Looking For The Lost Gods Of England

An examination of the royal genealogies, charms, verse and other sources in an attempt to find the names and attributes of the gods and goddesses of the early Anglo-Saxons. The text is a transcript of a talk given to a meeting of The English Companions.

In The Sleeping Army, Freya went to Hel and back. She fought dragons, fled fire and outwitted giants - all to restore eternal youth to the Norse Gods. But now they're back, does anyone care? The Gods' popularity on earth is waning, and without regular worship, their powers are fading fast and their ancient enemies, the Frost Giants, are stirring. So the Gods hatch a plan - they'll come back down to earth, and they'll pursue a very different kind of popularity. They're going to become celebrities. A rollicking, thrilling and hilarious ride, The Lost Gods takes up where the Sleeping Army left off and takes us back to Simon's brilliantly-imagined modern Norse England.

A uniquely British phenomenon, the 30 or so figures cut into the turf of southern England have excited antiquarians, archaeologists, and the general public for generations. However, their origins are enigmatic. Paul Newman shows how hill-figures reveal Britain’s darkest past: Druid massacres, conjectured human sacrifice, and strange phallic and pagan rites that in milder form survive even today. In recent years much has changed in the world of hill-figure studies, most significantly perhaps the absolute dating by scientific means of early silts incorporated into the Uffington White Horse, which can now be seen to date from around 1000 BC. These and other discoveries and reinterpretations are among the many features which make this book essential reading for all those who have been captivated by the potent symbolism of chalk hill-figures.