Lift Your Voice

The author was nominated as Assistant Attorney General for Civil Rights, but after critics from the right labelled her the "Quota Queen," the president not only withdrew his nomination but refused to allow her an opportunity to defend herself. Now she writes about what really happened behind closed doors, about the nation's racial history and commitment to equality and democracy, and about the courage of "ordinary" people.

A “civil rights Hall of Fame” (Kirkus) that was published to remarkable praise in conjunction with the NAACP’s Centennial Celebration, Lift Every Voice is a momentous history of the struggle for civil rights told through the stories of men and women who fought inescapable racial barriers in the North as well as the South—keeping the promise of democracy alive from the earliest days of the twentieth century to the triumphs of the 1950s and 1960s. Historian Patricia Sullivan unearths the little-known early decades of the NAACP’s activism, telling startling stories of personal bravery, legal brilliance, and political maneuvering by the likes of W.E.B. Du Bois, Mary White Ovington, Walter White, Charles Houston, Ella Baker, Thurgood Marshall, and Roy Wilkins. In the critical post-war era, following a string of legal victories culminating in Brown v. Board, the NAACP knocked out the legal underpinnings of the segregation system and set the stage for the final assault on Jim Crow. A sweeping and dramatic story woven deep into the fabric of American history—”history that helped shape America’s consciousness, if not its soul” (Booklist) — Lift Every Voice offers a timeless lesson on how people, without access to the traditional levers of power, can create change under seemingly impossible odds.

Explores the role of jazz celebrities like Ella Fitzgerald, Cab Calloway, Duke Ellington, and Mary Lou Williams as representatives of African American religion in the twentieth century Beginning in the 1920s, the Jazz Age propelled Black swing artists into national celebrity. Many took on the role of race representatives, and were able to leverage their popularity toward achieving social progress for other African Americans. In Lift Every Voice and Swing, Vaughn A. Booker argues that with the emergence of these popular jazz figures, who came from a culture shaped by Black Protestantism, religious authority for African Americans found a place and spokespeople outside of traditional Afro-Protestant institutions and religious life. Popular Black jazz professionals—such as Ella Fitzgerald, Cab Calloway, Duke Ellington, and Mary Lou Williams—inherited religious authority though they were not official religious leaders. Some of these artists put forward a religious culture in the mid-twentieth century by releasing religious recordings and putting on religious concerts, and their work came to be seen as integral to the Black religious ethos. Booker documents this transformative era in religious expression, in which jazz musicians embodied religious beliefs and practices that echoed and diverged from the predominant African American religious culture. He draws on the heretofore unexamined private religious writings of Duke Ellington and Mary Lou Williams, and showcases the careers of female jazz artists alongside those of men, expanding our understanding of African American religious expression and decentering the Black church as the sole concept for understanding Black Protestant religiosity. Featuring gorgeous prose and insightful research, Lift Every Voice and Swing will change the way we understand the connections between jazz music and faith.

"Lyons delivers the history of a song that has inspired generations of African-Americans to persist and resist in the face of racism and systemic oppression. . . . A heartfelt history of a historic anthem." —Publishers Weekly Now in paperback. Sing a song full of the faith that the dark past has taught us. Sing a song full of the hope that the present has brought us. In Jacksonville, Florida, two brothers, one of them the principal of a segregated, all-black school, wrote the song "Lift Every Voice and Sing" so his students could sing it for a tribute to Abraham Lincoln's birthday in 1900. From that moment on, the song has provided inspiration and solace for generations of Black families. Mothers and fathers passed it on to their children who sang it to their children and grandchildren. Known as the Black National Anthem, it has been sung during major moments of the Civil Rights Movement and at family gatherings and college graduations. Inspired by this song's enduring significance, Kelly Starling Lyons and Keith Mallett tell a story about the generations of families who gained hope and strength from the song's inspiring words. —A CCBC Choice —A Notable Social Studies Trade Book for Young People —An ALSC Notable Children's Book

Angela Harrelson grew up poor, one of thirteen brothers and sisters raised in a shack in the North Carolina woods. She was first in her family to go to college, first to be commissioned in the military, and first to have a career as a professional nurse. Along the way, she and her family were exposed to the harshest forms of racism—from her childhood riding the school bus with white children who made the Black kids stand, to racist commanding officers in the Air Force who told her they wanted her to fail. Nothing stopped Angela, and nothing removed the hope in her heart that America could learn to stop hating people based on the color of their skin. This is the story of George Floyd’s aunt, Angela Harrelson, and how, after being suddenly thrust into the spotlight, she went on a quest to make sure her nephew did not die in vain. Lift Your Voice is a memoir of faith, hope, and bravery, of what we all—Black and white—need to do to eradicate racism from our society. It’s a story of tragic loss and a worldwide uprising to ensure Perry’s death ushers society into a time where people are no longer judged, hated, or killed because of the color of their skin.

