Like A Lampshade In A Whorehouse

You think I’m overdressed? This is my slip! No, I’m going to tell you the truth about what I’m wearing. I used to work as a lampshade in a whorehouse. I couldn’t get one of the good jobs. From housewife to humorist, Phyllis Diller made millions laugh for over five decades with her groundbreaking comedy. Boasting unique material, a raucous laugh, wild hair, the trademark cigarette holder, and garish clothes, this pioneer blazed a trail for comediennes during the fifties and sixties, leading them out of small dives into the kinds of top venues that had previously played host only to their male counterparts. While her routine broke new ground and opened doors to subsequent generations of female standups, it also served as a form of self-therapy amid a life steeped in tragedy and turmoil. Like a Lampshade in a Whorehouse is Phyllis Diller’s own story about the struggle and the pain behind the comedy and the success: her Depression-era adolescence; her marriage to the chronically unemployed husband who inspired her most famous comic character, Fang; her desperate attempts to stave off poverty as a professional comic while raising five children; the disastrous club engagements that coincided with homelessness and separation from her young family; and the problems that clouded her stage and screen success when a second marriage unraveled because of her new spouse’s alcoholism and inner demons. Over fifty years after Diller’s professional debut as a standup comic, Like a Lampshade in a Whorehouse describes her separate careers as an artist and as a piano soloist with symphony orchestras; her failed attempts to become a Playboy centerfold; and her outspoken attitude toward her extensive plastic surgery that earned her a special award from the American Academy of Cosmetic Surgery. It’s quite a story.

"A guidebook to sites related to famous people in St. Louis, with anecdotes, interesting facts, and cross-references. Each entry is keyed to one of ten maps of the St. Louis area"--Provided by publisher.

This lighthearted and eye-opening book explores the role of comedy in cultural and political critiques of American society from the past century. This unprecedented look at the history of satire in America showcases the means by which our society is informed by humor—from the way we examine the news, to how we communicate with each other, to what we seek out for entertainment. From biographical information to critical reception of material and personalities, the book features humorists from both literary and popular culture settings spanning the past 100 years. Through its 180 entries, this comprehensive volume covers a range of artists—individuals such as Joan Rivers, Hunter S. Thompson, and Chris Rock—and topics, including vaudeville, cartoons, and live performances. The content is organized by media and genre to showcase connections between writers and performers. Chapters include an alphabetical listing of humorists grouped by television and film stars, stand-up and performance comics, literary humorists, and humorists in popular print.

 George Cory and Douglass Cross wrote just one hit song, “I Left My Heart in San Francisco.” They were unknown before they wrote it—and were unknown after it became a standard. Their lives were a tangle. They eked out a meager living in San Francisco and Brooklyn for 15 years before Tony Bennett serendipitously came across the song, which had languished. His recording revived his career and made the songwriters rich. Wealth didn’t beget happiness. The duo broke up. Cross drank himself to death. Cory died from drinking as well (widely believed to be a suicide). In 2016, San Francisco dedicated a monument to the city’s official song in front of the iconic Fairmont Hotel—a statue of Tony Bennett.

In this intimate portrait, Mann incisively illuminates Streisand's climb to fame before she became the icon.

“A sensitive and vivid study of early female stand-ups… [Levy is a] painstaking, knowledgeable guide.” —New York Times Book Review A hilarious and moving account of the trailblazing women of stand-up comedy who broke down walls so they could stand before the mic—perfect for fans of The Marvelous Mrs. Maisel and Hacks Today, women are ascendant in stand-up comedy, even preeminent. They make headlines, fill arenas, spawn blockbuster movies. But before Amy Schumer slayed, Tiffany Haddish killed, and Ali Wong drew roars, the very idea of a female comedian seemed, to most of America, like a punch line. And it took a special sort of woman—indeed, a parade of them—to break and remake the mold. In on the Joke is the story of a group of unforgettable women who knocked down the doors of stand-up comedy so other women could get a shot. It spans decades, from Moms Mabley’s rise in Black vaudeville between the world wars, to the roadhouse ribaldry of Belle Barth and Rusty Warren in the 1950s and '60s, to Elaine May's co-invention of improv comedy, to Joan Rivers's and Phyllis Diller’s ferocious ascent to mainstream stardom. These women refused to be defined by type and tradition, facing down indifference, puzzlement, nay-saying, and unvarnished hostility. They were discouraged by agents, managers, audiences, critics, fellow performers—even their families. And yet they persevered against the tired notion that women couldn’t be funny, making space not only for themselves, but for the women who followed them. Meticulously researched and irresistibly drawn, Shawn Levy's group portrait forms a new pantheon of comedy excellence. In on the Joke shows how women broke into the boys’ club, offered new ideas of womanhood, and had some laughs along the way.

Kinky Friedman is not only a man of the people, he's a man of the animal kingdom. Kinky is a man who wears many hats -- not just a Stetson. Aside from being a politico, folksinger, and mystery author, he's also a longtime animal advocate and feels as passionately about his pets as he does about legislative reform. But rather than simply write about his own experiences, why shouldn't he include a few friends? Of course, Kinky's address book is unique, and he's taken full advantage. In his new collection, Kinky's Celebrity Pet Files, the Kinkster writes about his famous friends and their pets you've never met, each with a story as delightful and offbeat as the author himself. Kinky has gathered together an eclectic and extraordinary group of talented celebrity pals to talk about the subject nearest and dearest to their hearts: their pets. With candid, personal photos of the stars and their beloved animals and insider stories to match, the book is like a party only Kinky could throw, and the results are both entertaining and endearing. It's not your average celebrity pet book, because Kinky's not your average celebrity. He's got musicians, like Johnny Cash and his pig, Brian Wilson with his dog, and Willie Nelson doing his best horse whisperer impersonation; actors and comedians ranging from Phyllis Diller with Miss Kitty to Richard Pryor on a pygmy pony; and a lineup of writers, politicians, and some heroes of the past -- Bill Clinton, Joseph Heller, and Mark Twain, to name a few. Hilarious, oddball, heartwarming, and edgy all at once, Kinky's Celebrity Pet Files is a book for animal lovers, celebrity junkies, and anyone who just likes a good story. It's a little weird, it's completely charming, and it's 100 percent Kinky.

This biographical dictionary is devoted to the actors who provided voices for all the Disney animated theatrical shorts and features from the 1928 Mickey Mouse cartoon Steamboat Willie to the 2010 feature film Tangled. More than 900 men, women, and child actors from more than 300 films are covered, with biographical information, individual career summaries, and descriptions of the animated characters they have performed. Among those listed are Adriana Caselotti, of Snow White fame; Clarence Nash, the voice of Donald Duck; Sterling Holloway, best known for his vocal portrayal of Winnie the Pooh; and such show business luminaries as Bing Crosby, Bob Newhart, George Sanders, Dinah Shore, Jennifer Tilly and James Woods. In addition, a complete directory of animated Disney films enables the reader to cross-reference the actors with their characters.