Learning To Kneel

In this inventive mix of criticism, scholarship, and personal reflection, Carrie J. Preston explores the nature of cross-cultural teaching, learning, and performance. Throughout the twentieth century, Japanese noh was a major creative catalyst for American and European writers, dancers, and composers. The noh theater's stylized choreography, poetic chant, spectacular costumes and masks, and engagement with history inspired Western artists as they reimagined new approaches to tradition and form. In Learning to Kneel, Preston locates noh's important influence on such canonical figures as Pound, Yeats, Brecht, Britten, and Beckett. These writers learned about noh from an international cast of collaborators, and Preston traces the ways in which Japanese and Western artists influenced one another. Preston's critical work was profoundly shaped by her own training in noh performance technique under a professional actor in Tokyo, who taught her to kneel, bow, chant, and submit to the teachings of a conservative tradition. This encounter challenged Preston's assumptions about effective teaching, particularly her inclinations to emphasize Western ideas of innovation and subversion and to overlook the complex ranges of agency experienced by teachers and students. It also inspired new perspectives regarding the generative relationship between Western writers and Japanese performers. Pound, Yeats, Brecht, and others are often criticized for their orientalist tendencies and misappropriation of noh, but Preston's analysis and her journey reflect a more nuanced understanding of cultural exchange.

A powerful look at the history of racism through the prism of sport, showing how we can change things through education and understanding

"A must read. 10/10.” —Broderick Hunter, actor, model, and activist This fearless debut novel explores racism, injustice, and self-expression through the story of a promising Black football star in Louisiana. The system is rigged. For guys like Russell Boudreaux, football is the only way out of their small town. As the team’s varsity tight end, Rus has a singular goal: to get a scholarship and play on the national stage. But when his best friend is unfairly arrested and kicked off the team, Rus faces an impossible choice: speak up or live in fear. “Please rise for the national anthem.” Desperate for change, Rus kneels during the national anthem. In one instant, he falls from local stardom and becomes a target for hatred. But he’s not alone. With the help of his best friend and an unlikely ally, Rus will fight for his dreams, and for justice. "A gripping story about what it looks like when we demand equity, justice, and recognition of our own humanity." —Kalynn Bayron, author of Cinderella Is Dead

When We Kneel, We Learn is an autobiographical work based on Kayla Morgan Dudley’s experience in a caregiving facility over the expanse of two years. The book touches on the relationships she cultivated with the elderly—including those living with Alzheimer’s and dementia. The audience that the author hopes to reach are those who are interested in caring for the geriatric population. The memoir is written from the lens of Christianity. However, the lessons that are learned throughout the piece are so profoundly human that they are accessible to anyone who wants to deepen their relationships and have a greater understanding of others. The book is shaped in such a way that it gives the reader insight into the personalities of our elders, including quotes and stories from individual persons, as well as ways that Kayla learned to approach caring for those enduring the effects of aging.

Do you want to be able to keep up with your children or grandchildren? Do you want to move like you are young again? Do you want to not just look fit, but also be fit? Do you want to move with power, efficiency, and grace? The modern world has become sedentary. Running, crawling, jumping, squatting, kicking, throwing—these are all movements the human body was designed for, and yet we are losing the ability to perform these tasks without injury or great exertion. In MovNat, Erwan Le Corre, a world-renowned expert in evolutionary and natural fitness, lays out a fitness program and philosophy that will allow you to forever reconcile with your body and natural motion. You will learn: - More than 200 natural exercises that can be performed virtually anywhere: the gym, the park, in your living room, while on vacation. -The "ten natural-approach principles" to movement training and conditioning. -How to discover limitless exercises based upon fundamental techniques. -How to boost your fitness progress by making your training scalable, progressive, and safe. -Dozens of exercise combos and circuits, and how to build exercise obstacle courses.

A complete guide to making BDSM work. This book covers a staggering array of topics in a far greater depth than seen in previous works on BDSM. Along with providing an introduction for the novice who is seeking to discover how to enter into the world of BDSM, it provides thoughtful articles from a diverse group of writers considering everything from talking dirty, electric play, how pain works, through to detailed analysis of punishment/funishment play. This book is the one stop guide for submissives and would be submissives to explore their kinky identity.

An ex-SEAL in a wetsuit, a bisexual President, and a First Lady with a tattoo on her ass… Secret Service agent Kent Sinclair, head of POTUS security, thought he was prepared for anything. Then, the First Lady—a woman who barely tolerates his presence—approaches him with a request that startles the hell out of him. Carlene Broderick is scared. Her husband James is buckling under the strain of the highest office in the land. With the weight of the country and an impending war on his shoulders, he’s a heart attack waiting to happen. Carlene is out of options, so she resorts to the man whose name James calls out in his sleep—a buddy from his SEAL days. His ex-lover. Kent. There’s nothing Kent won’t do for his best friend, but he quickly realizes it’s not him that James needs—the Commander in Chief is desperate to give up complete control in the bedroom. And if she’s willing, Kent can teach Carlene to be what her husband needs. Now James is caught deep in forbidden territory—torn between his beloved wife and the man he’s never stopped loving. Kneel, Mr. President is a sexy, military, friends to lovers, over 40 menage romance full of dominance, submission, and exploration.

In this inventive mix of criticism, scholarship, and personal reflection, Carrie J. Preston explores the nature of cross-cultural teaching, learning, and performance. Throughout the twentieth century, Japanese noh was a major creative catalyst for American and European writers, dancers, and composers. The noh theater’s stylized choreography, poetic chant, spectacular costumes and masks, and engagement with history inspired Western artists as they reimagined new approaches to tradition and form. In Learning to Kneel, Preston locates noh’s important influence on such canonical figures as Pound, Yeats, Brecht, Britten, and Beckett. These writers learned about noh from an international cast of collaborators, and Preston traces the ways in which Japanese and Western artists influenced one another. Preston’s critical work was profoundly shaped by her own training in noh performance technique under a professional actor in Tokyo, who taught her to kneel, bow, chant, and submit to the teachings of a conservative tradition. This encounter challenged Preston’s assumptions about effective teaching, particularly her inclinations to emphasize Western ideas of innovation and subversion and to overlook the complex ranges of agency experienced by teachers and students. It also inspired new perspectives regarding the generative relationship between Western writers and Japanese performers. Pound, Yeats, Brecht, and others are often criticized for their orientalist tendencies and misappropriation of noh, but Preston’s analysis and her journey reflect a more nuanced understanding of cultural exchange.