Lonesome Road

This is the first book to celebrate the life and writing of one of the most charismatic Southern leaders of the middle twentieth century, Don West (1906-1992). West was a poet, a pioneer advocate for civil rights, a preacher, a historian, a labor organizer, a folk-music revivalist, an essayist, and an organic farmer. He is perhaps best known as an educator, primarily as cofounder of the Highlander Folk School in Tennessee and founder of the Appalachian South Folklife Center in West Virginia. In his old age, West served as an elder statesman for his causes. No Lonesome Road allows Don West to speak for himself. It provides the most comprehensive collection of his poetry ever published, spanning five decades of his literary career. It also includes the first comprehensive and annotated collection of West's nonfiction essays, articles, letters, speeches, and stories, covering his role at the forefront of Southern and Appalachian history, and as a pioneer researcher and writer on the South's little-known legacy of radical activism. Drawing from both primary and secondary sources, including previously unknown documents, correspondence, interviews, FBI files, and newspaper clippings, the introduction by Jeff Biggers stands as the most thorough, insightful biographical sketch of Don West yet published in any form. The afterword by George Brosi is a stirring personal tribute to the contributions of West and also serves as a thoughtful reflection on the interactions between the radicals of the 1930s and the 1960s. The best possible introduction to his extraordinary life and work, this annotated selection of Don West's writings will be inspirational reading for anyone interested in Southern history, poetry, religion, or activism.

DigiCat Publishing presents to you this special edition of "Lonesome Road" by Dora Amy Elles. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

Caught in a blinding snow storm on Lonesome Road high in the mountains southwest of Denver, Paula Drake a budding young lawyer struggled for her life. With an out of range cell-phone and her car in the ditch she fought her way through the blizzard to find shelter. Was this the way her half long life was going to end? Little did she know that God had one of His guardian angels caring for her and the next few days would change her life forever? Months later Paula found Carter Scott laying in a pool of blood on the kitchen floor of his cabin with a bullet hole in his arm shot by an unknown assailant. Would his God pull him through and save his life? Turmoil, mystery, murder and the Love of God would change lives like only He can.

When are you truly grown up? How do you finally become the person God made you to be? In a gentle, reflective account that does not spare himself, Timothy P. Schilling explores these questions while recounting his coming of age as the son of a traumatized war veteran. His memoir Lonesome Road takes us first west, from Indiana to Washington State, and then east, to Princeton University and a Catholic seminary in Europe. It underscores the complexity of conversion, a process that uses everything from a person’s past and every desire that lives within them.

Looking for the last remains of human life, a lonesome wanderer must find his identity and the reason for his journey. The fallen Earth holds secrets, an ancient war that will show him he is not alone. With old forgotten feelings of mistrust and sorrow, the Wanderer will have to navigate his path and remember his past. The journey is long, filled with thorns and friendly people with hidden agendas. And unfortunately, not all have his best interest at heart. The Wanderer will have to stay neutral and true to his path if he wants to uncover the truth. But all things come with a price, and the cost might be his soul. ————— Life as we know is gone. The once vivid city now stands abandoned. Earth became a wasteland, stripped of all life. Broken, confused, and in a desperate search for answers, one person still roams its desolate remains. The Wanderer has no memories, no recollection of the events that led to the end of the world. All he sees are deserted buildings and the smoke that covers the sun. While taking shelter in an abandoned house one night, the last man on Earth gets a knock on his door. He finds an unexpected guide in a woman who feels familiar. Will he choose to keep traversing these lands, lost as before, or will he take her guidance to find the answers his heart so deeply desires? ————— The Wanderer wishes to find another one of his kind. But when his wish is granted, he soon realizes that the truth comes with a price: his soul. Are we truly free, or is destiny pulling the strings of our life choices? "An enticing and intriguing tale! I found myself wanting to know more about the Wanderer as he struggled to learn more about himself and understand his role in a post-apocalyptic setting." -Alex Williams, Editor.

Any listener knows the power of music to define a place, but few can describe the how or why of this phenomenon. In Lonesome Roads and Streets of Dreams: Place, Mobility, and Race in Jazz of the 1930s and ’40s, Andrew Berish attempts to right this wrong, showcasing how American jazz defined a culture particularly preoccupied with place. By analyzing both the performances and cultural context of leading jazz figures, including the many famous venues where they played, Berish bridges two dominant scholarly approaches to the genre, offering not only a new reading of swing era jazz but an entirely new framework for musical analysis in general, one that examines how the geographical realities of daily life can be transformed into musical sound. Focusing on white bandleader Jan Garber, black bandleader Duke Ellington, white saxophonist Charlie Barnet, and black guitarist Charlie Christian, as well as traveling from Catalina Island to Manhattan to Oklahoma City, Lonesome Roads and Streets of Dreams depicts not only a geography of race but how this geography was disrupted, how these musicians crossed physical and racial boundaries—from black to white, South to North, and rural to urban—and how they found expression for these movements in the insistent music they were creating.