Living With A Black Dog

As beautifully illustrated as it is touching, this second book from Matthew Johnstone, author of I Had a Black Dog, is written for those who care for those suffering from depression - friends, family members, colleagues, and even therapists. Using wonderful illustrations and the image of Churchill's infamous 'black dog', Matthew and his wife Ainsley offer a moving, inspirational and often humorous portrait of life with depression - not only for those suffering from it themselves, but for those close to them. Living with a Black Dog speaks directly to the carer and offers practical and sometimes tongue-in-cheek tips on helping the depression sufferer, such as 'Socks have little do with mental health. If people could just "snap out of it" they would.' and 'Encourage any form of regular exercise. Fitness robs the Dog of its power'. Based on their own experiences, Matthew and his wife Ainsley treat the subject of depression sympathetically, hopefully and, most importantly, humorously.

'I Had a Black Dog says with wit, insight, economy and complete understanding what other books take 300 pages to say. Brilliant and indispensable.' - Stephen Fry 'Finally, a book about depression that isn't a prescriptive self-help manual. Johnston's deftly expresses how lonely and isolating depression can be for sufferers. Poignant and humorous in equal measure.' Sunday Times There are many different breeds of Black Dog affecting millions of people from all walks of life. The Black Dog is an equal opportunity mongrel. It was Winston Churchill who popularized the phrase Black Dog to describe the bouts of depression he experienced for much of his life. Matthew Johnstone, a sufferer himself, has written and illustrated this moving and uplifting insight into what it is like to have a Black Dog as a companion and how he learned to tame it and bring it to heel.

In 1988, shortly after moving from Sydney back to his birthplace in the rural New South Wales hamlet of Bunyah, Les Murray was struck with depression. In the months that followed, the "Black Dog" (as he calls it) ruled his life. He raged at his wife and children. He ducked a parking ticket on grounds of insanity, and begged a police officer to shoot him rather than arrest him. For days on end he lay in despair, a state in which, as he puts it precisely, "you feel beneath help." Killing the Black Dog is Murray's recollection of those awful days: brief, pointed, wise, and full of beauty in the way of his poetry. The prose text—delicately balanced between personal and informative—gives a glimpse of the imprint that depression can leave on a life. The accompanying poems show their roots in his crisis—a crisis from which, he reports toward the close of this poignant book, he has fully recovered. "My thinking is no longer jammed and sooty with resentment," he recalls. "I no longer wear only stretch-knit clothes and drawstring pants. I no longer come down with bouts of weeping or reasonless exhaustion. And I no longer seek rejection in a belief that only bitterly conceded praise is reliable." Killing the Black Dog is a crucial chapter in the life of an outstanding poet.

Yesterday, Sally was living in an idyllic South African farmstead with her teenage daughter Gigi. Now Sally is dead - murdered - and Gigi is alone in the world. But Sally cannot die. She lingers unseen in her daughter's shadow. When Gigi moves in with her aunt's family, Sally comes too. When Gigi's trauma stirs up long-buried secrets, Sally watches helplessly as the family begins to unravel. Then Gigi's young cousin develops an obsession with African black magic, and events take a darker turn. Now Sally must find a way to stop her daughter from making a mistake that will destroy the lives of all who are left behind ...

Only Small, the youngest of the Hopes, has the courage to face the Black Dog that appears outside the family's home. When it chases her through the forest she shows no fear, so it grows smaller and smaller. The 2013 Greenaway winner is now available with an audio CD.

From the time she was five years old, author Lynn Stacy-Smith has lived side by side with dogs as her best friends and constant companions. Love, Laugh, Woof, a memoir and guide to being a compassionate forever dog owner, shares a collection of stories from the authors life with her dogs a tribute to how her dogs brought joy and adventure into her childhood and later life. It segues from her memories into a training manual and pet care book that helps potential pet owners decide if a dog is right for them, and the importance of training and teaching the dog the rules of living in a human world. Smith shares the responsibilities involved in bringing a pet into their lives, and she strives to help people become more compassionate and understanding dog owners. A combination of anecdotes and instructional materials, Love, Laugh, Woof offers a look at Smiths philosophy on dog ownership. Love Laugh, Woof is a way of life and a set of beliefs that she follows to be a loving, thoughtful and fair dog owner.

Set in late 1980s Europe at the time of the fall of the Berlin Wall, Black Dogs is the intimate story of the crumbling of Bernard and June Tremaine’s marriage, as witnessed by their son-in-law, Jeremy, who seeks to comprehend how their deep love could be defeated by ideological differences that seem irreconcilable. In writing June’s memoirs, Jeremy is led back to a moment, that was, for June, as devastating and irreversible in its consequences as the changes sweeping Europe in Jeremy’s own time. Ian McEwan weaves the sinister reality of civilization’s darkest moods—its black dogs—with the tensions that both create love and destroy it.

In a land where gods walk on the hills and goddesses rise from river, lake, and spring, the caravan-guard Holla-Sayan, escaping the bloody conquest of a lakeside town, stops to help an abandoned child and a dying dog. The girl, though, is the incarnation of Attalissa, goddess of Lissavakail, and the dog a shape-changing guardian spirit whose origins have been forgotten. Possessed and nearly driven mad by the Blackdog, Holla-Sayan flees to the desert road, taking the powerless avatar with him. Necromancy, treachery, massacres, rebellions, and gods dead or lost or mad, follow hard on the their heels. But it is Attalissa herself who may be the Blackdog’s—and Holla-Sayan’s—doom.