Last Days Of Summer

A contemporary American classic—a poignant and hilarious tale of baseball, hero worship, eccentric behavior, and unlikely friendship Last Days of Summer is the story of Joey Margolis, neighborhood punching bag, growing up goofy and mostly fatherless in Brooklyn in the early 1940s. A boy looking for a hero, Joey decides to latch on to Charlie Banks, the all-star third basemen for the New York Giants. But Joey's chosen champion doesn't exactly welcome the extreme attention of a persistent young fan with an overactive imagination. Then again, this strange, needy kid might be exactly what Banks needs.

'Opens Vanessa Ronan's literary career the way dynamite opens a safe ... beautiful and invigoratingly shocking' Joseph O'Connor, Irish Times Mid-July in Texas. Cicadas shed their dry summer skins, the scent of roses hangs heavy in the still air, and a woman sits alone on her porch at dusk, watching the empty, merciless prairie, its light falling to darkness. He's coming home. Upstairs, Lizzie knows, her daughters are safe in their beds. Joanne, still young enough to smile at strangers, one last summer of childhood left in her. Katie, already a beauty, the first flush of womanhood blooming on her skin. Both sleeping soundly. But out beyond the boundary of their land, the townspeople sleep fitfully. Too many have heard that Jasper is coming back - folk who know him of old, who remember what he did - men who will make it their business to see he doesn't stay too long round these parts ... 'Vivid storytelling. ... makes your fingers tremble when you turn the pages. The terror and the pity of it will stay with you for a long time'Sunday Times 'A powerful, formidable debut. Vanessa Ronan is a natural storyteller and what a gripping, dark, compelling story this is' Donal Ryan 'Written with poetry and vision. With a blistering ending that leaves you racing to its conclusion ...' Stylist 'Shades of In Cold Blood and Truman Capote, shades of Harper Lee ... there's constant mystery hovering over every turn of the page' Ryan Tubridy, RTE 'Each word is weighted with dread and laden with drama ... impressive' Sunday Independent

The Hardy Boys meets The Phantom Tollbooth, in the new century! When two adventurous cousins accidentally extend the last day of summer by freezing time, they find the secrets hidden between the unmoving seconds, minutes, and hours are not the endless fun they expected.

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In this book, photographer Akila Berjaoui shows how her love for the beach is inextricably linked with her artistic vision. Akila Berjaoui’s incredibly sensual photographs often feature sand, sun, water—or a combination of all three. In her first book, this highly sought-after fashion photographer, armed with her favorite old analogue cameras, takes us to breathtaking seaside locations, from her hometown of Sydney, Australia, to the bathing hotspots of Italy, France, and Brazil, to name just a few. Much in the tradition of Slim Arons, Bruce Weber, Peter Beard, Claude Nori, and Juergen Teller—all of whom she regards as influences on her work—Berjaoui’s photos harken back to the 1950s, ’60s, ’70s, and ’80s with their soft colors and sultry joie de vivre. As a woman, Berjaoui is able to draw out her female subjects with a sense of kinship, rather than voyeurism. One of the world’s most in-demand photographers, Akila Berjaoui is destined to make a name for herself in the field of travel, beauty, and lifestyle photography.

It was the last days of innocence; the last days before a place called Pearl Harbor ushered in the horrors of war. Addie Watson was living the American dream in the small town of Millersburg, Iowa. Known for her sometimes bizarre and destructive inventions, Addie was warned, repeatedly, that she was forbidden to invent even one more device, and, yet, it was that one more device that led her to a toe-to-toe meeting with Adolph Hitler.

For twelve-year-old Lucy Crandall, the last week of August is the most perfect time in the world. It's the week she gets to spend with Grams at the lake house, canoeing, baking cookies, and glazing pots in Grams's potting shed. Grams has a way of making Lucy feel centered, like one of the pots on her kick wheel—perfect, steady, and completely at peace. But this summer, Grams doesn't seem to be exactly the person she once was. And as the week turns into a roller coaster of surprises—some good, some awful—Lucy can't help but wonder: Will things ever be centered again?

Chaque années Jock Struges retourne rendre visite en fin d'été à ses amis, des familles entières, adeptes des camps naturistes. De ces rencontres naitront les photographies présentées dans cet ouvrage. Adultes, enfants, adolescents évoquent un regard plein de grace, exaltant les liens familiaux.