Londonstani

A talented new writer whose portrayal of the serious business of assimilation and young masculinity is disturbing and hilarious Hailed as one of the most surprising British novels in recent years, Gautam Malkani's electrifying debut reveals young South Asians struggling to distinguish themselves from their parents' generation in the vast urban sprawl that is contemporary London. Chronicling the lives of a gang of four young middle-class men-Hardjit, the violent enforcer; Ravi, the follower; Amit, who's struggling to come to terms with his mother's hypocrisy; and Jas, desperate to win the approval of the others despite lusting after Samira, a Muslim girl-Londonstani, funny, disturbing, and written in the exuberant language of its protagonists, is about tribalism, aggressive masculinity, integration, alienation, bling-bling economics, and "complicated family-related shit."

This volume investigates how fictional literary varieties and characterising discourse in a literary text can be translated and reproduced in the target language and culture. For this purpose, selected examples from Gautam Malkani’s debut novel Londonstani (2006) and its Italian translation by Massimo Bocchiola (2007) are analysed and discussed, in terms of the solutions they offer for the study of linguistic variation as a translation issue, and in terms of the constraints involved in the translation of linguistic varieties. The contrastive analysis conducted on the novel and its Italian translation will serve to provide new insights into the several issues the translation of vernacular literature can raise. How can a translator linguistically recreate the hybrid identity of the characters as Londonstanis, and their performing of masculinity through ethnicity (by resorting to non-standard forms and linguistic repertoires other than the English language) in a new context (the Italian one), which only recently is experiencing the challenges of superdiversity? These are some of the questions this book answers. It will be of primary interest to a wide range of scholars in the fields of translation studies, sociolinguistics, and cross-cultural communication.

'Engrossing . . . Part post-truth nightmare, part social commentary' Financial Times 'Thought-provoking' Spectator 'Taut and timely . . . A brilliant exploration of social media' Nikesh Shukla 'Original and important . . . Essential reading' Sathnam Sanghera Meet Dillon: a high-functioning fuck-up and carer for his dying mum. Trapped in an absurd cycle of pre-bereavement bereavement, he has been hiding his pain and some horrible truths, not least from his girlfriend, Ramona. His distortions have been growing dangerously more hardcore and hardwired, both online and off, thanks to the self-reinforcing effects of social media and creepy digital surveillance. And when a pair of snooping goons turn up, threatening to expose him, he is forced to confront a gut-wrenching secret that he would rather leave well alone. This audacious novel asks what happens when our minds are twisted beyond recognition by our digital data and search histories, and when our darkest truths are forced into the light by the uncanny predictive capabilities of our smartphones. What lengths would you go to in order to hide from yourself?

Multi-Ethnic Britain 2000+ provides an encompassing survey of artistic responses to the changes in the British cultural climate in the early years of the 21st century. It traces topical reactions to new forms of racism and religious fundamentalism, to legal as well as 'illegal' immigration, and to the threat of global terror; yet it also highlights new forms of intercultural communication and convivial exchange. Framed by contributions from novelists Patrick Neate and Rajeev Balasubramanyam, Multi-Ethnic Britain 2000+ showcases how artistic representations in literature, film, music and the visual arts reflect and respond to social and political discourses, and how they contribute to our understanding of the current (trans)cultural situation in Britain. The contributions in this volume cover a wide range of writers such as Graham Swift, Ian McEwan, Zadie Smith, Jackie Kay, Nadeem Aslam, Gautam Malkani, Nirpal Dhaliwal and Monica Ali; films ranging from Gurinder Chadha's Bend It Like Beckham and Bride and Prejudice to Michael Winterbottom's In This World and Alfonso Cuarón's Children of Men; paintings and photography by innovative black and Asian British Artists; and dubstep music.

Has British literature finally surpassed Postmodernism and are we thus currently witnessing the emergence of a new era? Choosing specific forms of engagement with difference as a starting point, the present study traces recent developments in the field of the novel and illustrates in how far these new ways of dealing with difference may be characterised as "non-postmodern". Moreover, the analysis aims to demonstrate the renewed importance of modern(ist) strategies and their employment in contemporary British fiction. Case studies of six novels complement and illuminate these findings.

This book contends that mainstream considerations of the economic and social force of culture, including theories of the creative class and of cognitive and immaterial labor, are indebted to historic conceptions of the art of literary authorship. It shows how contemporary literature has been involved in and has responded to creative-economy phenomena, including the presentation of artists as models of contentedly flexible and self-managed work, the treatment of training in and exposure to art as a pathway to social inclusion, the use of culture and cultural institutions to increase property values, and support for cultural diversity as a means of growing cultural markets. Contemporary writers have tended to explore how their own critical capacities have become compatible with or even essential to a neoliberal economy that has embraced art's autonomous gestures as proof that authentic self-articulation and social engagement can and should occur within capitalism. Taking a sociological approach to literary criticism, Sarah Brouillette interprets major works of contemporary fiction by Monica Ali, Aravind Adiga, Daljit Nagra, and Ian McEwan alongside government policy, social science, and theoretical explorations of creative work and immaterial labor.

Drawing on a selection of works from such prominent authors as Monica Ali, Hanif Kureishi, and Zadie Smith, Race and Antiracism in Black British and British Asian Writing offers the first extended exploration of the cultural impact of race and antiracism in Britain through the lens of black British and British Asian literature. With antiracism—the politics of opposing discrimination—increasingly determining racial categorizations and identities, this study traces its influence over the last two decades on individual identities and the wider political debate, including the changing attitudes toward Muslim culture in Britain and the role of Africa as a symbolic focus for black political culture. This volume will be of interest to anyone seeking a better understanding of the nuances of antiracism in Britain.

When Gabrielle Tennyson is murdered, aristocratic investigator Sebastian St. Cyr and his new reluctant bride, the fiercely independent Hero Jarvis, find themselves involved in an intrigue concerning the myth of King Arthur, Camelot, and a future poet laureate...