In On The Joke

“A sensitive and vivid study of early female stand-ups… [Levy is a] painstaking, knowledgeable guide.” —New York Times Book Review A hilarious and moving account of the trailblazing women of stand-up comedy who broke down walls so they could stand before the mic—perfect for fans of The Marvelous Mrs. Maisel and Hacks Today, women are ascendant in stand-up comedy, even preeminent. They make headlines, fill arenas, spawn blockbuster movies. But before Amy Schumer slayed, Tiffany Haddish killed, and Ali Wong drew roars, the very idea of a female comedian seemed, to most of America, like a punch line. And it took a special sort of woman—indeed, a parade of them—to break and remake the mold. In on the Joke is the story of a group of unforgettable women who knocked down the doors of stand-up comedy so other women could get a shot. It spans decades, from Moms Mabley’s rise in Black vaudeville between the world wars, to the roadhouse ribaldry of Belle Barth and Rusty Warren in the 1950s and '60s, to Elaine May's co-invention of improv comedy, to Joan Rivers's and Phyllis Diller’s ferocious ascent to mainstream stardom. These women refused to be defined by type and tradition, facing down indifference, puzzlement, nay-saying, and unvarnished hostility. They were discouraged by agents, managers, audiences, critics, fellow performers—even their families. And yet they persevered against the tired notion that women couldn’t be funny, making space not only for themselves, but for the women who followed them. Meticulously researched and irresistibly drawn, Shawn Levy's group portrait forms a new pantheon of comedy excellence. In on the Joke shows how women broke into the boys’ club, offered new ideas of womanhood, and had some laughs along the way.

Over 500 giggles, groans, and belly laughs! Kids can’t resist sharing jokes (even you try to stop them), so they always need a fresh supply. We’ve stuffed the pages of this little joke book with the funniest jokes we could find. Old favorites, new favorites, and a few festering stinkers, all guaranteed to make kids laugh out loud. You’ll find Q&A jokes, knock-knock jokes, riddles, and one-liners. And, of course, we’ve included entire chapters of those all-time kid-pleasers: elephant jokes, pirate jokes, and space jokes. Here’s a sampling: What's black and white, black and white, black and white? A penguin rolling down a hill. Why don’t zombies eat clowns? They taste funny. Why did the hen scold her chicks? They were using fowl language. What kind of books do skunks read? Best-smellers! How does Darth Vader like his toast? On the dark side. . . . and many more!

In a blend of essayistic poetics, Broadbent wields alchemy, translation and necromancy to bring readers In on the Great Joke. What do you get when you cross Lao Tzu and an application for a university teaching application? What do you get when you give W. G. Sebald and Clarice Lispector the ability to speak from the afterlife? What happens if a girl is stopped at a red light for an entire year? In on the Great Joke is a palace of hybridity, where film structure informs poetry, poetry alters the essay, and the essay recalibrates the joke. Broadbent has lent her ear to the dead, the living, the voiceless, to give us the punchline of what it means to be intellectually alive. 'Then there's Laura Broadbent. She is, as are her poems, full of sultry verve and invective. Watch out. Her lines are dizzying and always on point.' - Michael Nardone, Hobo Magazine Praise for Oh There You Are I Can't See You Is It Raining?: 'Oh There You Are... succeeds because it is accessible. Intellectually rigorous and evasive, it also makes itself emotionally available.' - Justin F. Ridgeway, Broken Pencil

Over 1,000 jokes, 96 drawings. Index. "Gr.4-6. A gigantic compendium of rib-tickling, giggle-inspiring one liners, puns, funny stories, put-downs...Clever and witty."--SLJ. "True kid appeal."--Learning. 256 pages, b/w illus. throughout, 5 3/8 x 8 1/4.

That's right folks! Inside this book you'll find tons of riddles,gags and knock-knocks that are guaranteed to keep you giggling. So get ready to get wacky with knee-slappers from the funniest cartoon characters of all time-Bugs, Daffy, Tweety, Sylvester, Taz, Elmer and many, many more!

This is a fun-filled collection of clean jokes, anecdotes, puns, wisecracks, quotations, and tall stories designed for speakers, teachers, pastors, businessmen, masters of ceremonies and everyone who likes to laugh. Arranged alphabetically.

Who is morally permitted to tell jokes about Jews? Poles? Women? Only those in the group? Only those who would be punching up? Anyone, since they are just jokes? All of the standard approaches are too broad or too narrow. In on the Joke provides a more sophisticated approach according to which each person possesses "joke capital" that can serve as "comic insurance" covering certain jokes in certain contexts. When Bob tells a joke about Jews, we can never know exactly what Bob is intending since we cannot see inside Bob’s mind. But we could reasonably infer, if we knew Bob himself was Jewish, if he worked tirelessly for Jewish causes, or was a card-carrying Neo-Nazi. Each would affect his joke capital, and, in certain circumstances, we would have a moral standing to demand to see his ledger to see how much joke capital he had with respect to Jews. The permissibility of that joke depends upon four factors: the joke, the teller of the joke, the audience, and the setting. The view developed in In on the Joke is the only view that clearly explains how each of these components work together in an integrated, effective ethic of humor.

Written by a scholar of satire and politics, Trump Was a Joke explains why satire is an exceptional foil for absurd political times and why it did a particularly good job of making sense of Trump. Covering a range of comedic interventions, Trump Was a Joke analyzes why political satire is surprisingly effective at keeping us sane when politics is making us crazy. Its goal is to highlight the unique power of political satire to encourage critical thinking, foster civic action, and further rational debate in moments of political hubris and hysteria. The book has been endorsed by Bassem Youssef, who has been referred to as the “Jon Stewart of Egypt,” and Srdja Popovic, author of Blueprint for Revolution, who used satirical activism to bring down Serbian dictator Slobodan Milosevic. With a foreword by award-winning filmmaker, satirist, and activist Michael Moore, this study will be of interest to readers who follow politics and enjoy political comedy and will appeal to the communications, comedy studies, media studies, political science, rhetoric, cultural studies, and American studies markets.