Landscapes Of The Sacred

This substantially expanded edition of Belden C. Lane's Landscapes of the Sacred includes a new introductory chapter that offers three new interpretive models for understanding American sacred space. Lane maintains his approach of interspersing shorter and more personal pieces among full-length essays that explore how Native American, early French and Spanish, Puritan New England, and Catholic Worker traditions has each expressed the connection between spirituality and place. A new section at the end of the book includes three chapters that address methodological issues in the study of spirituality, the symbol-making process of religious experience, and the tension between place and placelessness in Christian spirituality.

Social and behavioral scientists study religion or spirituality in various ways and have defined and approached the subject from different perspectives. In cultural anthropology and archaeology the understanding of what constitutes religion involves beliefs, oral traditions, practices and rituals, as well as the related material culture including artifacts, landscapes, structural features and visual representations like rock art. Researchers work to understand religious thoughts and actions that prompted their creation distinct from those created for economic, political, or social purposes. Rock art landscapes convey knowledge about sacred and spiritual ecology from generation to generation. Contributors to this global view detail how rock art can be employed to address issues regarding past dynamic interplays of religions and spiritual elements. Studies from a number of different cultural areas and time periods explore how rock art engages the emotions, materializes thoughts and actions and reflects religious organization as it intersects with sociopolitical cultural systems.

Captures magical spaces - archetypal and architectural manifestations of the sacred. This title illustrates the ways in which people have used and understood their sacred landscapes throughout history and around the world, from hillside Celtic oak initiation groves to Megalithic open-air sanctuaries to Macchu Picchu and Oregon's Crater Lake.

Known from the Old Testament as one of the tribes occupying the Promised Land, the Hittities were in reality a powerful neighbouring kingdom: highly advanced in political organization, administration of justice and military genius; with a literature inscribed in cuneiform writing on clay tablets; and with a rugged and individual figurative art ... Newly revised and updated, this classic account reconstructs a complete and balanced picture of Hittite civilization, using both established and more recent sources.

“What does it mean to see the American landscape in a secular way?” asks Nicolas Howe at the outset of this innovative, ambitious, and wide-ranging book. It’s a surprising question because of what it implies: we usually aren’t seeing American landscapes through a non-religious lens, but rather as inflected by complicated, little-examined concepts of the sacred. Fusing geography, legal scholarship, and religion in a potent analysis, Howe shows how seemingly routine questions about how to look at a sunrise or a plateau or how to assess what a mountain is both physically and ideologically, lead to complex arguments about the nature of religious experience and its implications for our lives as citizens. In American society—nominally secular but committed to permitting a diversity of religious beliefs and expressions—such questions become all the more fraught and can lead to difficult, often unsatisfying compromises regarding how to interpret and inhabit our public lands and spaces. A serious commitment to secularism, Howe shows, forces us to confront the profound challenges of true religious diversity in ways that often will have their ultimate expression in our built environment. This provocative exploration of some of the fundamental aspects of American life will help us see the land, law, and society anew.

Explores Byzantine perceptions of creation and different types of natural environments, and the principles underpinning such perceptions.

Steven Lewis's Landscape as Sacred Space: Metaphors for the Spiritual Journey invites new discussions about our spiritual journeys and allows seekers to rethink approaches to Christian spirituality and theology in light of postmodernity. Landscape metaphors provide a common and accessible language to articulate one's spiritual journey. Spiritual mountains, deserts, and valleys are dominant landscapes on our journey through life. Most people have experienced the joy of a mountaintop spiritual experience, the pain of spiritual deserts, or perhaps the dreariness too often associated with spiritual valleys. There is a tendency, however, to highlight spiritual mountaintops, while avoiding spiritual deserts and ignoring spiritual valleys. This leaves many Christians ill-equipped either to deal with crises or to integrate God into ordinary life. Each landscape offers rich lessons that, when combined together, lead us toward a maturing faith and into a deeper relationship with God. 'Landscape as Sacred Space' is intended to aid those who search for more meaningful ways to articulate their faith journey. The book grants permission to struggle with life's landscapes, provides safe spaces to reflect on the journey, and introduces language that enables exploration and discovery.

This book seeks to explore historical changes in the lifeworld of the Mi'kmaq Indians of Eastern Canada. The Mi'kmaq culture hero Kluskap serves as a key persona in discussing issues such as traditions, changing conceptions of land, and human-environmental relations. In order not to depict Mi'kmaq culture as timeless, two important periods in its history are examined. Within the first period, between 1850 and 1930, Hornborg explores historical evidence of the ontology, epistemology, and ethics - jointly labelled animism - that stem from a premodern Mi'kmaq hunting subsistence. New ways of discussing animism and shamanism are here richly exemplified. The second study situates the culture hero in the modern world of the 1990s, when allusions to Mi'kmaq tradition and to Kluskap played an important role in the struggle against a planned superquarry on Cape Breton. This study discusses the eco-cosmology that has been formulated by modern reserve inhabitants which could be labelled a 'sacred ecology'. Focusing on how the Mi'kmaq are rebuilding their traditions and environmental relations in interaction with modern society, Hornborg illustrates how environmental groups, pan-Indianism, and education play an important role, but so does reserve life. By anchoring their engagement in reserve life the Mi'kmaq traditionalists have, to a large extent, been able to confront both external and internal doubts about their authenticity.