from Indigenous philosophy, environmental science, fractal geometry, childhood Catholic mysticism, the prophet Elijah, fairy tales, and permaculture design. This eco-spiritual journey also wrestles with the history of our society's destruction of the natural world, and its roots in the original theft of the land from Indigenous peoples. Exploring the spiritual dimensions of our brokenness, it offers tools to create healing. Finding Our Way Home is a ceremony to remember our essential unity with all of life.

This is a book of images of our country as seen by our artists. A gift to Canadians to honour the beauty and power of our shared spaces, and a reminder that we all live by the gifts of the land and it's a book that acknowledges the power of art to reveal what is hidden, to make visible the landscapes of our imagination. Residences: ON, B.C, and QC.

In this tale of survival, two women are exiled from their post-apocalyptic village because they have passed their child-bearing years.

The final decades of Jean Genet’s life were preoccupied with the struggles of the disenfranchised: the Black Panthers, Baader-Meinhoff, and the Palestinians. Laroche’s book is a careful philosophical and historical reading of these groups and Genet’s relation to them.