Literary Depictions Of The Scribal Profession In The Story Of Ahiqar And Jeremiah 36

In der Reihe Beihefte zur Zeitschrift für die alttestamentliche Wissenschaft (BZAW) erscheinen Arbeiten zu sämtlichen Gebieten der alttestamentlichen Wissenschaft. Im Zentrum steht die Hebräische Bibel, ihr Vor- und Nachleben im antiken Judentum sowie ihre vielfache Verzweigung in die benachbarten Kulturen der altorientalischen und hellenistisch-römischen Welt. Die BZAW akzeptiert Manuskriptvorschläge, die einen innovativen und signifikanten Beitrag zu Erforschung des Alten Testaments und seiner Umwelt leisten, sich intensiv mit der bestehenden Forschungsliteratur auseinandersetzen, stringent aufgebaut und flüssig geschrieben sind.

This is the first study to compare the allusions to scribal culture found in the Aramaic Story of Ahiqar and the Hebrew Tale of Jeremiah and Baruch’s Scroll in Jeremiah 36. It is shown that disguised in the royal propagandistic message of Ahiqar is a sophisticated Aramaic critique on the social practices of Akkadian scribal culture. Jeremiah 36, however, uses loci of scribal activity as well as allusions to scribal interactions and the techniques of the scribal craft to construct a subversive tale. When studied from a comparative perspective it is argued that the Story of Ahiqar, which has long been associated with the well-known court tale genre, is an example of a subgenre which is here called the scribal conflict narrative, and Jeremiah 36 is found to be a second example of or a response to it. This observation is arrived at by means of rigorous manuscript examination combined with narrative analysis, which identified, among other things, the development of autobiographical and biographical styles of the same ancient narrative. This study not only provides new perspectives on scribal culture, Ahiqar studies, and Jeremiah studies, but it may have far reaching implications for other ancient sources.

A comprehensive survey of Syriac Christianity over three thousand years Syriac is often referred to as the third main language of Christianity, along with Latin and Greek, and it remains a foundational classical, literary, and religious language throughout the world. Originating in Mesopotamia along the Roman and Parthian frontiers, it was never the language of a powerful state or ethnic group, but with the coming of Christianity it developed into a rich religious and cultural tradition. At the same time that Christianity was making its way through Europe, Syriac missionaries were founding churches from the Mediterranean coast to Persia, converting the Turkic tribes of Central Asia, and building communities in India and China. This comprehensive work tells the underexplored story of the Syriac world over three thousand years, from its pre-Christian roots in the Aramaic tribes and the ancient Near East to its vibrant expressions in modern diaspora churches. Enhanced with images, songs, poems, and important primary texts, this book shows the importance of Syriac history, theology, and literature in the twenty-first century.

Central to understanding the prophecy and prayer of the Hebrew Bible are the unspoken assumptions that shaped them—their genres. Modern scholars describe these works as “poetry,” but there was no corresponding ancient Hebrew term or concept. Scholars also typically assume it began as “oral literature,” a concept based more in evolutionist assumptions than evidence. Is biblical poetry a purely modern fiction, or is there a more fundamental reason why its definition escapes us? Beyond Orality: Biblical Poetry on its Own Terms changes the debate by showing how biblical poetry has worked as a mirror, reflecting each era’s own self-image of verbal art. Yet Vayntrub also shows that this problem is rooted in a crucial pattern within the Bible itself: the texts we recognize as “poetry” are framed as powerful and ancient verbal performances, dramatic speeches from the past. The Bible’s creators presented what we call poetry in terms of their own image of the ancient and the oral, and understanding their native theories of Hebrew verbal art gives us a new basis to rethink our own.

The famous German excavations between 1906 and 1908 of Elephantine Island in Egypt produced some of the most important Aramaic sources for understanding the history of Judeans and Arameans living in 5th century BCE Egypt under Persian occupation. Unknown to the world, many papyri fragments from those excavations remained uncatalogued in the Berlin Museum. In New Aramaic Papyri from Elephantine in Berlin James D. Moore edits the remaining legible Aramaic fragments, which belong to letters, contracts, and administrative texts. To view supplementary material from the volume go here.

"This book offers fresh readings of the Aramaic book of Ahiqar, an oft underappreciated ancient wisdom text. In undertaking a comprehensive literary analysis, incorporating both the drama and the sayings together, Bledsoe shows that Ahiqar's didactic impulse is founded on a sense of uncertainty about life, offering advice for those in times of distress, much like the titular character himself. While Ahiqar shares many features with instructional literature like Proverbs, the ambiguous cosmic and social order imagined in the text resonate more strongly with the likes of Qoheleth or Job. Bledsoe also takes seriously the Elephantine context, suggesting that the social and political ethic evinced by the work would have resonated strongly with the Judean community in Achaemenid Egypt"--

In Language Contact, Colonial Administration, and the Construction of Identity in Ancient Israel, Boyd offers the first book-length incorporation of language contact theory with data from the Bible. It allows for a reexamination of the nature of contact between biblical authors and the Assyrian, Babylonian, and Achaemenid empires.