Lethal In Old Lace

Reagan Summerside returns in national bestselling author Duffy Brown’s fifth Consignment Shop mystery, now for the first time in hardcover. There are two social functions in Savannah guaranteed to get people talking: weddings and funerals. And just as consignment shop owner Reagan Summerside agrees to marry the hunky Walker Boone, her neighbors, sisters Annie Fritz and Elsie Abbot, step up their business as professional mourners. They are so successful that the Sleepy Pines Retirement Center has hired them as a part of their retirement package. But the celebration over good business is cut short when the residents at Pines suddenly begin dying at an alarming rate. And the sisters are the first suspects. Reagan has her doubts, however, and begins to look into the strange phenomenon. But then something even stranger happens: a body winds up in the sisters’ pink Caddy. The evidence begins to pile up and the suspicious case of Willie Fishbine, who swindled the sisters out of a fortune and coincidentally died prior to the Pines case, is reopened. Not wanting Willie to be buried until they can find the killer responsible for the murders, Reagan must catch the culprit in time to walk down the aisle. Witty, fabulous, and full of charm, Lethal in Old Lace is perfect for fans of Ellery Adams and Jenn McKinlay.

"There are two social functions in Savannah guaranteed to get people talking: weddings and funerals. And just as consignment shop owner Reagan Summerside gets engaged, sisters Annie Fritz and Elsie Abbot step up their business as professional mourners--they're so successful that the Sleepy Pines Retirement Home has hired them as part of their retirement package. But when the residents at Pines suddenly begin dying at an alarming rate, the sisters' success turns them into suspects... Reagan has her doubts, however, and begins to look into the strange phenomenon. But then something even stranger happens: a body winds up in the sisters' vintage Caddy. As the evidence piles up, the death of Willie Fishbine, who swindled the sisters out of a fortune, is reopened. Can Reagan catch the culprit in time to walk down the aisle?"--Back cover.

When good friends Wendy and Amie embark on a fall foliage tour of New England, they don't expect much excitement from their quirky, over-fifty group of tourists. However, the pair find themselves in the middle of a murder mystery that leads them to a most unexpected conclusion. When a member of Wendy and Amie's tour group suddenly dies, the two friends learn that when you always expect the unexpected, you will never be disappointed. With some amateur sleuthing and Wendy's deductive nosiness, she is able to put together the pieces of the puzzle and help solve the case. Part travelogue and part tongue-in-cheek commentary on the human condition, Lethal Leaf Peepers is the perfect tale for those who love an old-fashioned murder mystery.

(Applause Books). Although countless books and articles have been written about Lucille Ball, most people know only the surface details of her personal life and some basic facts about her popular television series. Lucille Ball FAQ takes us beyond the "Lucy" character to give readers information that might not be common knowledge about one of the world's most beloved entertainers. It can be read straight through, but the FAQ format also invites readers to pick it up and dig in at any point. Background information and anecdotes are provided in such categories as: People Lucy found funny; Lucy at home: her various residences throughout the years; Movie/television/radio/theater projects that never materialized; Lucy's off-camera romantic attachments. James Sheridan and Barry Monush go beyond the well known facts, making this an indispensable book for all Lucille Ball fans!

There’s a Body in the Window Seat! is a detailed history of one of the most beloved American murder-mysteries and comedies, Arsenic and Old Lace. Actor, director, and playwright Charles Dennis investigates the mystery behind the play: how did a true-life crime in Connecticut turn into a comedy? And who are the real writers that deserve credit for its long-lasting success? Dennis brings an insider’s view to Joseph Kesselring’s attempts to write Arsenic and Old Lace and how producers had to step in to save the play from his heavy hand. He also follows the actors, both on the stage and on the screen, as they handle the demands of the roles and behind-the-scenes relationships. Why didn’t Boris Karloff recreate his stage role, even though Jean Adair and John Alexander did? Why did Cary Grant hate his performance in Arsenic—was it because Frank Capra deceived him or because of costume designer Orry Kelly? And why did the movie never receive Academy Award consideration? Learn the answers to these intriguing questions and more in There’s a Body in the Window Seat!

Religion: The term religion is used by most to describe a person that seeks and strives to work their way into a state of worthiness and acceptance before a Holy God, with their goodness and efforts of works put forth as the offering. Sadly enough religion is not understood by most people and Christians as well. The natural mind will always rationalize its behavior in hopes it will convince the Creator, of the universe, to accept the goodness of deeds or overlook the pettiness of mistakes. If that is the case then there is no need for the New Testament Bible. Grace: Grace is un-merited favor, or in other words, the complete opposite of religion. Grace provides forgiveness, of every sin with the assurance of no recall. “Their sins and lawless deeds will be remembered no more”. Hebrews 10:17. Grace is what has already been done for mankind. The payment of the sin debt is too costly for mankind to consider paying. The shed Blood of Christ is the only reason we have the forgiveness of sin. Without the shedding of His Blood there is no hope!

In this fascinating book, Peter Vronsky exposes and investigates the phenomenon of women who kill—and the political, economic, social and sexual implications buried with each victim. How many of us are even remotely prepared to imagine our mothers, daughters, sisters or grandmothers as fiendish killers? For centuries we have been conditioned to think of serial murderers and psychopathic predators as men—with women registering low on our paranoia radar. Perhaps that’s why so many trusting husbands, lovers, family friends, and children have fallen prey to “the female monster.” From history’s earliest recorded cases of homicidal females to Irma Grese, the Nazi Beast of Belsen, from Britain’s notorious child-slayer Myra Hindley to ‘Honeymoon Killer’ Martha Beck to the sensational cult of Aileen Wournos—the first female serial killer-as-celebrity—to cult killers, homicidal missionaries, and our pop-culture fascination with the sexy femme fatale, Vronsky not only challenges our ordinary standards of good and evil but also defies our basic accepted perceptions of gender role and identity. INCLUDES PHOTOGRAPHS

This book provides an in-depth analysis of representations of female murderers in modern American drama. Paying close attention to the plays' plot, form, and style, the study seeks to come to terms with the dramatic and cultural function of this phenomenon. Given the rarity of female murder in real life, the popularity and prevalence of this theme in culture is striking and unsettling at the same time. After all, a woman who kills not only violates against basic social rules, but also upsets gender norms. This potential to break with an ideology that rests on hierarchically structured gender binaries equips the figure of the female murderer with the power to symbolically 'kill' established views about gender and sexuality. It is this ideologically disruptive potential that makes the female murderer a fascinating object of study, as her cultural figuration may provide information about the meaning assigned to women at a certain historical moment.