"A group of young men in Jacksonville, Florida, arranged to celebrate Lincoln's birthday in 1900. My brother, J. Rosamond Johnson, and I decided to write a song to be sung at the exercise. I wrote the words and he wrote the music. Our New York publisher, Edward B. Marks, made mimeographed copies for us and the song was taught to and sung by a chorus of five hundred colored school children. "Shortly afterwards my brother and I moved from Jacksonville to New York, and the song passed out of our minds. But the school children of Jacksonville kept singing it, they went off to other schools and sang it, they became teachers and taught it to other children. Within twenty years it was being sung over the South and in some other parts of the country. Today, the song, popularly known as the Negro National Hymn, is quite generally used. "The lines of this song repay me in elation, almost of exquisite anguish, whenever I hear them sung by Negro children." —James Weldon Johnson, 1935 Pasted into Bibles, schoolbooks, and hearts, "Lift Every Voice and Sing," written by J. Rosamond Johnson and James Weldon Johnson in 1900, has become one of the most beloved songs in the African American community—taught for years in schools, churches, and civic organizations. Adopted by the NAACP as its official song in the 1920s and sung throughout the civil rights movement, it is still heard today at gatherings across America. James Weldon Johnson's lyrics pay homage to a history of struggle but never waver from a sense of optimism for the future—"facing the rising sun of our new day begun, let us march on till victory is won." Its message of hope and strength has made "Lift Every Voice and Sing" a source of inspiration for generations. In celebration of the song's centennial, Julian Bond and Sondra Kathryn Wilson have collected one hundred essays by artists, educators, politicians, and activists reflecting on their personal experiences with the song. Also featuring photos from historical archives, Lift Every Voice and Sing is a moving illustration of the African American experience in the past century. With contributors including John Hope Franklin, Jesse Jackson, Maya Angelou, Norman Lear, Maxine Waters, and Percy Sutton, this volume is a personal tribute to the enduring power of an anthem. "Lift Every Voice and Sing" has touched the hearts of many who have heard it because its true aim, as Harry Belafonte explains, "isn't just to show life as it is but to show life as it should be."

The year is 1944, and as the world undergoes one of modern history’s most horrific eras, the Langstaff family strives to remain connected despite the oceans and battlegrounds that separate them. Brothers, Lift Your Voices is an epic compilation of letters sent between the Langstaffs during WWII, with one of them practicing theatre in Europe, and another serving the military in Japan, undergoing unimaginable stress and strife. As the letters progress, more and more details about the war—as well as the traumatic toll it is taking on the family members’ well-being, both physical and emotional—are slowly revealed. Against all odds, and with unfaltering courage, these correspondences serve as a testimony to the power of humankind’s greatest capacity: to love. Brothers, Lift Your Voices is a unique WWII book that offers readers an intimate, vivid exploration of life during those trying times from multiple perspectives; each family member shares his or her thoughts and experiences from wherever they are (and in whatever condition), and each consistently affirms their fondness and dedication to one another. There are moments of hope and optimism, and there are moments of fear and vulnerability. The Langstaffs’ story is an invitation for readers to empathize with those who endured the war, bringing to the surface evocative messages regarding the futility of fighting and the fragility of life; it also serves as a brilliant reminder of the strength of the human spirit when imbued with love, support, and faith.

When the Supreme Court declared in 1954 that segregated public schools were unconstitutional, the highest echelons of Protestant, Catholic, and Jewish religious organizations enthusiastically supported the ruling, and black civil rights workers expected and actively sought the cooperation of their white religious cohorts. Many white southern clergy, however, were outspoken in their defense of segregation, and even those who supported integration were wary of risking their positions by urging parishioners to act on their avowed religious beliefs in a common humanity. Those who did so found themselves abandoned by friends, attacked by white supremacists, and often driven from their communities. Michael Friedland here offers a collective biography of several southern and nationally known white religious leaders who did step forward to join the major social protest movements of the mid-twentieth century, lending their support first to the civil rights movement and later to protests over American involvement in Vietnam. Profiling such activists as William Sloane Coffin Jr., Daniel and Philip Berrigan, Abraham Joshua Heschel, Eugene Carson Blake, Robert McAfee Brown, and Will D. Campbell, he reveals the passions and commitment behind their involvement in these protests and places their actions in the context of a burgeoning ecumenical movement.