L A City Limits

In 1964 an Urban League survey ranked Los Angeles as the most desirable city for African Americans to live in. In 1965 the city burst into flames during one of the worst race riots in the nation's history. How the city came to such a pass—embodying both the best and worst of what urban America offered black migrants from the South—is the story told for the first time in this history of modern black Los Angeles. A clear-eyed and compelling look at black struggles for equality in L.A.'s neighborhoods, schools, and workplaces from the Great Depression to our day, L.A. City Limits critically refocuses the ongoing debate about the origins of America's racial and urban crisis. Challenging previous analysts' near-exclusive focus on northern "rust-belt" cities devastated by de-industrialization, Josh Sides asserts that the cities to which black southerners migrated profoundly affected how they fared. He shows how L.A.'s diverse racial composition, dispersive geography, and dynamic postwar economy often created opportunities—and limits—quite different from those encountered by blacks in the urban North.

Historian Hurewitz brings to life a vibrant and all-but-forgotten milieu of artists, leftists, and gay men and women whose story played out over the first half of the twentieth century and continues to shape the entire American landscape. In a hidden corner of Los Angeles, the personal first became the political, the nation's first enduring gay rights movement emerged, and the broad spectrum of what we now think of as identity politics was born. Portraying life over more than forty years in the hilly enclave of Edendale (now part of Silver Lake), Hurewitz considers the work of painters and printmakers, looks inside the Communist Party's intimate cultural scene, and examines the social world of gay men. He discovers why and how these communities, inspiring both one another and the city as a whole, transformed American notions of political identity with their ideas about self-expression, political engagement, and race relations.--From publisher description.

In Azusa Reimagined, Keri Day explores how the Azusa Street Revival of 1906, out of which U.S. Pentecostalism emerged, directly critiqued America's distorted capitalist values and practices at the start of the twentieth century. Employing historical research, theological analysis, and critical theory, Day demonstrates that Azusa's religious rituals and traditions rejected the racial norms and profit-driven practices that many white Christian communities gladly embraced. Through its sermons and social practices, the Azusa community critiqued racialized conceptions of citizenship that guided early capitalist endeavors such as world fairs and expositions. Azusa also envisioned deeper democratic practices of human belonging and care than the white nationalist loyalties early U.S. capitalism encouraged. In this lucid work, Day makes Azusa's challenge to this warped economic ecology visible, showing how Azusa not only offered a radical critique of racial capitalism but also offers a way for contemporary religious communities to cultivate democratic practices of belonging against the backdrop of late capitalism's deep racial divisions and material inequalities.

Through a case study of the Los Angeles city school district from the 1950s through the 1970s, Judith Kafka explores the intersection of race, politics, and the bureaucratic organization of schooling. Kafka argues that control over discipline became increasingly centralized in the second half of the twentieth century in response to pressures exerted by teachers, parents, students, principals, and local politicians - often at different historical moments, and for different purposes. Kafka demonstrates that the racial inequities produced by today's school discipline policies were not inevitable, nor are they immutable.

When the depression of the 1890s prompted unemployed workers from Los Angeles to join a nationwide march on Washington, “Coxey’s Army” marked the birth of radicalism in that city. In this first book to trace the subsequent struggle between the radical left and L.A.’s power structure, Errol Wayne Stevens tells how both sides shaped the city’s character from the turn of the twentieth century through the civil rights era. On the radical right, Los Angeles’s business elite, supported by the Los Angeles Times, sought the destruction of the trade-union movement—defended on the left by socialists, Wobblies, communists, and other groups. In portraying the conflict between leftist and capitalist visions for the future, Stevens brings to life colorful personalities such as Times publisher Harrison Gray Otis and Socialist mayoral candidate Job Harriman. He also re-creates events such as the 1910 bombing of the Times building, the savage suppression of the 1923 longshoremen’s strike, and the 1965 Watts riots, which signaled that L.A. politics had become divided less along class lines than by complex racial and ethnic differences. The book takes stock of the rivalry between right and left over the several decades in which it repeatedly flared. Radical L.A. is a balanced work of meticulous scholarship that pieces together a rich chronicle usually seen only in smaller snippets or from a single vantage point. It will change the way we see the history of the City of Angels.