Like A Corset Undone Erotic Steampunk

All the trappings of steampunk society--corsets, airships, and 'leaping technologie'--meet the simmering undertone of sexuality so well-hidden by Victorian morality in LIKE A CORSET UNDONE, Circlet Press's third volume of erotic steampunk stories. Includes Peter Tupper, Angela Caperton, Jasmine Dale, R.E. Bond, Roxy Katt, R Blacknett, Carlanime Bligh, Angelia Sparrow and Naomi Brooks

This collection of essays explores the social and cultural aspects of steampunk, examining the various manifestations of this multi-faceted genre, in order to better understand the steampunk sub-culture and its effect on--and interrelationship with--popular culture and the wider society.

edited by Cecilia Tan and J. Blackmore.Five erotic steampunk stories. Lust & leaping 'technologie' meet in a Victorian era that never was. Jason Rubis, Thomas S. Roche, Vanessa Vaughn, Peter Tupper, and Kaysee Renee Robichaud create fascinating tales of airships, corsetry, mad scientists, and drama. [Warning: explicit sexuality.]

Seven stories of erotic steampunk, exploring worlds of clockwork people and their relationship to their creators. If a mad scientist of the steam age were to create his or her own being, what desires would be reflected there? With stories by Eric Del Carlo, Jason Rubis, Elizabeth Schechter, Lionel Bramble, AN Cortez, Helena Weiss, Monique Poirier.

The Victorians wrote some of the best and most enduring erotica. For such a tightly-laced age, people spent a lot of time thinking about things carnal. Jules Verne, Sir Arthur Conan Doyle, Mary Shelley, H.G. Wells, et al enthralled us with their visions of new possibilities. The rich and slightly decadent visuals of the steam age lend themselves perfectly to the new carnality of post-punk era. And, of course, what is repressed will be even more exciting once the corset is unlaced. Steampunk, even without sex, is erotic; with sex, it’s over-the-top hot. A widowed lady engineer invents a small device that can store the energy from sexual frustration and convert it to electricity to help power a home. Teresa Noelle Roberts shows us what it can do, confronted with sexual fulfillment. What volume of steampunk would be complete without a tale of sailing ships and the men who sail them? If your taste runs to sexy pirates in space, Poe Von Page will delight you with the mutinous crew of the Danika Blue and their new captain. Then there’s the very special room on the top floor in the House of the Sable Locks, a brothel where sexually discriminating men go to have their fantasies fulfilled. Even if a man daren’t put those fantasies into words, Elizabeth Schechter’s “Succubus” will give the madam all the information she needs with which to make her clients happy. There are brothels, flying machines, steam-powered conveyances, manor houses, spiritualist societies. The following stories afford intelligently written, beautifully crafted glimpses into other worlds, where the Carnal Machines won’t fail to seduce you, get you wet or make you hard so, lie back, relax; a happy ending is guaranteed.

The articles in this volume discuss specific ways in which the Gothic transgresses boundaries, be they historical, spatial, national, aesthetic, generic, modal, medial, or sexual. Offering a wide range in every respect - from 'Proto' to 'Post-Gothic, ' from mythical to digital, from national to 'Globalgothic, ' from metropolitan to 'EcoGothic, ' from traditional to 'Candygothic, ' from novel to film and from Shakespeare to Steampunk - this collection aims to enrich as well as extend the scholarly debate on the Gothic as a multi-faceted mode of expression that goes beyond limits and, much like a vampire, constantly refreshes itself by feeding on the lifeblood of topical issues. (Series: Culture: Research and Science / Kultur: Forschung und Wissenschaft - Vol. 19) [Subject: Popular Culture, Literary Critic

A 2015 Whitney Award Nominee! A powerful story of loss, second chances, and first love, reminiscent of Sarah Dessen and John Green. When Oakley Nelson loses her older brother, Lucas, to cancer, she thinks she’ll never recover. Between her parents’ arguing and the battle she’s fighting with depression, she feels nothing inside but a hollow emptiness. When Mom suggests they spend a few months in California with Aunt Jo, Oakley isn’t sure a change of scenery will alter anything, but she’s willing to give it a try. In California, Oakley discovers a sort of safety and freedom in Aunt Jo’s beach house. Once they’re settled, Mom hands her a notebook full of letters addressed to her—from Lucas. As Oakley reads one each day, she realizes how much he loved her, and each letter challenges her to be better and to continue to enjoy her life. He wants her to move on. If only it were that easy. But then a surfer named Carson comes into her life, and Oakley is blindsided. He makes her feel again. As she lets him in, she is surprised by how much she cares for him, and that’s when things get complicated. How can she fall in love and be happy when Lucas never got the chance to do those very same things? With her brother’s dying words as guidance, Oakley knows she must learn to listen and trust again. But will she have to leave the past behind to find happiness in the future? Sky Pony Press, with our Good Books, Racehorse and Arcade imprints, is proud to publish a broad range of books for young readers—picture books for small children, chapter books, books for middle grade readers, and novels for young adults. Our list includes bestsellers for children who love to play Minecraft; stories told with LEGO bricks; books that teach lessons about tolerance, patience, and the environment, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.

A USA TODAY BESTSELLER! "A powerful debut that proves the threads that interweave our lives can withstand time and any tide, and bind our hearts forever."—Susanna Kearsley, New York Times bestselling author of Belleweather and The Vanished Days A historical novel inspired by true events, Kelli Estes's brilliant and atmospheric debut is a poignant tale of two women determined to do the right thing, highlighting the power of our own stories. The smallest items can hold centuries of secrets... While exploring her aunt's island estate, Inara Erickson is captivated by an elaborately stitched piece of fabric hidden in the house. The truth behind the silk sleeve dated back to 1886, when Mei Lien, the lone survivor of a cruel purge of the Chinese in Seattle found refuge on Orcas Island and shared her tragic experience by embroidering it. As Inara peels back layer upon layer of the centuries of secrets the sleeve holds, her life becomes interwoven with that of Mei Lein. Through the stories Mei Lein tells in silk, Inara uncovers a tragic truth that will shake her family to its core—and force her to make an impossible choice. Should she bring shame to her family and risk everything by telling the truth, or tell no one and dishonor Mei Lien's memory? A touching and tender book for fans of Marie Benedict, Susanna Kearsley, and Duncan Jepson, The Girl Who Wrote in Silk is a dual-time period novel that explores how a delicate piece of silk interweaves the past and the present, reminding us that today's actions have far reaching implications. Praise for The Girl Who Wrote in Silk: "A beautiful, elegiac novel, as finely and delicately woven as the title suggests. Kelli Estes spins a spellbinding tale that illuminates the past in all its brutality and beauty, and the humanity that binds us all together." —Susan Wiggs, New York Times bestselling author of The Beekeeper's Ball "A touching and tender story about discovering the past to bring peace to the present." —Duncan Jepson, author of All the Flowers in Shanghai "Vibrant and tragic, The Girl Who Wrote in Silk explores a horrific, little-known era in our nation's history. Estes sensitively alternates between Mei Lien, a young Chinese-American girl who lived in the late 1800s, and Inara, a modern recent college grad who sets Mei Lien's story free." —Margaret Dilloway, author of How to Be an American Housewife and Sisters of Heart and Snow