Lady Parker S Grand Affair

She wants an affair... Maggie, Lady Parker desires a man, but she's not willing to leave freedom in Surrey to find scandal in London. Widowed for years, she wants to conduct a big enough scandal that a gentleman might come calling merely to see if the rumors about her are true. He wants a shot at Parliament... Stephen Tarkington is a self-professed rogue but if he had his way, he'd be a philanthropist. The only thing prohibiting his dream is his lack of sponsorship for a spot in Parliament. Marrying Lady Parker's niece could solve his problem. Sometimes the heart wants more... Imagine his surprise when he meets the widow and she's not an old bird he can charm. She's vibrant, sharp-tongued and enchanting to boot. Passion flares between them, and Stephen gives up on his plan... in search of a more pleasurable gamble. Maggie is immediately drawn to the charming, handsome gentleman, but will a simple affair fulfill her needs? A scrape with public scandal will toss them into a situation that may just satisfy both of their secret desires.

Fans of Louise Douglas, Dinah Jeffries and Kristin Hannah will love this compelling and enthralling read from bestselling author Charlotte Bingham. The 1950s are brought vividly to life - as is the real battle between desire and duty that Ottilie faces. A real page-turner! 'The author perfectly evokes the atmosphere of a bygone era... ' -- Woman's Own 'This is great summer escapism from an award-winning romantic novelist' -- CHOICE 'I couldn't put it down' -- ***** Reader review 'Absolutely riveting' -- ***** Reader review 'A wonderful read' -- ***** Reader review ******************************************************************************* SOME THINGS NEED SAVING...BUT AT WHAT COST? Ottilie Cartaret is born in London into a family of boys dominated by their genial mother, Ma O'Flaherty. For the first four years of her life, all Ottilie knows is love until, that is, the erring father of the boys, sends enough money from America for the O'Flahertys to move to what Ma imagines will be rural bliss in Cornwall. True, St Elcomb is by the sea and in 1950s Britain is certainly rural but, for the O'Flahertys, it is not bliss. Never mind their poverty - the enmity of the local people is what proves insuperable. Ottilie is ultimately adopted by Mr and Mrs Cartaret, a wealthy couple who run the Grand Hotel in St Elcomb. Here she becomes pampered and spoilt, not just by her adopted parents but by all the visitors to the hotel. Times however are changing and not just for Ottilie but for the hotel too, and as the regulars to the now decaying hotel die off, the Cartarets find they are unable to adapt to modern ways. There is no doubt that Ottilie is their greatest asset and they live to rejoice in the day they adopted but is Ottilie perhaps expected to sacrifice too much herself to save the Grand?

Reproduction of the original: The Letters of Her Mother to Elizabeth by W.R.H. Trowbridge

In her immensely readable and richly documented book, Christine Bayles Kortsch asks us to shift our understanding of late Victorian literary culture by examining its inextricable relationship with the material culture of dress and sewing. Even as the Education Acts of 1870, 1880, and 1891 extended the privilege of print literacy to greater numbers of the populace, stitching samplers continued to be a way of acculturating girls in both print literacy and what Kortsch terms "dress culture." Kortsch explores nineteenth-century women's education, sewing and needlework, mainstream fashion, alternative dress movements, working-class labor in the textile industry, and forms of social activism, showing how dual literacy in dress and print cultures linked women writers with their readers. Focusing on Victorian novels written between 1870 and 1900, Kortsch examines fiction by writers such as Olive Schreiner, Ella Hepworth Dixon, Margaret Oliphant, Sarah Grand, and Gertrude Dix, with attention to influential predecessors like Elizabeth Gaskell, Charlotte Brontë, and George Eliot. Periodicals, with their juxtaposition of journalism, fiction, and articles on dress and sewing are particularly fertile sites for exploring the close linkages between print and dress cultures. Informed by her examinations of costume collections in British and American museums, Kortsch's book broadens our view of New Woman fiction and its relationship both to dress culture and to contemporary women's fiction.

Good Press presents to you the meticulously edited collection of the greatest historical romance novels: Uarda: A Romance of Ancient Egypt (Georg Ebers) The New Abelard: Love in the Times of Cathedrals (Robert Williams Buchanan) Hildebrand: The Days of Queen Elizabeth (Anonymous) Love-at-Arms (Rafael Sabatini) The Making Of A Saint (W. Somerset Maugham) The Cloister and the Hearth (Charles Reade) The Princess of Cleves (Madame de La Fayette) The Forest Lovers (Maurice Hewlett) Malcolm (George MacDonald) Scarlet Letter: Love in the Colonial Period (Nathaniel Hawthorne) The Wild Irish Girl (Lady Sydney Morgan) Sophia (Stanley John Weyman) Paul and Virginia (Bernardin de Saint-Pierre) Memoirs of Emma Courtney (Mary Hays) Powder and Patch (Georgette Heyer) The History of Miss Betsy Thoughtless (Eliza Haywood) Fantomina (Eliza Haywood) Olinda's Adventures (Catharine Trotter Cockburn) Belinda (Maria Edgeworth) Dangerous Liaisons (Pierre Choderlos de Laclos) Evelina (Fanny Burney) Pamela Trilogy Mary (Mary Wollstonecraft) Jane Austen: Pride & Prejudice Sense & Sensibility Mansfield Park Emma Persuasion Miss Marjoribanks & Phoebe, Junior (Mrs. Olifant) Vanity Fair (Thackeray) Mr. Rowl (D. K. Broster) The Battle of the Strong (Gilbert Parker) Kitty Alone (Sabine Baring-Gould) Sentimental Education (Gustave Flaubert) Lady Anna (Anthony Trollope) The Manoeuvring Mother (Lady Charlotte Bury) Ramona (Helen Hunt Jackson) Jane Eyre (Charlotte Brontë) Wuthering Heights (Emily Brontë) The Tenant of Wildfell Hall (Anne Brontë) The Lady of the Camellias (Alexandre Dumas) The Portrait of a Lady & The Wings of the Dove (Henry James) Anna Karenina (Leo Tolstoy) The Age of Innocence (Edith Wharton) Tess of the d'Urbervilles (Thomas Hardy) Bel Ami (Guy de Maupassant) The Squatter and the Don (María Ruiz de Burton) Maria Chapdelaine (Louis Hémon) The Four Feathers (A. E. W. Mason) The Miranda Trilogy (Grace Livingston Hill) The Great Gatsby (F. Scott Fitzgerald)