Long Dreams In Short Chapters

This book is concerned with, in the main, the whole question of the transformation of the identities of the different peoples of postcolonial Africa. Even so, it is clear that the issues raised would resonate clearly in similar contexts in other parts of the world. Long Dreams in Short Chapters is a remarkable achievement, a brilliant and magisterial remapping of the African text in its literary, cultural, and political dimensions. Author Wumi Raji's globalist and transnational sensitivities make this book an effortless unpacking of the complexities of the African literary process and it is a landmark contribution to African thought.

Simon and Adri are soulmates. They've practically grown up together, supporting one another as best friends through triumphs and losses, fears and secrets. They're each convinced they're made for each other, but there's one problem: they've only ever met in their dreams. Literally!Quiet Adri daydreams her way through a life in Chicago, wondering whether her writing will ever be worth publishing and sharing with other people. Trying to recover from her last heartbreak, she's convinced by her friends to go out -- when she'd much rather stay home with a book. A poorly-timed mistake gets filmed, and the next day, Adri's face is all over the internet. All she wants to do now is disappear forever.Smart guy Simon works in IT in Seattle, trying (and failing!) not to fall in love with every redhead he meets in hopes that she's the girl of his actual dreams come to life. When he sees Adri in a viral video online, he realizes that their dream-lives could be their real lives, if they could just meet in person. Simon rushes to Chicago, hoping and praying he can track her down before she vanishes without a trace.Award-winning author Candace J. Thomas' wistful, tender prose brings to life the journey of a love that defies logic, blossoming from the chance of a lifetime for Adri and Simon to finally cross paths in daylight and dream while wide awake.

Directors and collaborators assess and comment on the production of plays by West Africa's Nobel Laureate Wole Soyinka and East Africa's most influential author Ngugi wa Thiong'o.

Guided by postcolonial theory and the ideas of some Western and African philosophers this study's in-depth analysis of the novels of three Anglophone Cameroonian authors addresses the question of how principles of nation formation and nationalism are influenced by both colonialism and pre-colonial in situ constituents. The analysis focuses on how nations represented in the imaginary worlds constructed by the novelists are dominated by aspects such as ethnicity, corruption, authoritarianism, nepotism, solidarity and communitarianism which marginalize the masses, leaving them in misery and abject poverty. Tracing the historical settings of the novels from 1948 till present day, the study delineates the writers' representation of the Anglophones of Cameroon as being marginalized as well as suffering from self-marginalization and also demonstrates how postcolonial misery in Africa is not caused solely by colonialism but by several other aspects. This study reads the works of these Anglophone novelists not only as representing aspects in a nation but as tools of renegotiating a better society and a way forward for this nation.

The volume is the result of a Lecture Series on The Levant, Cradle of Abrahamic Religions, which engaged scholars on topics related to the cultural and religious diversity of the historical Levant. Like a jigsaw, the studies contained within showcase interlock fragments of the historical encounters between faiths, religions and societies in a rich Levantine and Oriental space, in an attempt to render them more accessible to readers today by focusing both on broader religious phenomena as well as on the practical, liturgical and social interaction between traditions and mentalities, features representative of both faith and society at large.

The book identifies and critically analyses Hausa contemporary films known as Kannywood. The focus is on video films with particular emphasis on sources in oral literature. How traditional theatres are re-enacted and re-framed during filmmaking, and how far are traditional traits captured, changed, or enriched in video film are some issues the book negotiates on. The harmony between orature and technology, as generated by means of the transported film medium is expressed in the book. The new medium is integrated into the ongoing traditional and cultural surroundings, where native narrative traditions have been adopted into the global film medium, which is in alignment with contemporary medial culture.

“My Brother Was an Only Child” was Jack Douglas’ very first humour book, having written for famous radio and television celebrities such as Jack Paar, Bob Hope, Bing Crosby and Jimmy Durante, as well as TV shows such as “Adventures of Harriet and Ozzie”, “The George Gobel Show”, and “Laugh-In”. It perfectly captures the sense of humour prevalent in this era and is as refreshing and side-splittingly funny now as it was then.

Juggling soccer, school, friends and family leaves John with little time for anything else. One day at the local community center, following the sound of drums, he stumbles into an Indigenous dance class. Before he knows what's happening, John finds himself stumbling through beginner classes with a bunch of little girls, skipping soccer practice and letting his other responsibilities slide. When he attends a powwow and witnesses a powerful performance, he realizes that he wants to be a dancer more than anything. But the nearest class for boys is at the Native Cultural Center in the city, and he still hasn't told his family or friends about his new passion. If he wants to dance, he will have to stop hiding. Between the mocking of his teammates and the hostility of the boys in his dance class, John must find a way to balance and embrace both the Irish and Cree sides of his heritage.