London Zoo And The Victorians 1828 1859

London Zoo examined in its nineteenth-century context, looking at its effect on cultural and social life At the dawn of the Victorian era, London Zoo became one of the metropolis's premier attractions. The crowds drawn to its bear pit included urban promenaders, gentlemen menagerists, Indian shipbuilders and Persian princes - CharlesDarwin himself. This book shows that the impact of the zoo's extensive collection of animals can only be understood in the context of a wide range of contemporary approaches to nature, and that it was not merely as a manifestation of British imperial culture. The author demonstrates how the early history of the zoo illuminates three important aspects of the history of nineteenth-century Britain: the politics of culture and leisure in a new public domain which included museums and art galleries; the professionalisation and popularisation of science in a consumer society; and the meanings of the animal world for a growing urban population. Weaving these threads altogether, hepresents a flexible frame of analysis to explain how the zoo was established, how it pursued its policies of animal collection, and how it responded to changing social conditions. Dr Takashi Ito is Associate Professor in Modern British History, Tokyo University of Foreign Studies.

The figure of the white hunter sahib proudly standing over the carcass of a tiger with a gun in hand is one of the most powerful and enduring images of the empire. This book examines the colonial politics that allowed British imperialists to indulge in such grand posturing as the rulers and protectors of indigenous populations. This work studies the history of hunting and conservation in colonial India during the high imperial decades of the nineteenth and early twentieth centuries. At this time, not only did hunting serve as a metaphor for colonial rule signifying the virile sportsmanship of the British hunter, but it also enabled vital everyday governance through the embodiment of the figure of the officer–hunter–administrator. Using archival material and published sources, the author examines hunting and wildlife conservation from various social and ethnic perspectives, and also in different geographical contexts, extending our understanding of the link between shikar and governance.

The Routledge Companion to Victorian Literature offers 45 chapters by leading international scholars working with the most dynamic and influential political, cultural, and theoretical issues addressing Victorian literature today. Scholars and students will find this collection both useful and inspiring. Rigorously engaged with current scholarship that is both historically sensitive and theoretically informed, the Routledge Companion places the genres of the novel, poetry, and drama and issues of gender, social class, and race in conversation with subjects like ecology, colonialism, the Gothic, digital humanities, sexualities, disability, material culture, and animal studies. This guide is aimed at scholars who want to know the most significant critical approaches in Victorian studies, often written by the very scholars who helped found those fields. It addresses major theoretical movements such as narrative theory, formalism, historicism, and economic theory, as well as Victorian models of subjects such as anthropology, cognitive science, and religion. With its lists of key works, rich cross-referencing, extensive bibliographies, and explications of scholarly trajectories, the book is a crucial resource for graduate students and advanced undergraduates, while offering invaluable support to more seasoned scholars.

Explores the musical background to Darwinism and the development of the relationship between science and the arts in Victorian Britain.

Hermione’s bottomless bag; Paddington’s hard stare; Nanny McPhee’s mysterious and magical personality; Yondu’s flying arrow. These seemingly unrelated characters, personality traits and magical belongings all merge under Mary Poppins’s umbrella. Australian-born P. L. Travers’s iconic English governess has been entertaining readers worldwide since 1934. Over time, the audience for Mary Poppins has only grown as a result of various film and stage adaptations (e.g., Disney’s Mary Poppins in 1964 and 2018). This book aims to inform those professionals who are eager to discover more about the connection between popular culture and children’s literature concerning Mary Poppins. It is the first to collect and introduce films, sitcoms and other books that have adapted Mary Poppins’s most characteristic personality traits (such as her bitter-sweet ironic mood), unusual teaching methods, and her use of magical accessories (such as her umbrella and carpet bag).

This collection includes twelve provocative essays from a diverse group of international scholars, who utilize a range of interdisciplinary approaches to analyze “real” and “representational” animals that stand out as culturally significant to Victorian literature and culture. Essays focus on a wide range of canonical and non-canonical Victorian writers, including Charles Dickens, Anthony Trollope, Anna Sewell, Emily Bronte, James Thomson, Christina Rossetti, and Richard Marsh, and they focus on a diverse array of forms: fiction, poetry, journalism, and letters. These essays consider a wide range of cultural attitudes and literary treatments of animals in the Victorian Age, including the development of the animal protection movement, the importation of animals from the expanding Empire, the acclimatization of British animals in other countries, and the problems associated with increasing pet ownership. The collection also includes an Introduction co-written by the editors and Suggestions for Further Study, and will prove of interest to scholars and students across the multiple disciplines which comprise Animal Studies.

Journey through Britain’s food history and discover the fascinating, gruesome and wonderful culinary traditions of the Victorians.

In 1850, a baby hippopotamus arrived in England, thought to be the first in Europe since the Roman Empire, and almost certainly the first in Britain since prehistoric times. Captured near an island in the White Nile, Obaysch was donated by the viceroy of Egypt in exchange for greyhounds and deerhounds. His arrival in London was greeted with a wave of ‘hippomania’, doubling the number of visitors to the Zoological Gardens almost overnight. Delving into the circumstances of Obaysch’s capture and exhibition, John Simons investigates the phenomenon of ‘star’ animals in Victorian Britain against the backdrop of an expanding British Empire. He shows how the entangled aims of scientific exploration, commercial ambition, and imperial expansion shaped the treatment of exotic animals throughout the nineteenth and early twentieth centuries. Along the way, he uncovers the strange and moving stories of Obaysch and the other hippos who joined him in Europe as the trade in zoo animals grew.