L Attacco De Mostro Degli Abissi

Chi governa il mio destino? Lord Steven Mesatrhim è convinto di conoscere la risposta a questo interrogativo e non ha mai avuto modo di mettere in discussione le proprie certezze. Il suo segreto è al sicuro e la sua vita scorre indisturbata sulla scia di un successo preannunciato. Anche Shrever, guerriero dalle misteriose origini, non ha alcun dubbio sul proprio futuro. E' sicuro di poter risvegliare Wyrm dal suo sonno millenario e di poter soggiogare una ad una tutte le razze che popolano l'isola di Orizzonte. Steven e Shrever saranno presto chiamati a giocare un preciso ruolo in uno scacchiere dove s'incroceranno le strade d'incredibili personaggi e dai cui intrecci prenderà vita un turbine di battaglie, incantesimi e duelli, amori e tradimenti. Un'avvincente storia che ci suggerisce che dove c'è luce non sempre si riflette un'essenza benefica e che dove domina la notte può sorgere una fiamma infinite volte più potente.

The story of Gertrude Flint, an abandoned and mistreated orphan rescued at the age of eight by Trueman Flint, a lamplighter, from her abusive guardian, Nan Grant. Gerty is lovingly raised and taught virtues and religious faith, forming her to become a moral woman. In adulthood, she is rewarded for her many tribulations by marriage to a childhood friend.

Eisner Award-nominated writer W. Maxwell Prince (Ice Cream Man) comes to BOOM! Studios with Eisner-nominated artist Tyler Jenkins (Grass Kings, Black Badge) for an unforgettable thriller that explores the miraculous, the mundane, and all the mysteries in between.Lovable drunken lowlife Denis awakens on the outskirts of a mysterious village called Nowhere, home to a friendly populace of deformed, mutated, just-left-of-normal citizens—and he has no memory of how he got there. But just when Denis starts to regain his memories, his past catches up to him... literally. What at first seems like merely a bad trip quickly heightens into a drama of mistaken identities, small-town conspiracy, and high-stakes fantasy fulfillment.

Using original sources--such as newspaper articles, silent movies, letters, autobiographies, and interviews--Ilaria Serra depicts a large tapestry of images that accompanied mass Italian migration to the U.S. at the turn of the twentieth century. She chooses to translate the Italian concept of immaginario with the Latin imago that felicitously blends the double English translation of the word as "imagery" and "imaginary." Imago is a complex knot of collective representations of the immigrant subject, a mental production that finds concrete expression; impalpable, yet real. The "imagined immigrant" walks alongside the real one in flesh and rags.