Last Laughs

Offers morbidly-humorous, pun-filled, illustrated epitaphs for animals that poetically describe how they met their ends.

First published in 1988, the 19 original essays (and three "Sylvia" cartoons) included in this volume deal with the gender-specific nature of comedy. This pioneering collection observes the creation of women’s comedy from a wide range of standpoints: political, sociological, psychoanalytical, linguistic, and historical. The writers explore the role of women’s comedy in familiar and unfamiliar territory, from Austen to Weldon, from Behn to Wasserstein. The questions they raise will lead to a redefinition of the genre itself.

At long last, here are cartoons about the truly important issues. Featuring twenty-six of The New Yorker's most talented cartoonists, Last Laughs is a provocative and exhilarating collection that will amuse, inspire, and occasionally unnerve everyone obsessed with the perennially compelling topics of old age, retirement, and, yes, death. Longtime New Yorker cartoonist Mort Gerberg has assembled an all-star cast of gifted and popular greats such as George Booth, Roz Chast, Leo Cullum, Frank Modell, and Jack Ziegler to join him in this exclusive collection confronting, illuminating, and celebrating the inevitabilities of life. Everything from cloning to cryogenics is tackled with humor and pathos. It turns out the Grim Reaper can be funny. Also included in this book are brief reflections from the contributors that give readers a glimpse into their unique personalities. These artists prove that they are just as funny with the written word as they are with the image. Last Laughs is a must-have for fans of literary cartoons and anyone interested in slightly off-kilter insights about life and death.

Children’s Poet Laureate J. Patrick Lewis and the inimitable Jane Yolen team up in this ironic and witty take on the last moments in the lives of a variety of animals. Each satirical poem in this darkly humorous collection is an epitaph of a different animal. Grouped by animal type, these posthumous poems are full of clever wordplay and macabre humor that will appeal to kids (and adults) of all ages. From the humble chicken to the great blue whale, this laugh-out-loud poetry collection is sure to be a hit at storytimes and around Halloween.

Poems framed as epitaphs for extinct prehistoric animals hit the proverbial (coffin) nail on the head in this darkly humorous collection from expert poets Jane Yolen and J. Patrick Lewis. Macabre, ironic, and witty epitaphs share how prehistoric creatures like the terror bird, the woolly mammoth, and the T-rex met their demise. The ever-entertaining J. Patrick Lewis and the inimitable Jane Yolen offer a collection organized by era, with posthumous poems paired with short secondary text providing additional, factual information about each creature.

Laugh in the face of death! That’s what this bold, brash, and often irreverent collection of epitaphs encourages readers to do. It offers more than just the deceased’s name and dates of birth and death, plus a touching phrase in memorial. Instead, every fascinating quote presents an unexpectedly cheeky perspective on the tragic, like this one from Uniontown, New Jersey: "Here lies the body of Jonathan Blake; stepped on the gas pedal instead of the brake.” Some come from the gravestones of the famous: Bette Davis’s proudly notes that "she did it the hard way.” Each thought-provoking line makes an indelible contribution to our folklore.

“Funny [and] fascinating . . . If you’re a comedy nerd you’ll love this book.” —Pittsburgh Post-Gazette Named a Best Book of the Year by Kirkus Reviews, National Post, and Splitsider Based on over two hundred original interviews and extensive archival research, this groundbreaking work is a narrative exploration of the way comedians have reflected, shaped, and changed American culture over the past one hundred years. Starting with the vaudeville circuit at the turn of the last century, the book introduces the first stand-up comedian—an emcee who abandoned physical shtick for straight jokes. After the repeal of Prohibition, Mafia-run supper clubs replaced speakeasies, and mobsters replaced vaudeville impresarios as the comedian’s primary employer. In the 1950s, the late-night talk show brought stand-up to a wide public, while Lenny Bruce, Mort Sahl, and Jonathan Winters attacked conformity and staged a comedy rebellion in coffeehouses. From comedy’s part in the civil rights movement and the social upheaval of the late 1960s, to the first comedy clubs of the 1970s and the cocaine-fueled comedy boom of the 1980s, The Comedians culminates with a new era of media-driven celebrity in the twenty-first century. “Entertaining and carefully documented . . . jaw-dropping anecdotes . . . This book is a real treat.” —Merrill Markoe, TheWall Street Journal

200 more classic photos from the famous back page of America's favorite magazine.