Labyrinth 2

Labyrinth 2 provides a taxonomy of the plays Don Nigro has written over the past ten years. For those interested in producing Nigro’s work, this book provides a summary of the action of each script, characters required, costume, set, lighting, and sound requirements. Producers and directors of professional, academic, and community theatres will find it a useful guide to scripts they may wish to buy from Samuel French, Inc. Accounts of plays written prior to 2001 may be found in Labyrinth: Plays of Don Nigro, also published by University Press of America.

Simon Spurrier (Godshaper, The Power of the Dark Crystal) and Daniel Bayliss (Jim Henson’s Storyteller: Dragons, Kennel Block Blues) present a magical look into the world of Jim Henson’s Labyrinth. Before Sarah braved the Labyrinth to save her brother, another young woman sought to save a young boy named Jareth from the clutches of the Goblins. Set in 18th-century Venice, Italy, Jim Henson’s Labyrinth: Coronation is a striking look into the history of the Labyrinth itself, and what happens to the little boys who don’t get rescued. This is the untold history of the Goblin King. Collects issues #1-4.

As the clock ticks ever closer to the thirteenth hour, Maria struggles through the canals of the Labyrinth alongside her peculiar band of companions, wishing desperately to be reunited with her son. While she may be no closer to the Owl King’s castle, Maria begins to uncover the secrets of the Labyrinth and her own power within the walls of this magical domain. But from deep in the shadows, the Owl King watches her every move, plotting and waiting to bring her demise by any means necessary. Written by Simon Spurrier (Jim Henson’s The Power of the Dark Crystal) and Ryan Ferrier (Kong on the Planet of the Apes) and illustrated by Daniel Bayliss (Jim Henson’s The Storyteller: Dragons) and Irene Flores (Heavy Vinyl), Labyrinth: Coronation Volume Two continues the bestselling prequel to one of Jim Henson’s most iconic creations.

Aladdin and Alibaba have entered the Dungeon of Qishan hoping to find hidden treasure—but danger's found them! A horde of slimes closes in on them, while Lord Jamil and his slaves head into the dungeon looking to intercept Aladdin and grab any riches he may have found! But these rivals have more to worry about than each other, and new friends, new enemies and amazing riches are yet to be discovered! -- VIZ Media

Despite real progress, women remain rare enough in elite positions of power that their presence still evokes a sense of wonder. In Through the Labyrinth, Alice Eagly and Linda Carli examine why women's paths to power remain difficult to traverse. First, Eagly and Carli prove that the glass ceiling is no longer a useful metaphor and offer seven reasons why. They propose the labyrinth as a better image and explain how to navigate through it. This important and practical book addresses such critical questions as: How far have women actually come as leaders? Do stereotypes and prejudices still limit women's opportunities? Do people resist women's leadership more than men's? And, do organisations create obstacles to women who would be leaders?This book's rich analysis is founded on scientific research from psychology, economics, sociology, political science, and management. The authors ground their conclusions in that research and invoke a wealth of engaging anecdotes and personal accounts to illustrate the practical principles that emerge. With excellent leadership in short supply, no group, organisation, or nation can afford to restrict women's access to leadership roles. This book evaluates whether such restrictions are present and, when they are, what we can do to eliminate them.

One of the Remasters series which aligns the stories with the Aliens movies and novelizations. The true horror of Doctor Paul Church's work is discovered when the research assistants in his space laboratory start dying and the dark secret of his previous close encounter with the Aliens unfolds.

Ancient and medieval labyrinths embody paradox, according to Penelope Reed Doob. Their structure allows a double perspective—the baffling, fragmented prospect confronting the maze-treader within, and the comprehensive vision available to those without. Mazes simultaneously assert order and chaos, artistry and confusion, articulated clarity and bewildering complexity, perfected pattern and hesitant process. In this handsomely illustrated book, Doob reconstructs from a variety of literary and visual sources the idea of the labyrinth from the classical period through the Middle Ages. Doob first examines several complementary traditions of the maze topos, showing how ancient historical and geographical writings generate metaphors in which the labyrinth signifies admirable complexity, while poetic texts tend to suggest that the labyrinth is a sign of moral duplicity. She then describes two common models of the labyrinth and explores their formal implications: the unicursal model, with no false turnings, found almost universally in the visual arts; and the multicursal model, with blind alleys and dead ends, characteristic of literary texts. This paradigmatic clash between the labyrinths of art and of literature becomes a key to the metaphorical potential of the maze, as Doob's examination of a vast array of materials from the classical period through the Middle Ages suggests. She concludes with linked readings of four "labyrinths of words": Virgil's Aeneid, Boethius' Consolation of Philosophy, Dante's Divine Comedy, and Chaucer's House of Fame, each of which plays with and transforms received ideas of the labyrinth as well as reflecting and responding to aspects of the texts that influenced it. Doob not only provides fresh theoretical and historical perspectives on the labyrinth tradition, but also portrays a complex medieval aesthetic that helps us to approach structurally elaborate early works. Readers in such fields as Classical literature, Medieval Studies, Renaissance Studies, comparative literature, literary theory, art history, and intellectual history will welcome this wide-ranging and illuminating book.

Labyrinth spillways are almost as old as dam engineering. In spite of the fact that they appear as a very good technical-economical compromise, only 0.1% of large dams are equipped with such weirs. The main reason for this is that traditional labyrinth weirs usually cannot be installed on top of concrete gravity dams as they require a large foundat