Land Water Sky Nd T Yat A

Containing the navigation and the remarkable things seen on the sea by the author : the behavior of Villegagnon in that country : the customs and strange ways of life of the American savages : together with the description of various animals, trees, plants, and other singular things completely unknown over here.

A vexatious shapeshifter walks among humans. Shadowy beasts skulk at the edges of the woods. A ghostly apparition haunts a lonely stretch of highway. Spirits and legends rise and join together to protect the north. Land-Water-Sky/Ndè-Tı-Yat’a is the debut novel from Dene author Katłıà. Set in Canada’s far north, this layered composite novel traverses space and time, from a community being stalked by a dark presence, a group of teenagers out for a dangerous joyride, to an archeological site on a mysterious island that holds a powerful secret. Riveting, subtle, and unforgettable, Katłıà gives us a unique perspective into what the world might look like today if Indigenous legends walked amongst us, disguised as humans, and ensures that the spiritual significance and teachings behind the stories of Indigenous legends are respected and honored. We acknowledge the support of Arts Nova Scotia.

The music of the peoples of South and Central America, Mexico, and the Caribbean has never received a comprehensive treatment in English until this multi-volume work. Taking a sociocultural and human-centered approach, Music in Latin America and the Caribbean gathers the best scholarship from writers all over the world to cover in depth the musical legacies of indigenous peoples, creoles, African descendants, Iberian colonizers, and other immigrant groups that met and mixed in the New World. Within a history marked by cultural encounters and dislocations, music emerges as the powerful tool that negotiates identities, enacts resistance, performs belief, and challenges received aesthetics. This work, more than two decades in the making, was conceived as part of "The Universe of Music: A History" project, initiated by and developed in cooperation with the International Music Council, with the goals of empowering Latin Americans and Caribbeans to shape their own musical history and emphasizing the role that music plays in human life. The four volumes that constitute this work are structured as parts of a single conception and gather 150 contributions by more than 100 distinguished scholars representing 36 countries. Volume 1, Performing Beliefs: Indigenous Peoples of South America, Central America, and Mexico, focuses on the inextricable relationships between worldviews and musical experience in the current practices of indigenous groups. Worldviews are built into, among other things, how music is organized and performed, how musical instruments are constructed and when they are played, choreographic formations, the structure of songs, the assignment of gender to instruments, and ritual patterns. Two CDs with 44 recorded examples illustrate the contributions to this rich volume.

Michael Witzel persuasively demonstrates the prehistoric origins of most of the mythologies of Eurasia and the Americas ('Laurasia').

A complex and spiritually enlightening philosophical work called Jaiva Dharma examines the subtleties of Bhakti (devotion) and the timeless precepts governing the soul’s relationship with the Supreme Lord. This classic text, written by the revered Vaishnava saint Bhaktivinoda Thakura, provides profound insights into the route of devotion and the ultimate goal of existence.

David Hatcher Childress, popular Lost Cities author and star of the History Channel’s long-running show Ancient Aliens, takes us to the mysterious ruins in the mountains of Peru and Bolivia in search of ancient technology and the secrets of megalith building. In his new book, packed with photos and diagrams, Childress examines the amazing stonecutting at Puma Punku, a site neighboring the ancient ruins of Tiwanaku near Lake Titicaca in Bolivia. He looks at whether the so-called “Inca walls”-found in Cuzco and at other sites such as Sacsayhuaman, Ollantaytambo and Machu Picchu-were really made by the Incas. The evidence seems to support the idea that they were actually constructed by a far older culture. Childress examines the megalithic construction and underground chambers of Chavin in the Cordillera Blanca of Peru, possibly the oldest megalithic site in South America. He also speculates on the existence of a sunken city in Lake Titicaca and reveals new evidence that the Sumerians may have arrived in South America over 4,000 years ago. Childress demonstrates that the use of “keystone cuts” with metal clamps poured into them to secure megalithic construction was an advanced technology used all over the world, from the Andes to Egypt, Greece and Southeast Asia. He maintains that only power tools could have made the intricate articulation and drill holes found in extremely hard granite and basalt blocks in Bolivia and Peru, and that the megalith builders had to have had advanced methods for moving and stacking gigantic blocks of stone, some weighing over 100 tons. The incredible high-tech world of South America is illuminated in the informative and breezy style for which Childress has always been known. Chapters in the book include: The Lost World of South America; The Enigma of Ancient Technology; Ancient Technology at Tiwanaku and Puma Punku; The Sumerian Mining Complex at Tiwanaku; Mysteries of Lake Titicaca and the Towers; Ancient Technology in Cuzco; The Megaliths of Ollantaytambo; Did the Incas Build Machu Picchu?; and more!

A family training the art of survival. Based on the real story of a family of traders and craftsman in Transilvania. About the life and works of German settlers in foreign lands, the Ottoman domination, the Balkan war as well as the first and second World War, the Exodus and new beginning in different continents.