Light Action In The Caribbean

Moving from fable and historical fiction to contemporary realism, this book of stories from Barry Lopez is erotic and wise, full of irresistible characters doing things they shouldn't do for reasons that are mysterious and irreducible. In "The Letters of Heaven," a packet of recently discovered 17th-century Peruvian love letters presents a 20th-century man with the paralyzing choice of either protecting or exposing their stunning secret. When some young boys on the lookout for easy money get caught with a truckload of stolen horses, thievery quickly turns into redemption. For a group of convicts, a gathering of birds in the prison yard may be the key to transcendence, both figurative and literal. And, with the title story, Lopez enters a territory of unmitigated evil reminiscent of Conrad. Here are saints who shouldn't touch, but do; sinners who insist on the life of the spirit; a postcard paradise that turns into nightmare. Light Action in the Caribbean has already been hailed by Russell Banks as "tough-minded, emotionally turbulent, and always intelligent." E. Annie Proulx describes these stories as "subtle and mysterious" and says that a reader "cannot leave Lopez's fictional territory unchanged." This is a book that breaks exciting new ground for Barry Lopez.

Why write? Why ask a reader to give their time and attention to your words? How can writing be more than narcissism and self-aggrandizement? These questions were ones that the writer and naturalist Barry Lopez asked at the Bread Loaf Writers’ Conference in the summer of 2000, and they are questions at the heart of About That Life, a meditation on matters of living, making, and seeking. While Lopez is best known for such works of nonfiction as the National Book Award-winning Arctic Dreams, Matthew Cheney brings our attention to the many works of short fiction that Lopez published throughout his life, demonstrating how they fit within Lopez’s sense of ethical aesthetics. That sense is then set alongside the work of San Francisco’s New Narrative writers, insights from David Hinton’s translations of Tu Fu, the story of community arising around a pottery kiln in western Oregon, the beauties and contradictions of Sōetsu Yanagi’s The Unknown Craftsman, and the implications of the right-wing mob attack on the U.S. Capitol – an event that occurred on what would have been Barry Lopez’s 76th birthday. Through a collage of memoir, history, literary criticism, philosophy, aesthetic theory, and creative writing exercises, About That Life wonders how we might live and dream in a world that seems ever more cruel and destructive.

Known as an advocate for the endangered earth, Barry Lopez is one of America’s preeminent writers on nature. This invigorating book invites readers to sit down with Lopez and his friend William E. Tydeman to engage with their conversations about activism, the life of the mind, and all things literary. Even readers who think they know everything there is to know about Lopez will learn much from this richly informative book, both from Tydeman’s concise biography of Lopez and from the dialogue about Lopez’s ideas and experiences. The three interviews and Tydeman’s reflections on other discussions with Lopez gathered here address nature, human beings’ relationship to the land, the tension between political activism and the life of the intellectual, memory and reconciliation, the artist’s social responsibility, and the business of authorship. "What is the nature of the relationship between the writer and the reader?" Lopez asks. It's "reciprocal, contractual, and moral." Lopez’s thoughts on the importance of authenticity will resonate with every reader or writer, as will his deep commitment to story in all his work. He and Tydeman engage in illuminating exchanges on style and genre, the publication process, and relationships among authors, editors, and publishers. Both men are interested in photography and its relationship to writing, a subject on which they offer thought-provoking comments. A comprehensive annotated bibliography of Lopez’s writings by archivist Diane Warner rounds out the volume.

This is a book about airport stories. It is about common narratives of airports that circulate in everyday life, and about the secret stories of airports-the strange or hidden narratives that do not always fit into standard ideas of these in-between places. Tales of near disaster, endless delays, dramatic weather shifts, a lost bag that suddenly appears-such stories are familiar accounts of a place that seems to thrive on and recycle its own mythologies. The Textual Life of Airports shows how airports demand to be read. Working at the intersection of literary studies and cultural theory, Schaberg tracks airport stories in American literature, as well as in a range of visual texts (film, airport art, magazine illustrations). It accounts for how airports appear in literature throughout the twentieth-century, while also examining the influx of airport figures in markedly post-9/11 literature and culture. These literary and cultural representations work together to form "the textual life of airports."

This set treats the whole of American literature, from the European discovery of America to the present, with entries in alphabetical order. Each of the 350 substantive essays is a major interpretive contribution. Well-known critics and scholars provide clear and vividly written essays thatreflect the latest scholarship on a given topic, as well as original thinking on the part of the critic. The Encyclopedia is available in print and as an e-reference text from Oxford's Digital Reference Shelf.At the core of the encyclopedia lie 250 essays on poets, playwrights, essayists, and novelists. The most prominent figures (such as Whitman, Melville, Faulkner, Frost, Morrison, and so forth) are treated at considerable length (10,000 words) by top-flight critics. Less well known figures arediscussed in essays ranging from 2,000 to 5,000 words. Each essay examines the life of the author in the context of his or her times, looking in detail at key works and describing the arc of the writer's career. These essays include an assessment of the writer's current reputation with abibliography of major works by the writer as well as a list of major critical and biographical works about the writer under discussion.A second key element of the project is the critical assessments of major American masterworks, such as Moby-Dick, Song of Myself, Walden, The Great Gatsby, The Waste Land, Their Eyes Were Watching God, Death of a Salesmanr, or Beloved. Each of these essays offers a close reading of the given work,placing that work in its historical context and offering a range of possibilities with regard to critical approach. These fifty essays (ranging from 2,000 to 5,000 words) are simply and clearly enough written that an intelligent high school student should easily understand them, but sophisticatedenough that a college student or general reader in a public library will find the essays both informative and stimulating.The final major element of this encyclopedia consists of fifty-odd essays on literary movements, periods, or themes, pulling together a broad range of information and making interesting connections. These essays treat many of the same authors already discussed, but in a different context; they alsogather into the fold authors who do not have an entire essay on their work (so that Zane Grey, for example, is discussed in an essay on Western literature but does not have an essay to himself). In this way, the project is truly "encyclopedic," in the conventional sense. These essays aim forcomprehensiveness without losing anything of the narrative force that makes them good reading in their own right.In a very real fashion, the literature of the American people reflects their deepest desires, aspirations, fears, and fantasies. The Oxford Encyclopedia of American Literature gathers a wide range of information that illumines the field itself and clarifies many of its particulars.

Vibrant interviews from the radio program, Open Books

Vintage Readers are a perfect introduction to some of the greatest modern writers presented in attractive, accessible paperback editions. “Lopez has such great narrative skill and uses his words so carefully the simple intensity is often nearly overwhelming.” —The Oregonian Barry Lopez is an unparalleled explorer of the relationship between humanity and nature, one he limns in prose as beautiful as it is economical. His essays and short fiction have appeared everywhere from Outside to Harper’s and The Paris Review. He is the winner of a 1986 National Book Award for his bestselling Arctic Dreams. Vintage Lopez is divided into two parts, nonfiction and fiction. It includes “Landscape and Narrative” ; the prologue to Arctic Dreams; and such classic short stories “The Entreaty of the Wiideema” and “The Mappist.” Also included, for the first time in book form, the essay “The Naturalist.”