Law Of Photography And Digital Images

"The Law of Photography and Digital Images" provides in a single volume a text for legal practitioners covering all areas of law relevant to photography. It combines coverage of core topics, such as copyright and passing off with those where the law remains grey and relatively untested, such as the internet and implications of the Human Rights Act 1998. The work is divided into three parts - Rights in the Image, Place and Subject Matter of Photographs, and Use of Photographs. Topics covered include moral rights, trade marks, reporting restrictions, privacy, trespass, harassment, obscenity and data protection. There is detailed consideration of problems specific to photographs within each area of law together with an overview of the general principles. There is also detailed consideration of decisions of the Press Complaints Commission and the Advertising Standards Authority.

Crime Scene Photography is a book wrought from years of experience, with material carefully selected for ease of use and effectiveness in training, and field tested by the author in his role as a Forensic Services Supervisor for the Baltimore County Police Department. While there are many books on non-forensic photography, none of them adequately adapt standard image-taking to crime scene photography. The forensic photographer, or more specifically the crime scene photographer, must know how to create an acceptable image that is capable of withstanding challenges in court. This book blends the practical functions of crime scene processing with theories of photography to guide the reader in acquiring the skills, knowledge and ability to render reliable evidence. Required reading by the IAI Crime Scene Certification Board for all levels of certification Contains over 500 photographs Covers the concepts and principles of photography as well as the "how to" of creating a final product Includes end-of-chapter exercises

The purpose of this book is to provide a complete guide on how to successfully implement digital photography in the fields of law enforcement and government. It discusses the careful considerations that must be taken when using digital photography in such fields. It also examines a number of types of equipment that need to be included in a digital system. The ideas found within the book are organized into detailed sections, each explaining an important concept pertaining to digital technology. Other specific issues are explored, such as an ideal photography/videography workstation, an ideal laptop computer for digital photography/videography, legal ramifications, implementation for long-term compatibility, digital photography versus traditional photography, digital equipment suitable for photographic imaging use, video and surveillance, and photographic enhancement versus alteration versus manipulation. The high quality of digital photography is also clearly illustrated in four figures displayed throughout the book. The book will not only be a beneficial tool when learning about digital photography, but also a valuable reference when implementing it.

If you license or publish images, this guide is as indispensable as your camera. It provides specific information on the legal rights of photographers, illustrators, artists, covering intellectual property, copyright, and business concerns in an easy-to-read, accessible manner. The Copyright Zone, Second Edition covers: what is and isn’t copyrightable, copyright registration, fair use, model releases, contracts and invoices, pricing and negotiation, and much more. Presented in a fun and easy to digest style, Jack Reznicki and Ed Greenberg, LLC help explain the need-to-know facts of the confusing world of legal jargon and technicalities through real world case studies, personal asides, and the clear writing style that has made their blog Thecopyrightzone.com and monthly column by the same name in Photoshop User magazine two industry favorites. The second edition of this well-reviewed text has almost doubled in size to ensure that every legal issue you need to know about as a photographer or artist is covered and enjoyable to learn!

"This hands-on guide clarifies the difference between what can be done digitally and what should be done in a forensic setting, and helps the reader "learn by doing" with exercises and step-by-step instructions. The images and exercises in the CD-ROM provide practical examples of the techniques described in the book." "Law enforcement professionals who follow the recommendations in this text can feel confident that their handling of imaging evidence will stand up to the high standards necessary for prosecuting criminal cases."--BOOK JACKET.

Copyright Workflow for Photographers: Protecting, Managing & Sharing Digital Images will help photographers build best practices for copyright registration and management into their existing image processing workflows using the popular Adobe® Creative CloudTM software suite. Part legal manual, part software manual, the book will go beyond existing offerings in the “copyright for photographers” space by providing step-by-step guidance on protecting, managing, and enforcing intellectual property rights in their images using specific software tools. Written by a photographer, who is also serves a senior policy advisor at the U.S. Copyright Office, there is no other resource better equipped to help photographers through this essential, yet hard-to-tackle, topic! The book’s workflow approach capitalizes on widespread interest in the photography community in copyright protection and enforcement, enhancing digital workflows, and popular workflow software such as Lightroom®, Photoshop®, and Acrobat®. This book is focused on U.S. copyright laws and requirements. Readers outside the U.S. may find it useful if they intend to register their images in the United States, or post images to websites based in the United States.

This groundbreaking resource demonstrates how to use digital imaging and the Internet as the cornerstone of a successful photography business. Topics covered include setting business goals, marketing, setting prices, selling prints, running a Web-based photography business, working with stock agencies, legally protecting images, and more. Both serious amateurs considering a start-up and established businesses looking for fresh approaches need this timely, relevant book. Allworth Press, an imprint of Skyhorse Publishing, publishes a broad range of books on the visual and performing arts, with emphasis on the business of art. Our titles cover subjects such as graphic design, theater, branding, fine art, photography, interior design, writing, acting, film, how to start careers, business and legal forms, business practices, and more. While we don't aspire to publish a New York Times bestseller or a national bestseller, we are deeply committed to quality books that help creative professionals succeed and thrive. We often publish in areas overlooked by other publishers and welcome the author whose expertise can help our audience of readers.

Offers step-by-step guidance for photographers on protecting, managing, and enforcing intellectual property rights in photographic images using such software tools as Lightroom, Photoshop, and Acrobat.