Little Novels Of Sicily

First Published in a single volume in 1883, the stories collected in Little Novels of Sicily are drawn from the Sicily of Giovanni Verga's childhood, reported at the time to be the poorest place in Europe. Verga's style is swift, sure, and implacable; he plunges into his stories almost in midbreath, and tells them with a stark economy of words. There's something dark and tightly coiled at the heart of each story, an ironic, bitter resolution that is belied by the deceptive simplicity of Verga's prose, and Verga strikes just when the reader's not expecting it. Translator D. H. Lawrence surely found echoes of his own upbringing in Verga's sketches of Sicilian life: the class struggle between property owners and tenants, the relationship between men and the land, and the unsentimental, sometimes startlingly lyric evocation of the landscape. Just as Lawrence veers between loving and despising the industrial North and its people, so too Verga shifts between affection for and ironic detachment from the superstitious, uneducated, downtrodden working poor of Sicily. If Verga reserves pity for anyone or anything, it is the children and the animals, but he doesn't spare them. In his experience, it is the innocents who suffer first and last and always.

Giovanni Verga was an Italian realist writer, best known for his depictions of life in Sicily, and especially for the "Little Novels of Sicily (Novelle Rusticane)" CONTENTS Note on Giovanni Verga His Reverence So Much For The King Don Licciu Papa The Mystery Play Malaria The Orphans Property Story of The Saint Joseph's Ass Blackbread The Gentry Liberty Across The Sea

Little Novels of Sicily - "Novelle Rusticane" - Giovanni Verga. Translated by D. H. Lawrence. Giovanni Carmelo Verga (2 September 1840 - 27 January 1922) was an Italian realist (Verismo) writer, best known for his depictions of life in his native Sicily, and especially for the short story (and later play) Cavalleria Rusticana and the novel I Malavoglia (The House by the Medlar Tree). The first son of Giovanni Battista Catalano Verga and Caterina Di Mauro, Verga was born into a prosperous family of Catania in Sicily. He began writing in his teens, producing the largely unpublished historical novel Amore e Patria (Love and Country); then, although nominally studying law at the University of Catania, he used money his father had given him to publish his I Carbonari della Montagna (The Carbonari of the Mountain) in 1861 and 1862. This was followed by Sulle lagune (On the Lagoons) in 1863. Meanwhile, Verga had been serving in the Catania National Guard (1860-64), after which he travelled to Florence several times, settling there in 1869. He moved to Milan in 1872, where he developed his new approach, characterized by the use of dialogue to develop character, which resulted in his most significant works. In 1880 his story collection Vita dei campi (Life in the Fields), including "Fantasticheria" ("Daydreaming"), "La Lupa" ("The She-wolf"), and "Pentolaccia" ("The Plaything"), most of which were about rural Sicily, came out. It also included "Cavalleria Rusticana" ("Rustic Chivalry"), which he adapted for the theatre and later formed the basis for several opera librettos including Mascagni's Cavalleria rusticana and Gastaldon's Mala Pasqua!. Verga's short story, "Malaria", was one of the first literary depictions of the disease malaria.

First Published in a single volume in 1883, the stories collected in Little Novels of Sicily are drawn from the Sicily of Giovanni Verga's childhood, reported at the time to be the poorest place in Europe. Verga's style is swift, sure, and implacable; he plunges into his stories almost in midbreath, and tells them with a stark economy of words. There's something dark and tightly coiled at the heart of each story, an ironic, bitter resolution that is belied by the deceptive simplicity of Verga's prose, and Verga strikes just when the reader's not expecting it. Translator D. H. Lawrence surely found echoes of his own upbringing in Verga's sketches of Sicilian life: the class struggle between property owners and tenants, the relationship between men and the land, and the unsentimental, sometimes startlingly lyric evocation of the landscape. Just as Lawrence veers between loving and despising the industrial North and its people, so too Verga shifts between affection for and ironic detachment from the superstitious, uneducated, downtrodden working poor of Sicily. If Verga reserves pity for anyone or anything, it is the children and the animals, but he doesn't spare them. In his experience, it is the innocents who suffer first and last and always.

Giovanni Carmelo Verga (2 September 1840 - 27 January 1922) was an Italian realist (verista) writer, best known for his depictions of life in his native Sicily, especially the short story (and later play) Cavalleria rusticana [it] and the novel I Malavoglia (The House by the Medlar Tree). He began writing in his teens, producing the largely unpublished, but currently quite famous, historical novel Amore e Patria (Love and Country); then, although nominally studying law at the University of Catania, he used money his father had given him to publish his I carbonari della montagna (The Carbonari of the Mountain) in 1861 and 1862. This was followed by Sulle lagune (On the Lagoons) in 1863.

DigiCat Publishing presents to you this special edition of "Under the Shadow of Etna: Sicilian Stories from the Italian of Giovanni Verga" by Giovanni Verga. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

This volume collects together the introductions and reviews which D. H. Lawrence wrote between 1911 and 1930.