Learning To Live Out Loud

The noted actress recounts her early shyness and anxieties, her years as a contract actress at Universal, her break with the studio system, her subsequent career in film, the theater, and television, and her personal life.

"A panopticon of life in this decade, sure to be valuable to future social historians She touches on life, love, home, family, work, men, women, children and issues large and small." CHICAGO TRIBUNE The voice is Anna Quindlen's. But we know the hopes, dreams, fears, and wonder expressed in all her columns, for most of us share them. With her NEW YORK TIMES-based column, "LIFE IN THE 30s," Anna Quindlen valued to national attention, and this wonderful collection shows why. As she proved in OBJECT LESSONS and THINKIN OUT LOUD, Anna Quindlen's views always fascinate.

Following your purpose can be difficult, especially when we have to work through everyday life. Live out Loud gives you a safe space to accept your personal truths, erase fear, create boundaries, find your village and live within your personal purpose...Even when it's hard!

Would you like more out of work and life? Working Out Loud offers you ways to take control and make your own luck. Instead of playing career roulette, you invest in deepening relationships and developing your skills. Instead of networking to get something, you lead with generosity. To further improve your odds, you make your work visible and frame it as a contribution. Combined, these elements form a powerful approach to work and life. In Working Out Loud, you'll learn about research supporting this approach and read stories of people who've changed their lives by adopting it. Then you'll go through a twelve-week mastery program to put the approach into practice yourself and turn that practice into a sustainable habit.

Finding Your Voice, Living Out Loud For over a decade, millions of Canadians started their day with Marci Ien. As a Black female news anchor and, later, the first Black woman in Canada to co-host a national morning show, Marci felt the pressure to stay “on script”—with little room for error. She had to be great. She had to show, every day, that she deserved to be there. When her career veered sharply away from the news, Marci embraced her new role “off script.” With a greater opportunity to speak her mind on the air, Marci now bravely shares experiences from her own life with viewers and pursues more ways to make a difference in her community. In Off Script, Marci shares personal milestones, tales of resilience and kindness, dramatic moments from her career as a journalist and insights from the many unforgettable people that she’s met and interviewed. Living off script means having the courage to speak up, trust your voice and follow your own formula for what matters most.

A celebrated journalist gives helpful, sensitive advice for dealing with the universality of grief.

NATIONAL BESTSELLER • Anna Quindlen, hailed by the New York Times as “America’s resident sane person,” offers a collection of “engaging, fresh, [and] funny” (Chicago Tribune) essays about growing up, becoming a parent, spirituality, and more. “The lightning bugs are back. They are small right now, babies really, flying low to the ground as the lawn dissolves from green to black in the dusk. There are constellations of them outside the window; on, off, on, off. At first the little boy cannot see them; then, suddenly, he does. ‘Mommy, it’s magic,’ he say. “This is why I had children; because of the lightning bugs.” The voice is Anna Quindlen’s. But we know the hopes, dreams, fears, and wonder expressed in all her nonfiction, for most of us share them. Quindlen first vaulted to national attention with her “Life in the 30s” columns for The New York Times, and this wonderful collection of her early work shows why this Pulitzer Prize–winning author remains in the spotlight.

From bus rides to bars, to encounters with friends and family and most importantly with strangers, Larry Gross lives his life out loud by drawing on the small slices of life, the little things most people don’t notice. “There is no artifice in Gross’s art. What distinguishes his writing is his knack for seeing and hearing things worth remembering. His pastiche draws on the commonality of urban life, with many of his stories set in downtown bars or on the buses that take him there. The main character is No One Special, a person who appears in various guises, capable of both unfettered generosity and burdensome peevishness.” Gregory Flannery, Managing Editor, Streetvibes