Lighting Out For The Territory

Fishkin "offers an intriguing look at how Mark Twain's life and work have been cherished, memorialized, exploited, and misunderstood."

In the very last paragraph of Mark Twain’s Adventures of Huckleberry Finn, the title character gloomily reckons that it’s time “to light out for the Territory ahead of the rest.” Tom Sawyer’s Aunt Sally is trying to “sivilize” him, and Huck Finn can’t stand it—he’s been there before. It’s a decision Huck’s creator already had made, albeit for somewhat different reasons, a quarter of a century earlier. He wasn’t even Mark Twain then, but as Huck might have said, “That ain’t no matter.” With the Civil War spreading across his native Missouri, twenty-five-year-old Samuel Clemens, suddenly out of work as a Mississippi riverboat pilot, gladly accepted his brother Orion’s offer to join him in Nevada Territory, far from the crimsoned battlefields of war. A rollicking, hilarious stagecoach journey across the Great Plains and over the Rocky Mountains was just the beginning of a nearly six-year-long odyssey that took Samuel Clemens from St. Joseph, Missouri, to Hawaii, with lengthy stopovers in Virginia City, Nevada, and San Francisco. By the time it was over, he would find himself reborn as Mark Twain, America’s best-loved, most influential writer. The “trouble,” as he famously promised, had begun. With a pitch-perfect blend of appreciative humor and critical authority, acclaimed literary biographer Roy Morris, Jr., sheds new light on this crucial but still largely unexamined period in Mark Twain’s life. Morris carefully sorts fact from fiction—never an easy task when dealing with Twain—to tell the story of a young genius finding his voice in the ramshackle mining camps, boomtowns, and newspaper offices of the wild and woolly West, while the Civil War rages half a continent away. With the frequent help of Twain’s own words, Morris follows his subject on a winding journey of selfdiscovery filled with high adventure and low comedy, as Clemens/Twain dodges Indians and gunfighters, receives marriage advice from Brigham Young, burns down a mountain with a frying pan, gets claim-jumped by rival miners, narrowly avoids fighting a duel, hikes across the floor of an active volcano, becomes one of the first white men to try the ancient Hawaiian sport of surfing, and writes his first great literary success, “The Celebrated Jumping Frog of Calaveras County.” Lighting Out for the Territory is a fascinating, even inspiring, account of how an unemployed riverboat pilot, would-be Confederate guerrilla, failed prospector, neophyte newspaper reporter, and parttime San Francisco aesthete reinvented himself as America’s most famous and beloved writer. It’s a good story, and mostly true—with some stretchers thrown in for good measure.

'A book about London; in other words, a book about everything' Peter Ackroyd, The Times Walking the streets of London, Iain Sinclair traces nine routes across the territory of the capital. Connecting people and places, redrawing boundaries both ancient and modern, reading obscure signs and finding hidden patterns, Sinclair creates a fluid snapshot of the city. In LIGHTS OUT FOR THE TERRITORY he gives us a daring, provocative, enlightening, disturbing and utterly unique picture of modern urban life. And in the process he reveals the dark underbelly of a London many of us did not know existed.

“A harrowing, beautiful, searching, and deeply literary memoir. In these pages, we watch Cree LeFavour evolve from a wounded (and wounding) lost girl to a woman who can at last regard her existence with a modicum of mercy and forgiveness...a story of true self-salvation and transformation.”—Elizabeth Gilbert As a young college graduate a year into treatment with a psychiatrist, Cree LeFavour's began to organize her days around the cruel, compulsive logic of self-harm: with each newly lit cigarette, the world would drop away as her focus narrowed to an unblemished patch of skin calling out for attention and the fierce, blooming release of pleasure-pain as the burning tip was applied to the skin. Her body was a canvas of cruelty; each scar a mark of pride and shame. In sharp and shocking language, Lights On, Rats Out brings us closely into these years, allowing us to feel the pull of a stark compulsion taking over a mind. We see the world as Cree did—turned upside down, the richness of life muted and dulled, its pleasures perverted. The heady, vertiginous thrill of meeting with her psychiatrist, Dr. X—whose relationship with Cree is at once sustaining and paralyzing—comes to be the only bright spot in her mental solitude. Her extraordinary access to and inclusion of the notes kept by Dr. X during treatment offer concrete evidence of Cree’s transformation over 3 years of therapy. But it is her own evocative and razor-sharp prose that traces a path from a lonely and often sad childhood to her reluctant commitment to and emergence from a psychiatric hospital, to the saving refuge of literature and eventual acceptance of love. Moving deftly between the dialogue and observations from psychiatric records and elegant, incisive reflection on youth and early adulthood, Lights On, Rats Out illuminates a fiercely bright and independent woman’s charged attachment to a mental health professional and the dangerous compulsion to keep him in her life at all costs.

With striking photographs and personal insight, a compelling biography of the great American saxophonist and free jazz innovator Ornette Coleman. Ornette Coleman’s career encompassed the glory years of jazz and the American avant-garde. Born in segregated Fort Worth, Texas, during the Great Depression, the African-American composer and musician was zeitgeist incarnate. Steeped in the Texas blues tradition, he and jazz grew up together, as the brassy blare of big band swing gave way to bebop—a faster music for a faster, postwar world. At the luminous dawn of the Space Age and New York’s 1960s counterculture, Coleman gave voice to the moment. Lauded by some, maligned by many, he forged a breakaway art sometimes called “the new thing” or “free jazz.” Featuring previously unpublished photographs of Coleman and his contemporaries, this book tells the compelling story of one of America’s most adventurous musicians and the sound of a changing world.

A critical examination of Mark Twain's character of Huckleberry Finn.