Literate Women And The French Revolution Of 1789

This volume represents the first book-length study of attitudes toward women in revolutionary France. Based on extensive research in the libraries and archives of Paris, the book examines the impact of the Revolution's ideology of liberty and equality. When the men of 1789 wrote the Declaration of the Rights of Man, they were thinking in terms of man the male, not man the species. But there were some men and women who interpreted it in terms of all humanity. The outrage of these individuals over what they perceived as a discrepancy between the principles and the practice of the Revolution motivated them to produce some of the most unhesitating declarations of sexual equality that had ever been seen in history. Dr. Proctor demonstrates, however, these claims of equality were not simply ignored; they were categorically rejected by the mainstream revolutionaries. The book examines the typical 18th-century concept of women as alien and in some ways inferior beings and traces the striking continuity between pre-Revolutionary and Revolutionary thought on the subject. Against this background, Proctor addresses a number of important questions: How widespread was the support for a movement in favor of sexual equality? What was the response of the Revolution itself to demands for equal rights for women? How did the men of the French Revolution justify the contradiction between their suppression of women and the ideologies for which they claimed to be fighting? To arrive at the answers, an abundance of material produced in France in the 18th century is identified and analyzed, and cited in an extensive bibliography of original sources. What finally emerges is not only a clearer picture of the French Revolution and its attitude toward women, but a deeper understanding of the ambivalent attitudes toward women that still affect our society today. This book will be an important resource for courses in European history, the French Revolution, and women's studies, as well as a valuable reference for college, university, and public libraries.

Out of the Shadows demonstrates the importance of the role of women in the French Revolution. It traces the growth of female political awareness and depicts the determination of women of the working class to participate in the life of the new nation despite their government's obstinate denial of the rights of citizenship. The author examines in detail the grassroots involvement of women in the affairs of the country right up until the avalanche of repressive legislation passed in the spring of 1795.

In the nineteenth century, the reading public expanded to embrace new categories of consumers, especially of cheap fiction. These new lower-class and female readers frightened liberals, Catholics and republicans alike. The study focuses on workers, women and peasants, and the ways in which their reading was constructed as a social and political problem, to analyse the fear of reading in nineteenth century France. The author presents a series of case-studies of actual readers, to examine their choices and their practices, and to evaluate how far they responded to (or subverted) attempts at cultural domination.

Named an Outstanding Academic Book for 1997 by CHOICE. Out of the Shadows demonstrates the importance of the role of women in the French Revolution. It traces the growth of female political awareness and depicts the determination of women of the working class to participate in the life of the new nation despite their government's obstinate denial of the rights of citizenship. The author examines in detail the grassroots involvement of women in the affairs of the country right up until the avalanche of repressive legislation passed in the spring of 1795.

200 years ago, the women of revolutionary Paris were demanding legal equality in marriage; educational opportunities for girls; and public instruction, licensing, and support for midwives. This title presents sixty documents which focuses on these and other socioeconomic struggles by women and their impact on the French Revolutionary era.

"Despite critical interest in the role of women in the French Revolution, there is no single, comprehensive study of the works of the two most prolific women writers of the period: Olympe de Gouges and Manon Roland. At a time when politicians were molding public policy concerning life, liberty, the pursuit of happiness, and constituting criteria for citizenship, increasing numbers of women in Paris were clamoring for rights. New medical and philosophical theories redefining female nature were trotted out to justify women's continued exclusion from full political participation. Such theories focused on the female body as the locus of women's intellectual inadequacies and promulgated the idea that women who acted outside of the confines of their physiological nature were considered desensitized and unfeminine. "Deviant Women of the French Revolution and the Rise of Feminism" aims to uncover the work of those women who challenged prevailing views of female nature, sought social reforms, and were deemed 'deviant' for their writing and/or activism during the French Revolution."--Jacket.

Romantic Wars is a collection of eight specially commissioned essays focusing on the relations between British Romantic culture (poetry, fiction, painting, and non-fictional prose) and the Revolutionary and Napoleonic wars. Whilst in recent years much attention has been paid to the influence of the French Revolution on British Romanticism, comparatively little has been written about the effects of war. This book takes, as its central thesis, the idea that Romanticism is facilitated and conditioned by a culture of hostility. Whether this is manifested in Blakean visions of 'mental warfare', or in socio-historical reflections on the links between conflict and nationhood, the essays in this volume seek to correct a prevailing assumption that the culture of this period is unaffected by discourses of violence. Through a combination of individual case studies - detailed readings of warfare in Coleridge, Byron, Charlotte Smith and Austen - and wider-ranging survey discussions, including essays on the representation of the British sailor and war poetry by women, the book provides a timely reflection on the texts and contexts of the first 'Great War'. The book is aimed at literary specialists and historians working in the areas of Romanticism and European history. It will also appeal to general readers with an interest in early nineteenth-century writing and British culture.