The Lost Gods

In Lost Gods, Brom, the artist and author of The Child Thief and Krampus, brings readers into a dark, fantastical, masterful mix of brilliant illustrations and dazzling prose. A young man descends into Purgatory to save his wife and unborn child in this gorgeous, illustrated tale of wonder and terror from the mind of master storyteller and acclaimed artist Brom. Fresh out of jail and eager to start a new life, Chet Moran and his pregnant wife, Trish, leave town to begin again. But an ancient evil is looming, and what seems like a safe haven may not be all it appears . . . Snared and murdered by a vile, arcane horror, Chet quickly learns that pain and death are not unique to the living. Now the lives and very souls of his wife and unborn child are at stake.To save them, he must journey into the bowels of purgatory in search of a sacred key promised to restore the natural order of life and death. Alone, confused, and damned, Chet steels himself against the unfathomable terrors awaiting him as he descends into death’s stygian blackness. With Lost Gods, Brom’s gritty and visceral writing takes us on a haunting, harrowing journey into the depths of the underworld. Thrust into a realm of madness and chaos, where ancient gods and demons battle over the dead, and where cabals of souls conspire to overthrow their masters, Chet plays a dangerous game, risking eternal damnation to save his family.

Traversing visible and invisible realms, A Time of Lost Gods attends to profound rereadings of politics, religion, and madness in the cosmic accounts of spirit mediumship. Drawing on research across a temple, a psychiatric unit, and the home altars of spirit mediums in a rural county of China’s Central Plain, it asks: What ghostly forms emerge after the death of Mao and the so-called end of history? The story of religion in China since the market reforms of the late 1970s is often told through its destruction under Mao and relative flourishing thereafter. Here, those who engage in mediumship offer a different history of the present. They approach Mao’s reign not simply as an earthly secular rule, but an exceptional interval of divine sovereignty, after which the cosmos collapsed into chaos. Caught between a fading era and an ever-receding horizon, those “left behind” by labor outmigration refigure the evacuated hometown as an ethical-spiritual center to come, amidst a proliferation of madness-inducing spirits. Following pronouncements of China’s rise, and in the wake of what Chinese intellectuals termed semicolonialism, the stories here tell of spirit mediums, patients, and psychiatrists caught in a shared dilemma, in a time when gods have lost their way.

The fate of one god hinges on the death of another—and the bravery of a rag-tag band of adventurers—in this classic Harpers novel When Joel became a priest of the new god Finder, he knew it meant forfeiting the honor and security of his position as a master bard. Now his freedom—and his very life—are at stake as the powers of evil embroil the priests of Finder in a struggle against a plot to resurrect the dead god Bane. Accompanied by freedom fighter Holly Harrowslough, the mysterious winged woman Jas, and the aging priest Jedidiah, Joel embarks on a mission to recover the Hand of Bane. His quest leads him from the Realms all the way to the extra-planar city of Sigil. There, Joel must rely on all his courage, wisdom, and strength to thwart the return of Bane the Tyrant and rescue the god Finder from imminent death. Finder’s Bane is the fifteenth book in a series of loosely-connected novels about the Harpers. It is also the first book in the Lost Gods trilogy.

In The Sleeping Army, Freya went to Hel and back. She fought dragons, fled fire and outwitted giants - all to restore eternal youth to the Norse Gods. But now they're back, does anyone care? The Gods' popularity on earth is waning, and without regular worship, their powers are fading fast and their ancient enemies, the Frost Giants, are stirring. So the Gods hatch a plan - they'll come back down to earth, and they'll pursue a very different kind of popularity. They're going to become celebrities. A rollicking, thrilling and hilarious ride, The Lost Gods takes up where the Sleeping Army left off and takes us back to Simon's brilliantly-imagined modern Norse England.

Examines the archaeological evidence, the folklore and writings, and the pictures and carvings of ancient Britain, and offers fresh interpretations of early Anglo-Saxon pagan worship and its continuing legacy

Neythan is one of five young warriors trained and raised together by a mysterious brotherhood of assassins known as the ShedaÕm. When Neythan is framed for the murder of his closest friend, he pursues his betrayer _ and in so doing learns thereÍs far more to the Brotherhood, and the machinations of the rulers of the warring kingdoms, than heÍd ever thought possible. His journey will lead him across the five realms, from the Forest of Silences to the Ash Plains of Calapaar, and reveal the breaches that lie beneath the world, and the hidden truths of his oath.

Before the Dawn Cataclysm, Moander the Darkbringer corrupted Tyche, Goddess of Luck. In a desperate attempt to preserve Tyche's goodness, the gods clove her in twain, creating two daughter goddesses: Tymora, Lady Luck; and Beshaba, Lady Doom. In the eons since then, the two sisters have existed in total enmity. Now a great power has hatched a mad scheme to re-create the goddess Tyche by reuniting Tymora and Beshaba, regardless of the potentially calamitous consequences. In a decision fraught with godly intrigue, Joel, the Rebel Bard, priest of Finder, is chosen to uncover whoever is behind the abduction of the sister goddesses. Aided by his old allies, Holly Harrowslough and Jas, and his new friend, the kender Emilo Haversack, Joel must find a way to prevent the merger of Tymora and Beshaba before disaster overtakes the luckless Realms. The Forgotten Realms meet Dragonlance meet Planescape in a heart-stoppin gadventure that spans three worlds.

An examination of the royal genealogies, charms, verse and other sources in an attempt to find the names and attributes of the gods and goddesses of the early Anglo-Saxons. The text is a transcript of a talk given to a meeting of The English Companions.