Loon Chase

A mother and son enjoy a peaceful canoe trip until their dog's instinct to chase birds adds excitement to the trip. Includes information about loons and directions for making a loon mask.

The acclaimed author’s “mesmerizing tale” of a young man and woman who struggle to survive in the remote, disputed territory of 19th-century New Hampshire (Kirkus Reviews, starred review). With an oxcart full of rum, a man known as Blood travels through the wild country of New England toward an ungoverned territory called the Indian Stream—a land where the luckless or outlawed can make a fresh start. Blood is a man of contradictions, of learning and wisdom, but also a man with a secret past that has scorched his soul. Intending to establish himself as a prosperous trader, he brings with him Sally, a sixteen-year-old girl he won from her mother in a game of cards. Blood and Sally’s arrival in the Indian Stream triggers an escalating series of clashes that soon destroy the master/servant bond between them, offering both a second chance with life. But as the conflicts within the community attract the attention of outside authorities, Blood becomes a target for those in need of a scapegoat, forcing him to confront dreaded apparitions from his past, while Sally is offered a final escape. “In intensely charged prose very reminiscent of Faulkner’s,” Lost Nation delves beneath the bright, promising veneer of early-nineteenth-century New England to reveal a startling, violent parable of individualism and nationhood (Kirkus Reviews, starred review). “A rousing tale that will surely please the readers of his first, bestselling novel, In the Fall.” —Publishers Weekly “Jeffrey Lent has quietly created some of the finest novels of our new century.” —Ron Rash “Sentence by sentence rural New England comes alive, and Lent’s language draws you in like a clear stream in summer.” —Tim Gautreaux

Nineteenth-century Americans celebrated nature through many artistic forms, including natural-history writing, landscape painting, landscape design theory, and transcendental philosophy. Although we tend to associate these movements with the nation’s dawning environmental consciousness, Passions for Nature demonstrates that they instead alienated Americans from the physical environment even as they seemed to draw people to it. Rather than see these expressions of passion for nature as initiating environmental awareness, this study reveals how they contributed to a culture that remains startlingly ignorant of the details of the material world. Using as a touchstone the writings of nineteenth-century philanthropist Susan Fenimore Cooper (the daughter of famed author James Fenimore Cooper), Passions for Nature reveals that while a generalized passion for nature was intense and widespread in her era, cultural attention to the "real" physical world was quite limited. Popular artistic forms represented the natural world through specific metaphors for the American experience, cultivating a national tradition of valuing nature in terms of humanity. Johnson crosses disciplinary boundaries to demonstrate that anthropocentric understandings of the natural world result not only from the growing gulf between science and imagination that C. P. Snow located in the early twentieth century but also--and surprisingly--from cultural productions traditionally viewed as positive engagements with the environment. By uncovering the roots of a cultural alienation from nature, Passions for Nature explains how the United States came to be a nation that simultaneously reveres the natural world and yet remains dangerously distant from it.